Fay Georges (21 results)

Encuadernación de tapa blanda. Condition: Bien. Teología (illustrator). Col. Iglesia, Siglo XX, 10 La fotografía que aparece en la pantalla puede ser distinta a la real. Todos nuestros libros son de segunda mano.

Condition: Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday SALE item)* 60 pp., paperback, ex library, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Ref. B49816. 19x12. 76 pág. + 32 desplegables de esquemas. Contraportada tostada. Filosofía. 46-E 108 pág. Ensayo|Filosofía.

hardcover. Condition: fine. no jacket. second printing. 6 7/8 x 9 7/8" 401 pages. This is Treatise on Invertebrate Paleontology Part T Volume 1 only.

hardcover. Condition: very good. no jacket. second printing. 6 7/8 x 9 7/8" 409 pages (being pages 403 -812 in the series). This is Part T Echinodermata 2 Volume 2 only . faint "coffee" type splash to top part of top edge of pages and part of some of the leading edge of pages.

hardcover. Condition: as new. no jacket. Third printing. 6 7/8 x 9 3/4 " 214 pages (being pages 813 - 1027 of the series. This is Echinodermata 2 part T Volume 3 only. this is a reprinting of the 1978 publication.

hardcover. Condition: near fine. no jacket. reprint. 6 3/4 x 9 3/4" 296 pages. This is Part S Echinodermata 1 Volume 1 only. reprinting of the 1967 publication covers show very slight rubbing and handling.

hardcover. Condition: fine. no jacket. reprint. 6 3/4 x 9 3/4 " 353 pages (being pages 297 - 650 of volume 2). This is the reprinting of the 1967 publication. General characters Homalozoa, Crinozoa (Except Crinoidea).

Couverture souple. Condition: Très bon. IN-8 broché, 192 pages. Sommaire : Maurice Blanchot: L'Expérience-Limite, Pages 577-592 --- Michel Butor: Le Vestibule de Saint-Marc, Pages 593-604 --- Yves Berger: Le Sud, Pages 605-641 --- Michel Deguy: Très ailleurs très près, Pages 642-648 --- Michel Léturmy: La Discipline (Fin), Pages 649-665 --- Roger Judrin: Saint-Réal, Pages 666-672 --- Dominique Fernandez: L'écrivain prisonnier, Pages 673-678 --- Bernard Faÿ: Naissance du monde occidental, Pages 679-685 --- Henry Amer: Les Confessions de Thomas de Quincey, Pages 686-695 --- Wladimir Weidlé: Le Trompe-l'oeil de l'esthétique, Pages 696-700 --- Philippe de Saint-Robert: Le temps des Stoïciens, Pages 701-703 --- Roger Judrin: Les plus belles lettres de Henri IV, par Philippe Erlanger (Calmann-Lévy), Pages 703-705 --- Henry Amer: Album Zutique (Cercle du Livre Précieux), Pages 705-706 --- Roger Judrin: Les Grands Rôles du théâtre de Corneille, par Maurice Descotes (Presses Universitaires de France), Pages 706-707 --- André Miguel: Queneau déchiffré, par Claude Simonnet (Julliard), Pages 707-709 --- Roger Judrin: La Comtesse sanglante, par Valentine Penrose (Mercure de France), Pages 709-710 --- Michel Deguy: L'attente l'oubli, par Maurice Blanchot (Gallimard), Pages 710-714 --- Jacques Chessex: Les Mystères de Charlieu-sur-Bar, par André Dhôtel (Gallimard), Pages 714-715 --- Willy de Spens: Le For intérieur, par Dominique Rolin (Denoël), Pages 716-716 --- Robert Abirached: Le Pressentiment, par Jean-Louis Baudry (Le Seuil), Pages 716-717 --- Jacques Chessex: Parcours dans un miroir, par Roger-Louis Junod (Gallimard), Pages 717-718 --- Frantz André Burguet: La Pornographie, par Witold Gombrowicz (Julliard), Pages 719-720 --- François Toeroe: Le Faon, par Magda Szabô (le Seuil), Pages 721-722 --- Janine Béraud: Miro (Musée d'Art moderne), Pages 722-723 --- André Miguel: Soleils en biais, par Serge Brindeau (Chambelland), Pages 723-724 --- Jean Guérin: Eux et lui, par Daniel Guérin (Éditions du Rocher), Pages 724-724 --- Willy de Spens: Rue d'Aboukir, par Monique Lange (Gallimard), Pages 724-724 --- Willy de Spens: Les Plumes du Corbeau, par Jehanne Jean-Charles (Jean-Jacques Pauvert), Pages 725-725 --- Jean Guérin: Jadis et naguère, Pages 725-728 --- Jean Follain: Portrait d'Armen Lubin, Pages 728-729 --- Armand Guibert: Le souvenir de Jean Amrouche, Pages 729-731 --- Jean Guérin: Divers, Pages 731-732 --- Claude Léglise: Le premier mort, Pages 733-736 --- Georges-Emmanuel Clancier: Ancêtres, Pages 737-739 --- Claude Michel Cluny: Les terrasses de lumière, Pages 740-744 --- Yann Gaillard: Curiosités, Pages 745-752 --- Paul Desmeth: Une fête burlesque, Pages 753-754 --- André Gateau: Au Point du Jour, Pages 755-755 --- Jean Follain: Chronique du goût, Pages 755-757 --- Willy de Spens: Variations sur un fait divers, Pages 757-759 --- Ange Christine: PRO 19-62, Pages 759-760 --- Roger Gilbert-Lecomte: L'Horrible Révélation. la seule, Pages 761-768.

