F Rose Augustus (218 results)

Paperback. Condition: Very Good. The ancient, highly skilled craft of manipulating gold, silver, precious, and semi-precious stones into jewelry is here set forth in a practical text. The authors take you through a graded series of problems, progressing from simple to complex pieces, teaching you all you need to know along the way. Making a pierced brooch is the first problem. You learn to affix a tracing of the design to the metal, and to handle a center punch, saw frame and saw, needle file and flat-round file, and emery cloth. This first problem is fully illustrated, as are all the problems, with 53 different design ideas, as well as photographs of the tools and processes involved. Subsequent problems teach you to make brooches set with stones, chased and repoussé brooches, wire pendants, rings with four different types of settings, chains, and cuff links. Executing these pieces teaches you the processes of soldering, pickling, using a gas jet and blow pipe, making a plain and shouldered bezel, annealing, enameling, making a mold for casting, and much more. Following the section on the making of jewelry, the authors turn to a discussion of the aesthetics of jewelry design. They suggest sources in nature and in art for creative ideas and motifs, and give helpful methods for developing these into designs suitable for various types of jewelry pieces. The authors, both formerly of the Rhode Island School of Design, animate every line of the text with the knowledge that only long experience in the craft and in teaching the craft can give. For many years, beginning and experienced crafters have kept this authoritative text beside them, using it to avoid costly mistakes and to save many hours of trial-and-error experimentation.…

Condition: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Good. The ancient, highly skilled craft of manipulating gold, silver, precious, and semi-precious stones into jewelry is here set forth in a practical text. The authors take you through a graded series of problems, progressing from simple to complex pieces, teaching you all you need to know along the way. Making a pierced brooch is the first problem. You learn to affix a tracing of the design to the metal, and to handle a center punch, saw frame and saw, needle file and flat-round file, and emery cloth. This first problem is fully illustrated, as are all the problems, with 53 different design ideas, as well as photographs of the tools and processes involved. Subsequent problems teach you to make brooches set with stones, chased and repoussé brooches, wire pendants, rings with four different types of settings, chains, and cuff links. Executing these pieces teaches you the processes of soldering, pickling, using a gas jet and blow pipe, making a plain and shouldered bezel, annealing, enameling, making a mold for casting, and much more. Following the section on the making of jewelry, the authors turn to a discussion of the aesthetics of jewelry design. They suggest sources in nature and in art for creative ideas and motifs, and give helpful methods for developing these into designs suitable for various types of jewelry pieces. The authors, both formerly of the Rhode Island School of Design, animate every line of the text with the knowledge that only long experience in the craft and in teaching the craft can give. For many years, beginning and experienced crafters have kept this authoritative text beside them, using it to avoid costly mistakes and to save many hours of trial-and-error experimentation.…

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Fair. 4th Revised. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

paperback. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

Paperback. Condition: Very Good. The ancient, highly skilled craft of manipulating gold, silver, precious, and semi-precious stones into jewelry is here set forth in a practical text. The authors take you through a graded series of problems, progressing from simple to complex pieces, teaching you all you need to know along the way. Making a pierced brooch is the first problem. You learn to affix a tracing of the design to the metal, and to handle a center punch, saw frame and saw, needle file and flat-round file, and emery cloth. This first problem is fully illustrated, as are all the problems, with 53 different design ideas, as well as photographs of the tools and processes involved. Subsequent problems teach you to make brooches set with stones, chased and repoussé brooches, wire pendants, rings with four different types of settings, chains, and cuff links. Executing these pieces teaches you the processes of soldering, pickling, using a gas jet and blow pipe, making a plain and shouldered bezel, annealing, enameling, making a mold for casting, and much more. Following the section on the making of jewelry, the authors turn to a discussion of the aesthetics of jewelry design. They suggest sources in nature and in art for creative ideas and motifs, and give helpful methods for developing these into designs suitable for various types of jewelry pieces. The authors, both formerly of the Rhode Island School of Design, animate every line of the text with the knowledge that only long experience in the craft and in teaching the craft can give. For many years, beginning and experienced crafters have kept this authoritative text beside them, using it to avoid costly mistakes and to save many hours of trial-and-error experimentation.…

Paperback. Condition: Good. The ancient, highly skilled craft of manipulating gold, silver, precious, and semi-precious stones into jewelry is here set forth in a practical text. The authors take you through a graded series of problems, progressing from simple to complex pieces, teaching you all you need to know along the way. Making a pierced brooch is the first problem. You learn to affix a tracing of the design to the metal, and to handle a center punch, saw frame and saw, needle file and flat-round file, and emery cloth. This first problem is fully illustrated, as are all the problems, with 53 different design ideas, as well as photographs of the tools and processes involved. Subsequent problems teach you to make brooches set with stones, chased and repoussé brooches, wire pendants, rings with four different types of settings, chains, and cuff links. Executing these pieces teaches you the processes of soldering, pickling, using a gas jet and blow pipe, making a plain and shouldered bezel, annealing, enameling, making a mold for casting, and much more. Following the section on the making of jewelry, the authors turn to a discussion of the aesthetics of jewelry design. They suggest sources in nature and in art for creative ideas and motifs, and give helpful methods for developing these into designs suitable for various types of jewelry pieces. The authors, both formerly of the Rhode Island School of Design, animate every line of the text with the knowledge that only long experience in the craft and in teaching the craft can give. For many years, beginning and experienced crafters have kept this authoritative text beside them, using it to avoid costly mistakes and to save many hours of trial-and-error experimentation.…

Paperback. Condition: Fair. The ancient, highly skilled craft of manipulating gold, silver, precious, and semi-precious stones into jewelry is here set forth in a practical text. The authors take you through a graded series of problems, progressing from simple to complex pieces, teaching you all you need to know along the way. Making a pierced brooch is the first problem. You learn to affix a tracing of the design to the metal, and to handle a center punch, saw frame and saw, needle file and flat-round file, and emery cloth. This first problem is fully illustrated, as are all the problems, with 53 different design ideas, as well as photographs of the tools and processes involved. Subsequent problems teach you to make brooches set with stones, chased and repoussé brooches, wire pendants, rings with four different types of settings, chains, and cuff links. Executing these pieces teaches you the processes of soldering, pickling, using a gas jet and blow pipe, making a plain and shouldered bezel, annealing, enameling, making a mold for casting, and much more. Following the section on the making of jewelry, the authors turn to a discussion of the aesthetics of jewelry design. They suggest sources in nature and in art for creative ideas and motifs, and give helpful methods for developing these into designs suitable for various types of jewelry pieces. The authors, both formerly of the Rhode Island School of Design, animate every line of the text with the knowledge that only long experience in the craft and in teaching the craft can give. For many years, beginning and experienced crafters have kept this authoritative text beside them, using it to avoid costly mistakes and to save many hours of trial-and-error experimentation.…

Condition: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. Good book, cover has a lot of wear.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade paperback. Condition: Good. 4th Revised ed. Trade paperback (US). Glued binding. 352 p. Contains: Illustrations. Illustrated Textbook for Teachers, Students of Design and Cr. Audience: General/trade. some wear at the top front corner, otherwise clean and tight.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: As New. 2nd Edition.

paperback. Condition: New. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed.