Farias Luis (87 results)

Softcover. Condition: Trčs bon. Edition 2012. Editeur différent. Ammareal reverse jusqu'ŕ 15% du prix net de cet article ŕ des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2012. Different publisher. Ammareal gives back up to 15% of this item's net price to charity organizations.

Soft cover. Condition: Very Good. 1st Edition.

Condition: Bueno. López Vigil, Nivio (illustrator). : Compańero de sueńos es una antología de cuentos infantiles escrita por quince prestigiosos autores de la literatura infantil espańola, quienes han cedido sus derechos en beneficio de UNICEF. Los relatos, de lenguaje expresivo y profundo contenido, exploran temas como la amistad, la imaginación y la vida cotidiana, transmitiendo belleza, emoción y sensibilidad. Este libro es ideal para fomentar el hábito lector en nińos de 10 a 12 ańos, ofreciendo una lectura divertida y recomendada para el ámbito escolar. EAN: 9788421665251 Tipo: Libros Categoría: Infantil y Juvenil Título: Compańero de sueńos Autor: Fernando Almena| Montserrat Del Amo| Juan Farias| Joan Manuel Gisbert| Gabriel Janer Manila| Carmen Kurtz| Concha López Narváez| Juana Aurora Mayoral| Pilar Molina Llorente| Juan Muńoz| Carlos Murciano| José Luis Olaizola| María Puncel| Fernando Lalana| Alfredo Gómez-Cerdá Editorial: Grupo Anaya Publicaciones Generales Idioma: es-ES Páginas: 200 Formato: tapa blanda.

Condition: Como nuevo. López Vigil, Nivio (illustrator). : Compańero de sueńos es una antología de cuentos infantiles escrita por quince prestigiosos autores de la literatura infantil espańola, quienes han cedido sus derechos en beneficio de UNICEF. Los relatos, de lenguaje expresivo y profundo contenido, exploran temas como la amistad, la imaginación y la vida cotidiana, transmitiendo belleza, emoción y sensibilidad. Este libro es ideal para fomentar el hábito lector en nińos de 10 a 12 ańos, ofreciendo una lectura divertida y recomendada para el ámbito escolar. EAN: 9788421665251 Tipo: Libros Categoría: Infantil y Juvenil Título: Compańero de sueńos Autor: Fernando Almena| Montserrat Del Amo| Juan Farias| Joan Manuel Gisbert| Gabriel Janer Manila| Carmen Kurtz| Concha López Narváez| Juana Aurora Mayoral| Pilar Molina Llorente| Juan Muńoz| Carlos Murciano| José Luis Olaizola| María Puncel| Fernando Lalana| Alfredo Gómez-Cerdá Editorial: Grupo Anaya Publicaciones Generales Idioma: es-ES Páginas: 200 Formato: tapa blanda.

Hardcover. Condition: Good.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Encuadernación de tapa blanda. Condition: Bueno. Farías, Luis M. Así lo recuerdo. Testimonio político. México, Fondo de Cultura Económica, 1992. Características: Rústica en buen estado. 347 p. (21 x 14 cms.). Peso: 490 grs. (NOR. ESP. 2029).

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condition: new. Hardcover. The first monograph on Tecla Tofano, spotlighting her transition to handmade ceramicsVenezuelan ceramicist Tecla Tofano (192795) is most recognized for her pottery, but she was also a draftswoman, metalsmith and writer. From 1964 to 1978, Tofano shifted from crafting objects on a traditional potters wheel to hand-sculpting glazed ceramics of body parts, books, totemic figures and domestic items, often exploring issues of maternity, sexism and socioeconomics. Toward the end of the 1970s, Tofano felt that she had exhausted the possibilities of clay as a medium. She stopped producing ceramics to refocus her energy and activist rhetoric on writing and drawing. Tofano wrote critical articles on society and culture for the newspaper El Nacional beginning in the 1960s and authored several books. This monograph, the first ever dedicated to the artist, highlights Tofanos ceramics and drawings from the 1960s and 1970s. It features a selection of ceramics from this transformative phase that reflect her distinct, dissident voice. The book also includes a curatorial essay by Rangel, a detailed chronology by Farias and translations of Tofanos poetry and writing by Lucia Hinojosa Gaxiola. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Aceptable. : Company de Somnis es una obra de literatura infantil escrita en valenciano. Publicada por Editorial Bruńo en 1992, esta edición en tapa blanda cuenta con 160 páginas y está dirigida a nińos de entre 10 y 12 ańos. El libro forma parte de la serie 'Valenciŕ - Bruńo - Altamar'. EAN: 9788421618073 Tipo: Libros Categoría: Infantil y Juvenil Título: Company de somnis Autor: Fernando Almena| Montserrat Del Amo| Juan Farias| Joan Manuel Gisbert| Alfredo Gómez-Cerdá| Gabriel Janer Manila| Carmen Kurtz| Fernando Lalana| Concha López Narváez| Juana Aurora Mayoral| Pilar Molina Llorente| Juan Muńoz| Carlos Murciano| José Luis Olaizola| María Puncel Editorial: Editorial Bruńo Idioma: ca Páginas: 160 Formato: tapa blanda.