Couverture souple. Condition: Bon. IN-8 broché, 176 pages. Sommaire : Pierre Abraham: Une figure, deux visages, Pages 409-429 --- Henry de Montherlant: Poèmes, Pages 430-440 --- Jacques Decour: La révolte, Pages 441-449 --- Pierre Drieu la Rochelle: Mesure de l'Allemagne, Pages 450-461 --- Jean Giraudoux: Combat avec l'Ange (III), Pages 462-516 --- Alain: Propos, Pages 517-518 --- Marcel Arland: Les uns les autres, par Roger Breuil, Pages 519-529 --- Marcel Arland: Jacques Arnaut, par Léon Bopp, Pages 519-529 --- Marcel Arland: Angélina, par Louis Guilloux, Pages 519-529 --- André Lhote: Bilan trimestriel, Pages 530-536 --- Benjamin Crémieux: Hypothèses autour du 6 Février, Pages 537-545 --- Julien Benda: La monarchie féodale en France et en Angleterre du Xe au XIIIe siècle, par Ch. Petit-Dutaillis (Renaissance du Livre), Pages 546-548 --- Jean Grenier: L'Inde antique et la civilisation indienne, par Paul Masson-Oursel (Renaissance du Livre), Pages 548-550 --- Pierre Lièvre: La vieillesse de Chateaubriand, par M. J. Durry (Le Divan), Pages 550-552 --- Raymond Schwab: La Quête de Joie, par Patrice de la Tour du Pin (La Tortue), Pages 552-554 --- Bernard Faÿ: Américains d'Amérique, par Gertrude Stein (Stock), Pages 554-557 --- Bernard Faÿ: Autobiography of Alice B. Toklas, par Gertrude Stein, Pages 554-557 --- Marcel Arland: La peinture, le coeur et l'esprit, par André Lhote (Denoël et Steele), Pages 557-560 --- André Lhote: Emmanuel Gondouin, Pages 560-561 --- Jean Guérin: Les Déclassés, par Henry Bordeaux (Plon), Pages 561-561 --- Jean Guérin: Le Pénitent de Psalmodi, par Émile Henriot (Plon), Pages 561-562 --- Roger Breuil: Fraîcheur de la mer, par Franz Hellens (Gallimard), Pages 562-562 --- Jean Guérin: L'homme du Brésil, par Robert Bourget-Pailleron (Gallimard), Pages 562-562 --- Jean Guérin: Naufrage, par Jacques Baïf (Éd. du Siècle), Pages 562-562 --- Fr. Abelous: Singulier, par André Rouveyre (Mercure de France), Pages 562-563 --- Denis Marion: Essais de psychanalyse appliquée, par Sigmund Freud (Éditions de la N. R. F.), Pages 563-563 --- Raymond Schwab: Rimbaud le Voyou, par Benjamin Fondane (Denoël et Steele), Pages 563-563 --- Antonin Artaud: Cahier de curieuse personne, par Lise Deharme (Cahiers Libres), Pages 564-564 --- Raymond Schwab: Antée, par Gabriel Audisio (Cahiers du Sud), Pages 564-564 --- Jean Wahl: Minotaure, Pages 565-565 --- A. Rolland de Renéville: Sur Paracelse, Pages 566-566 --- A. Rolland de Renéville: Hermès, Pages 566-566 --- Anonymes: Mémento des revues, Pages 567-567 --- Pierre Drieu la Rochelle: Air de février 34, Pages 568-569 --- Georges Altman: Du mardi 6 au lundi 12, Pages 569-573 --- Pierre Abraham: I. N. F. I ne répond plus, Pages 573-574 --- Julien Benda: Sur les conflits de la foule et de la troupe, Pages 574-576 --- Ramon Fernandez: Pour l'unité d'action, Pages 576-578 --- Jean Grenier: Guerres de religion, Pages 578-578 --- René Daumal: L'éducation de l'homme, Pages 578-579 --- René Daumal: Au musée d'ethnographie du Trocadéro, Pages 579-580 --- André Lhote: Yves Alix chez Druet, Pages 580-581 --- Boris de Schloezer: L'orchestre électro-humain, Pages 581-582 --- Jacques Audiberti: Orchestre de femmes, Pages 582-583 --- Henri Pourrat: Février, Pages 583-584.

