Eugene Ostashevsky (190 results)

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Paperback. Condition: new. Paperback. An original collection from one of the most active poets in contemporary literature.An original collection from one of the most active poets in contemporary literature.Winner of the 2019 International Poetry Prize from the City of M nsterThe Pirate Who Does Not Know the Value of Pi is a poem-novel about the relationship between a pirate and a parrot who, after capturing a certain quantity of prizes, are shipwrecked on a deserted island, where they proceed to discuss whether they would have been able to communicate with people indigenous to the island, had there been any. Characterized by multilingual punning, humor puerile and set-theoretical, philosophical irony and narrative handicaps, Eugene Ostashevsky's new large-scale project draws on sources as various as early modern texts about pirates and animal intelligence, old-school hip-hop, and game theory to pursue the themes of emigration, incomprehension, untranslatability, and the otherness of others. A poem-novel about the relationship between a pirate and a parrot who, after capturing a certain quantity of prizes, are shipwrecked on a deserted island, where they proceed to discuss whether they would have been able to make themselves understood by people indigenous to the island, had there been any. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condition: New. The Feeling Sonnets are written in an English that is translingual not only because it engages other languages but also because it reflects upon itself in uncertainty as if it were the work of a language learner. Words, idioms, sentences, poetic conventions are made strange, dislocated, recontextualised to convey some of the linguistic effects of the migration experience, the experience of non-nativeness. The book includes four cycles of fourteen unrhymed, unmetered, logically Petrarchan sonnets. The first cycle asks about the relationship between interpretation and emotion: whether 'we feel the feelings that we call ours'. The second, mainly composed of 'daughter sonnets', describes bringing up children in a foreign language. The third, 'Die Schreibblockade', German for writer's block, talks about foreign-language processing of inherited historical trauma. The fourth cycle is about translation. A libretto commissioned by Italian composer Lucia Ronchetti follows, about Ravel's interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand.Gwyneth Lewis writes, 'Eugene Ostashevsky is a multilingual language explorer. His The Feeling Sonnets are an exhilarating and witty enquiry into the designs that language has on us as intellectual, domestic and historical beings. This is poetry as punning philosophy, both entertaining and deeply serious. This book is a tour de force, turning languages' spotlights onto speech itself. Yet again, Carcanet is publishing important poetry.'Born in Leningrad, Ostashevsky grew up in Brooklyn. He is now based in Berlin and New York. In his last full book of poetry, The Pirate Who Does Not Know the Value of Pi, published by NYRB Poets, discusses migration, translation, and second-language writing as practiced by pirates and parrots. His previous book, The Life and Opinions of DJ Spinoza, published by Ugly Duckling Presse in Brooklyn, examines the defects of natural and artificial languages.…

Condition: New.

Paperback. Condition: new. Paperback. Slyly funny, inventive, and virtuosic, this new collection from a Russian-American master challenges poetic convention and explores themes of alienhood, translation, and human emotion.In Eugene Ostashevskys The Feeling Sonnetshis fourth collection of poems words, idioms, sentences, and poetic conventions are dislodged and defamiliarized in order to convey the experience of living in a land, and a language, apart. The book consists of four cycles of fourteen unrhymed, unmetered sonnets. The first cycle asks about the relationship between interpretation and emotion, whether we feel the feelings that we call ours. The second cycle, mainly composed of daughter sonnets, describes bringing up children in a foreign country and a foreign language. The third cycle, called Die Schreibblockade, German for writers block, talks about foreign-language processing of inherited historical trauma, in this case the siege of Leningrad from 1941 to 1944. The fourth cycle is about translation. The sonnets are followed by a short libretto, commissioned by the Italian composer Lucia Ronchetti, about Ravels interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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hardcover. Condition: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

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paperback. Condition: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

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Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: new. Paperback. The Feeling Sonnets are written in an English that is translingual not only because it engages other languages but also because it reflects upon itself in uncertainty as if it were the work of a language learner. Words, idioms, sentences, poetic conventions are made strange, dislocated, recontextualised to convey some of the linguistic effects of the migration experience, the experience of non-nativeness. The book includes four cycles of fourteen unrhymed, unmetered, logically Petrarchan sonnets. The first cycle asks about the relationship between interpretation and emotion: whether we feel the feelings that we call ours. The second, mainly composed of daughter sonnets, describes bringing up children in a foreign language. The third, Die Schreibblockade, German for writers block, talks about foreign-language processing of inherited historical trauma. The fourth cycle is about translation. A libretto commissioned by Italian composer Lucia Ronchetti follows, about Ravels interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand.Gwyneth Lewis writes, 'Eugene Ostashevsky is a multilingual language explorer. His The Feeling Sonnets are an exhilarating and witty enquiry into the designs that language has on us as intellectual, domestic and historical beings. This is poetry as punning philosophy, both entertaining and deeply serious. This book is a tour de force, turning languages' spotlights onto speech itself. Yet again, Carcanet is publishing important poetry.'Born in Leningrad, Ostashevsky grew up in Brooklyn. He is now based in Berlin and New York. In his last full book of poetry, The Pirate Who Does Not Know the Value of Pi, published by NYRB Poets, discusses migration, translation, and second-language writing as practiced by pirates and parrots. His previous book, The Life and Opinions of DJ Spinoza, published by Ugly Duckling Presse in Brooklyn, examines the defects of natural and artificial languages. The first UK publication of this award-winning Russian-born American poet and translator. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: New.