Hardcover. Condition: VG. Quarto. Hardcover. Illustrated boards. No Jacket as issued. 115 pages : illustrations (chiefly color), portraits ; 26 cm. "Tecla Tofano: This Body of Mine foregrounds Tofano as a critical figure in the history of feminist art and the broader canon of postwar global modernism. Curated by Gabriela Rangel and Audrée Anid, this exhibition features over thirty ceramics from the 1960s and 70s as well as a selection of drawings from Evas al desnudo (Naked Eves), her series from 1972. Tofano channeled her ideas most notably through ceramics, though she was also an adept draftswoman, a metalsmith, and a voracious writer. In Rangel's words, ".the feminist impulse empowered her to examine, in both her art and writing, the female body as a tactical space of confrontation." Tofano's meditations in clay were often infused with her biting sense of humor, though they also maintained a poignant and personal undertone. The artist's initial foray into pottery in the 1950s began with throwing utilitarian objects on the wheel under the tutelage of Miguel Arroyo, a figurehead of Venezuela's nascent craft movement. By the 1960s and into the '70s, she shifted to hand-modeling body parts as well as domestic items ranging from food and books to totemic figures, flora, and fauna. Unabashed in her choice of subject matter, Tofano embraced ugliness, hand-modeling ceramics that celebrated the grotesque. Her visual language stood in direct opposition to a refined geometric abstraction and kineticism that was popular among her peers. Tofano embraced rough, hand-built surfaces, as evidenced in this exhibition's uncompromising works, which range from carved and extruding phalluses to disembodied tongues. The artist's work revealed the cracks in an extremist sociopolitical system in Venezuela, Tofano's home of over forty years. Her left-leaning activist views were a direct response to the volatile dictatorial climate that engulfed the country in the 1950s and to the oil boom of the 1960s and '70s. She embedded her work with social commentary to explore issues of class, gender construction and sexism. The female body is specifically addressed in Tofano's visual art and writing as an affront to pervasive machismo and a reflection of her personal traumas. Her suite of forty-four pencil drawings, Evas al desnudo (Naked Eves), 1972, for example, directly referenced social stigmas and expectations imposed on women, particularly those involving reproductive and domestic labor. In Tofano's narrative, Eve, the archetypal woman, is pictured in a multitude of scenarios, from the quotidian to the fantastical. Towards the end of the 1970s, Tofano felt that she had exhausted the possibilities of visual art and refocused her energy and activist rhetoric on writing. The titular phrase, "This Body of Mine is borrowed from Epílogos (Epilogues), her 1987 book of poetry. Tecla Tofano's corporeal ruminations across ceramics, drawings and writing underscore the artist's deeply-rooted commitment to vocalizing the unspoken paradoxes of womanhood and to rendering visible what was once considered taboo. To accompany this exhibition, James Cohan has published the first-ever monograph dedicated to the artist, co-edited by Gabriela Rangel and Luis Felipe Farías. It features an essay by Rangel, a detailed chronology by Farías, and translations of Tofano's poetry and writing by Lucía Hinojosa Gaxiola."-- Provided by Gallery.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Encuadernación de tapa blanda. Condition: Bien. 296 pp/ R16-2.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. Esta es la obra póstuma de Luis M. Farías, concluida por su hijo Luis Farías Mackey. Presenta un acercamiento al conde de Aranda desde el punto de vista político, para dar al lector una visión del hombre de estado espańol preocupado por las colonias en América. LIBRO.

