Fendt (706 results)

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

253 S., brosch., Rückseite fehlt, abgegriffen.

Condition: New.

paperback. Condition: Very Good.

hardcover. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New. Arevalo, Ernesto (illustrator).

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: Good+. Ex. Library Book; 287 pages.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Heft. Condition: Gut. 40 Seiten; mit Karte Das hier angebotene Heft stammt aus einer teilaufgelösten Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Einband ist etwas staubschmutzig; Kanten sind leicht bestossen und gerissen; Seiten alters-/papierbedingt angebräunt; der Zustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 30.…

Saddle-stapled wraps. Condition: Very Good. No Jacket. First Edition. 4to - over 9¾" - 12" tall. A very good+ copy in wrappers with slight rubbing. oblong 4to 20pp Upper wrapper title. Text in German and English. Catalogue of the exhibition at the gallery, October-November 1989; essay ('A Visit to Rene Fendt') by Killer.19 color & b/w Illustrations.…

Paperback. Condition: Good. Text in German, Volume 1 Only - Ex. Library Book; 134 pages.

Condition: As New. Unread book in perfect condition.

Broschiert. Condition: Gut. 134 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Text in ALTDEUTSCHER SCHRIFT. Stellenweise Anstreichungen im Text. Titelblatt fehlt. Sprache: Deutsch Gewicht in Gramm: 225.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Couverture souple. Condition: Tres bon. OPPORTUN collection , 2016. 1 volume format In-12 très bon.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Arevalo, Ernesto (illustrator).

Condition: New.

Paperback. Condition: New. A year into the global pandemic, Gene Fendt repositions the attention of the Western world on a literary classic that bears a vital perspective. Presently, civilization cannot allow itself to think about being better. First it has to survive. Referencing Thomas Merton's claim that Camus' fictional account is actually a "modern myth about the destiny of man" and indication of the blight of "ambiguous and false explanations, interpretations, conventions, justifications, legalizations, evasions which infect our struggling civilization," Fendt makes the case that "modernity itself is a time of plague."  Fendt asserts that perhaps "the originality of the modern plague is that most people admit of no symptoms." This chilling likeness to the asymptomatic Covid-19 victim is but one of the images of what the plague stands for in both the novel and contemporary society. The existentialist fiction of Camus is unwrapped by Fendt's fidelity to realism and Camus' motivations as an artist. As Camus calls nihilistic art and culture "barbaric," Fendt calls the barbarian a natural slave. If we are moved by the forces of powers that be without sense or knowledge of a proper end, we too have been rendered worse than ignorant.  Beyond the presentation of The Plague as a myth, Fendt also provides generous insight into elements of this work that give an autobiographical portrait of Albert Camus´ artistic development. He provides an intelligent challenge to labeling Camus an atheist, if Camus is truly the artist Fendt believes him to be. It is also an unlikely but important contribution to the political philosophical study of solidarity.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Abnutzung / Risse - leicht; Vergilbt / ausgeblichen. Dear Doubleyou - Eine Liebesgeschichte in Briefen von Doosie - bk183; Nymphenburger Verlag; Janet Fendt & Katalin Kemeny; Paperback; 2001.

Paperback. Condition: New.