Evelien Wilde (12 results)

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condition: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Condition: New.

Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ON 68-1 150922.

Condition: very good. Amsterdam :Uitgeverij Van Gennep, 2013. Paperback. 319 pp. Condition : very good copy. ISBN 9789461642431. Keywords : SOCIOLOGY,

Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Colard Mansion.Incunabula ,Prints and Manuscripts in Medieval Bruges,edited by Evelien Hauswaerts,Evelien de Wilde und Ludo Vandamme ( Catalogue exhibition Bruges 2018 ) .Pages 256 ills. in colour and black & white Hardback Language : english text - codice articolo 012135.

Hardcover, Pages: 256 / Illustrations: 207 / 280 x 220 mm, . ISBN 9789461614391. In the late Middle Ages, in the time of Charles the Bold and Hans Memling, Bruges was a metropolis of books. One of the central figures in this international book trade was Colard Mansion (active from 1457 to 1484). Initially, in addition to being a valued translator, Mansion was primarily a highly sought-after copyist of luxury manuscripts, but when the art of printing made its entree in Europe in 1455, he saw his chance and became one of the first in the Low Countries to specialise in the new medium of printed books. In no time, he became one of the most important book entrepreneurs in Bruges and environs. In this book, manuscripts, illuminated incunabula and rare prints bring Mansion's innovative book business back to life. Nearly fifty specialists from around the world offer unique insights into Mansion's life, many aspects of which are shrouded in mystery. Among other things they describe the gradual transition from manuscript to print, explain workshop practices and publishers' strategies, and provide contextual information about late-medieval printmaking and the creation of an impressive oeuvre of literary editions in the vernacular. Mansion developed a brand that remained solid for centuries. This book holds the key to understanding why. // In de vijftiende eeuw is Brugge een kosmopolitische en dynamische stad, bekend om zijn boekenproductie. Luxeboeken nemen een centrale plaats in in de internationale handel en de Bourgondische cultuur. Midden in die boekenwereld staat Colard Mansion, producent van luxeboeken. Aanvankelijk is Mansion de man van fraaie manuscripten, maar al snel legt hij zich toe op het gloednieuwe medium van het gedrukte boek. Mansion drukt de meest schitterende wiegendrukken of incunabelen van zijn tijd, in een ongeziene typografie en heel bijzonder geillustreerd. Hij drukt vooral Franse teksten die nooit eerder werden uitgegeven. Die ongeziene schoonheid van Mansions gedrukte oeuvre staat centraal in de tentoonstelling en de begeleidende publicatie. De incunabelen uit de Openbare Bibliotheek Brugge en de Bibliotheque nationale de France worden aangevuld met exemplaren uit tal van bibliotheken van over de hele wereld. Nooit eerder werd zo een groot aantal wiegendrukken van Mansion samengebracht. Colard Mansions werk verbindt traditie en vernieuwing en omvat naast drukken, handschriften en miniaturen ook prenten. Tijdens de tentoonstelling maak je kennis met de atelierpraktijken van Colard Mansion en die van kopiisten, prentmakers en andere kunstenaars. 0 g.

Brugge, Musea Brugge, 2017, in-4°, 109 pp.softcover. Speciale editie van het tijdschrift Museumbulletin (37e jrg. begin 2017).

Gent / Brugge Snoeck 2018 Bound, 255pp., 22,5x28,5cm., richly illustr. in col. and b/w., in very good condition. ISBN 9789461614391. In the fifteenth century Bruges was a cosmopolitan, dynamic city, famous for its book production. Luxury books held a central place in international trade and the broader Burgundian culture. In the middle of this book world stands the figure of Colard Mansion, producer of luxury books. Initially, Mansion was the man of beautiful manuscripts, but he quickly switched over to the brand-new medium of the printed book. Mansion created the most magnificent incunabula of his time, in an unprecedented typography and very specially illustrated. He primarily printed French texts that had never been published before. This unprecedented beauty of Mansion's printed oeuvre is a main focus of the exhibition and the accompanying. Incunabula from the Public Library of Bruges and the Bibliotheque nationale de France are supplemented by volumes from libraries all over the world. Never before has such a large number of Mansion's incunabula been assembled. Colard Mansion's work integrates tradition and innovation and includes prints, manuscripts and miniatures, but also illustrations. The exhibition that took place March-June 2018 and the publication will acquaint you with the studio practices of Colard Mansion and those of copyists, printmakers and other artists and artisans. / In the late Middle Ages, in the time of Charles the Bold and Hans Memling, Bruges was a cosmopolitan and dynamic city, famed for its book production and the luxury book trade. In the midst of that book world stands Colard Mansion (active 1457-1484), producer of luxury manuscripts and early printed books. He produced some of the most magnificent incunabula of his time, with unprecedented typography and rich illustration. This volume, accompanying a major exhibition, brings together Mansion's manuscripts, illuminated incunabula and rare prints from collections around the world to illustrate his workshop practices, printer strategies and the transition from manuscript to print. Nearly fifty specialists contribute to unique insights into his life and work.

Brugge, Uitgeverij Snoeck, Musea Brugge, 2018, in-4°, 253 pp, publisher's cased binding. Index, bibliography. Published on the occasion of an exhibition. Colard Mansion played an important role in the transition of the illustrated manuscript to the illustrated printed book. He worked together with William Caxton and was also the printer of the first book in the English language: ''The History of Troye''. Mint copy.

Brugge, Uitgeverij Snoeck, Musea Brugge, 2018, in-4°, 253 pp, publisher's cased binding. Index, bibliography. Published on the occasion of an exhibition. Colard Mansion played an important role in the transition of the illustrated manuscript to the illustrated printed book. He worked together with William Caxton and was also the printer of the first book in the English language: ''The History of Troye''.

Brugge, Uitgeverij Snoeck, Musea Brugge, 2018, in-4°, 253 pp, publisher's cased binding. Index, bibliography. Published on the occasion of an exhibition. Colard Mansion played an important role in the transition of the illustrated manuscript to the illustrated printed book. He worked together with William Caxton and was also the printer of the first book in the English language: ''The History of Troye''. Tiny damaged spot at the spine, but still a nearly mint copy.