Condition: NEW.

Condition: New.

Tapa blanda. Condition: Nuevo.

México, sin editorial, 1970.Características: Rústica. Folleto. Palabras pronunciadas por el Lic. Luis M. Farías en la comida ofrecida por el Foro neolonés, el sábado 27 de Junio de 1970, en Monterrey, Nuevo León. 13 p. (16 x 11.5). Peso: 100 grs. Libro.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. No Jacket. 1st Edition. Houston and New York: Sicardi/Ayers/Bacino/James Cohan galleries, 2023. Hardcover artist monograph published on the occasion of a two-part exhibition of the artist's works. 159 pages, illustrated. Includes transcript of an interview with the artist. Not issued in dust jacket. Condition: As new. No marks or writing to book. Binding is square and tight.

Condition: New. Idioma/Language: Espańol. Una mirada crítica a las respuestas recientes frente a la pobreza y la desigualdad. Vivimos una época de grandes incertidumbres, jalonada por sucesivas crisis que han dejado tras de sí unos niveles de pobreza y desigualdad intolerables. En consonancia con el impulso de la Agenda 2030 de Naciones Unidas, la intervención pública en la activación económica posterior a la crisis del coronavirus ha respondido a este problema distintamente a como se afrontó la quiebra de 2008. Con la vista puesta en nuestro país, El derecho a no ser pobre en Espańa se detiene sobre esta cuestión examinando hasta qué punto las respuestas actuales a la pobreza son acordes con sus diversos rostros. Índice: Introducción El enfoque de las capacidades como herramienta hermenéutica para comprender los ODS El carácter normativo de los sistemas de medición de la pobreza El impacto de la perspectiva de género en el diseńo e implementación de las políticas contra la pobreza La Agenda 2030: żhacia una reconfiguración de la gobernanza europea? Ciudadanía urbana y desarrollo sostenible Afrontar la pobreza energética en la era del decrecimiento Vivienda, especulación y pobreza: las insuficiencias del modelo de vivienda en Espańa a la luz de los ODS Análisis del impacto del salario mínimo como instrumento de reducción de la pobreza laboral Cuando la realidad supera la virtualidad: brechas normativas en la asignación de ayudas sociales mediante sistemas algorítmicos *** Nota: Los envíos a Espańa peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condition: New. In.

356 p 22 cm Estado de conservación: Muy bien. Encuadernación editorial en rústica.

145 pp.; 25.4 x 20.5 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 5 of Trans> edited by Sandra Antelo-Suarez. Essays include: "Performing Citizenship: Vivo Rio Counters Urban Violence," by George Yúdice; "Country Cousins: The Relative Peripheries in Contact," by Maria Lind; "Analogies and Confrontations: A Museography Polemologic?" by Luis Enrique Pérez Oramas; "The Poetics Project: A Special CD Project for Trans>" by Mike Kelley and Tony Oursler; "Serei A?" by Tungar; "Valentina's Paintings," by José Antonio Hernández Díez; "Continuation from the Representations of Violence in Issue 3&4," Moderator Rubén Gallo; "The Necessity of Revolt," by Julia Kristeva; "Intellectuals and Memoricide," by Juan Goytisolo; "Political Pop," by Luis Camnitzer; "Facing Territory," by Dan Cameron; "Oyvind Fahlström : He Burns Himself on Fires of Nine," by Maureen Sherlock; "Rafael Vińoly or the Problematics of the Late-Capitalist Architect," by Noah Chasin; "Alex Alberro in Conversation with Liisa Roberts," by Alex Alberro; "A Thing is a Thing is a Thing, Agnaldo Farias writes about María Teresa Hincapié," by Agnaldo Farias; "Reflections on Candice Breitz 'Rorschach Series'," by Octavio Zaya; "Ann-Sofi Sidén" by Sabine Russ; "Irán do Espírito Santo," by Félipe Chaimovich; "José Gabriel Fernández: Tauromachy and Maculature," by Luis Enrique Pérez Oramas; "The Ruined Map," by Matthew Ritchie and "Clandestine Installation II," by Roberto Obregón. Includes contributors biographies. Text in English and Spanish. Very Good. Light bumping of cover corners and rubbing of covers, otherwise Fine. Does not include audio CD. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.