Fernando Brambila (36 results)

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Seller: Librería Berceo (Libros Antiguos), Madrid, M, SpainLibrería Berceo (Libros Antiguos)
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Vue de Buenos-Ayres. Print.
Azara, Don Felix de (1746-1821); Fernando Brambila, or Ferdinando Brambilla, ( 763 1834), artist.
Published by Paris, Dentu, Imprimeur-Libraire, Rue du Pont-de-Lodi, No. 3. 1809., 1809
- Art / Print / Poster
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
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Add to basketCondition: Good. Restrike color lithograph or collotype Collotype after the lithograph on rag paper. 24 x 33 cm. image. FromVoyages dans l'Amerique meridonale, par Don Felix de Azara. Palau 20975; Sabin 2541; Field 62; Wood, p. 214.
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Seller: Bolivar Old Prints Anticuario, Barcelona, B, SpainBolivar Old Prints Anticuario
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Add to basketMap. Condition: Very Good. [Descripción en español a continuación] Original antique engraving depicting the portrait of D. Mariano Zerezo, a farmer from Zaragoza and the parish of San Pablo, created by Fernando Brambila and Juan Gálvez and published in Cádiz in 1814. The print shows one of the defenders of Zaragoza during the Si…eges of the city, who died after the entry of French troops during the second siege. The Sieges of Zaragoza took place during the Spanish War of Independence, between 1808 and 1809, when Napoleonic troops attacked the city twice. The resistance of the inhabitants of Zaragoza, including soldiers and civilians like Mariano Zerezo, became a symbol of the struggle against French occupation. The second siege, particularly bloody, ended with the surrender of the city in February 1809 after months of fighting. Fernando Brambila was a painter and draftsman active in Spain in the late eighteenth and early nineteenth centuries, known for his views and portraits. Juan Gálvez worked as an engraver during the same period. The work is a copper engraving. -------------------- Grabado antiguo original que representa el retrato de D. Mariano Zerezo, labrador natural de Zaragoza y de la Parroquia de San Pablo, realizado por Fernando Brambila y Juan Gálvez y editado en Cádiz en 1814. La estampa muestra a uno de los defensores de Zaragoza durante los Sitios de la ciudad, que murió tras la entrada de las tropas francesas en el segundo asedio. Los Sitios de Zaragoza se produjeron durante la Guerra de la Independencia española, entre 1808 y 1809, cuando las tropas napoleónicas atacaron la ciudad en dos ocasiones. La resistencia de los habitantes de Zaragoza, que incluyó a soldados y civiles como Mariano Zerezo, se convirtió en un símbolo de la lucha contra la ocupación francesa. El segundo sitio, especialmente sangriento, terminó con la rendición de la ciudad en febrero de 1809 tras meses de combates. Fernando Brambila fue un pintor y dibujante activo en España a finales del siglo XVIII y principios del XIX, conocido por sus vistas y retratos. Juan Gálvez trabajó como grabador en el mismo período. La obra es un grabado en cobre.
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Add to basketMap. Condition: Very Good. [Descripción en español a continuación] Original antique print depicting one of the episodes of the siege of Zaragoza during the Spanish War of Independence. The scene shows the action of Miguel Salamero, native of Zaragoza and of the parish of San Pablo, silk clothing manufacturer, on the afternoon of… August 7, 1808. Salamero prevents French troops from gaining the position at the Monjas de Santa Fe convent. The image illustrates one of the events that occurred during the first siege of the city. -------------------- Grabado antiguo original que representa uno de los episodios del sitio de Zaragoza durante la Guerra de Independencia española. La escena muestra la actuación de Miguel Salamero, natural de Zaragoza y de la parroquia de San Pablo, fabricante de ropas de seda, en la tarde del 7 de agosto de 1808. Salamero evita que las tropas francesas ganen el punto de las Monjas de Santa Fe. La imagen ilustra uno de los hechos ocurridos durante el primer sitio de la ciudad.
More imagesPublished by Cádiz, 1814
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Seller: Bolivar Old Prints Anticuario, Barcelona, B, SpainBolivar Old Prints Anticuario
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Add to basketMap. Condition: Very Good. [Descripción en español a continuación] Original antique portrait of Casta Álvarez, a woman from Zaragoza who took part in the defence of the city during the Peninsular War. Armed with a bayonet attached to a pole as a lance, she encouraged the fighters and guided them when the enemy approached. Her ac…tions at the battery of the Puerta de Sancho were noted. She was rewarded with a pension and a badge of honour. Drawn by Fernando Brambila and engraved by Juan Gálvez. Published in Cádiz in 1814. Brambila was a painter and draughtsman active in the late eighteenth and early nineteenth centuries, who participated in scientific expeditions and produced topographical views. Gálvez worked as an engraver during the same period, collaborating with various artists in the production of prints. Copper engraving. -------------------- Grabado antiguo original que representa el retrato de Casta Álvarez, zaragozana, una de las mujeres que participaron en la defensa de Zaragoza durante la Guerra de la Independencia. Armada con una bayoneta que a manera de lanza llevaba en un palo, animaba a los combatientes y los guiaba cuando los enemigos se aproximaban. En la batería de la puerta de Sancho destacó su actuación. Fue recompensada con una pensión y un escudo de honor. Dibujado por Fernando Brambila y grabado por Juan Gálvez. Publicado en Cádiz en 1814. Brambila fue pintor y dibujante activo a finales del siglo XVIII y principios del XIX, que participó en expediciones científicas y realizó vistas topográficas. Gálvez trabajó como grabador en el mismo periodo, colaborando con diversos artistas en la producción de estampas. Grabado en cobre.