Broché. Condition: Etat moyen. in-8 Description :181 pp. Marges jaunies. Couverture frottée avec des accrocs et pliures. Langue : Français Nb de volumes : 1.

Couverture souple. Condition: bon. RO30106592: NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 50 pages dans une chemise. . . . Classification Dewey : 844-Essais.

Couverture souple. Condition: bon. R200030444: NON DATE. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 4 dépliants de 10 pages environ. . . . Classification Dewey : 844-Essais.

hardcover. Condition: very good. no jacket. 6 3/4 x 9 3/4 " 296 pages. company stamp on top and bottom edges of pages, first page and inside rear cover, and title page. company label on inside front cover, This is Treatise on Invertebrate Paleontology Part S Volume 1 only.

hardcover. Condition: very good. no jacket. 6 3/4 x 9 3/4 " 353 pages (being pages 297 - 653 of the series). This is Echinodermata 1 Part S Volume 2 only. company stamp on top and bottom edges of pages, and first page and inside rear cover with company label on inside front cover. light brown spots on leading edge of pages as if from coffee 'splash'.

4to. 76 pp + numerosos estados plegados. Encuadernación editorial. Muy buen estado.

Condition: Fine. Georges Fay (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Condition: Fine. Georges Fay (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Salamanca, 1967. Edita, Ediciones Sigueme. Rústica editorual. Falto de hoja de respeto. Puntos de óxido en cortes. 76pp., + 8 Desplegables. 19x12cm. Estado normal. FILOSOFIA.

Condition: Très bon état. Un des 250 exemplaires reliés pleine toile ( numéroté 66 ) edition originale enrichi d'un dessin ( représentant un banc de sardines ) avec envoi autographe signé et daté . ouvrage toilé sous jaquette, largement illustré de photos du travail de l'artiste . art contemporain marcoville edition dessin original - largeur/hauteur : 24x24 cm - poids : 1150 g - nombre de pages : 123 p. - langue : Français.

Syndicat Central des Agriculteurs de France. Les Maitres de l'Affiche Plancha 231.Paris, Imprimerie Chaix, 1900, litografía original de 40 x 29 cm. (Impreso entre 1895 y 1900, Les Maitres de l'Affiche fue una serie litografiada de 256 láminas que reproducían los mejores carteles estadounidenses y europeos de la época. Fue publicada bajo la dirección artística de Jules Cheret ). Grabados varios.