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Seller: Bolivar Old Prints Anticuario, Barcelona, B, SpainBolivar Old Prints Anticuario
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Add to basketMap. Condition: Very Good. [Descripción en español a continuación] Original antique view of the Santa Engracia Battery after its destruction on August 4, 1808, during the Sieges of Zaragoza, engraved by Fernando Brambila and Juan Gálvez and published in Cádiz in 1814. The scene depicts the ruins of this fortification in Zaragoza… following the intense bombardment suffered during the first siege of the city by Napoleonic troops. The image shows collapsed walls, accumulated rubble, and the devastation caused by French artillery. The Santa Engracia Battery was part of Zaragoza's defensive system during the Spanish War of Independence, which pitted Spanish forces against Napoleon's army between 1808 and 1814. The two sieges of Zaragoza, in 1808 and 1809, were episodes of fierce urban resistance that caused thousands of casualties and the near-total destruction of the city. Fernando Brambila was an Italian painter and draughtsman settled in Spain, known for his topographical views and landscapes. Juan Gálvez worked as an engraver on numerous illustrated works. The technique used is copper engraving. -------------------- Vista antigua original de la Batería de Santa Engracia tras su destrucción el 4 de agosto de 1808, durante los Sitios de Zaragoza, grabada por Fernando Brambila y Juan Gálvez y editada en Cádiz en 1814. La escena muestra las ruinas de esta fortificación zaragozana después del intenso bombardeo sufrido durante el primer sitio de la ciudad por las tropas napoleónicas. Se pueden apreciar los muros derruidos, los escombros acumulados y la devastación causada por la artillería francesa. La Batería de Santa Engracia formaba parte del sistema defensivo de Zaragoza durante la Guerra de la Independencia española, que enfrentó a las fuerzas españolas contra el ejército de Napoleón entre 1808 y 1814. Los dos sitios de Zaragoza, en 1808 y 1809, fueron episodios de feroz resistencia urbana que causaron miles de víctimas y la destrucción casi total de la ciudad. Fernando Brambila fue un pintor y dibujante italiano establecido en España, conocido por sus vistas topográficas y paisajes. Juan Gálvez colaboró como grabador en numerosas obras ilustradas. La técnica empleada es el grabado en cobre.
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Seller: Bolivar Old Prints Anticuario, Barcelona, B, SpainBolivar Old Prints Anticuario
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Add to basketPrint. Condition: Very Good. [Descripción en español a continuación] Original antique print depicting the convent of San José set ablaze by French troops, created by Fernando Brambila and Juan Gálvez and published in Cádiz in 1814. Ruins of Zaragoza. The print shows the religious building on fire during the Peninsular War. The b…urning of the San José convent was part of the destruction caused by the French army during battles fought against Spanish forces and their British allies. Fernando Brambila was an Italian painter and engraver established in Spain, known for his work on scientific expeditions and for his views of cities and historical events. Juan Gálvez frequently collaborated with Brambila in producing prints documenting war episodes. Copper engraving. -------------------- Grabado antiguo original que representa el convento de San José incendiado por las tropas francesas, realizado por Fernando Brambila y Juan Gálvez y editado en Cádiz en 1814. Ruinas de Zaragoza. La estampa muestra el edificio religioso en llamas durante la Guerra de la Independencia Española. El incendio del convento de San José formó parte de las destrucciones causadas por el ejército francés durante los combates que enfrentaron a las fuerzas invasoras con las tropas españolas y sus aliados británicos. Fernando Brambila fue un pintor y grabador italiano establecido en España, conocido por su trabajo en expediciones científicas y por sus vistas de ciudades y acontecimientos históricos. Juan Gálvez colaboró frecuentemente con Brambila en la producción de estampas que documentaban episodios de la guerra. Grabado en cobre.
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Seller: Bolivar Old Prints Anticuario, Barcelona, B, SpainBolivar Old Prints Anticuario
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Add to basketMap. Condition: Very Good. [Descripción en español a continuación] Original antique print depicting the second view of the ruins inside the church of the General Hospital of Zaragoza, created by Fernando Brambila and Juan Gálvez, published in Cádiz in 1814. The scene shows the state of destruction of the religious building follo…wing the Sieges of Zaragoza during the Peninsular War (1808-1809), when French troops besieged the city twice. The print is part of a documentary series on the war damage in Zaragoza, capturing the devastated interior of the hospital church. Fernando Brambila (1763-1834), an Italian painter and draughtsman established in Spain, worked alongside the engraver Juan Gálvez to document the aftermath of the battles. Brambila participated in scientific expeditions such as that of Alejandro Malaspina and specialized in architectural views and landscapes. The work was executed using copper engraving, a technique that allowed detailed reproduction of the textures of the ruins and damaged architecture. -------------------- Grabado antiguo original que representa la segunda vista de las ruinas del interior de la iglesia del Hospital General de Zaragoza, obra de Fernando Brambila y Juan Gálvez, publicado en Cádiz en 1814. La escena muestra el estado de destrucción del edificio religioso tras los Sitios de Zaragoza durante la Guerra de la Independencia española (1808-1809), cuando las tropas francesas asediaron la ciudad en dos ocasiones. El grabado forma parte de una serie documental sobre los daños causados por la guerra en Zaragoza, capturando el interior devastado de la iglesia del hospital. Fernando Brambila (1763-1834), pintor y dibujante italiano establecido en España, trabajó junto al grabador Juan Gálvez para documentar las consecuencias de los combates. Brambila participó en expediciones científicas como la de Alejandro Malaspina y se especializó en vistas arquitectónicas y paisajes. La obra fue realizada mediante grabado en cobre, técnica que permitía reproducir con detalle las texturas de las ruinas y la arquitectura dañada.
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Seller: Bolivar Old Prints Anticuario, Barcelona, B, SpainBolivar Old Prints Anticuario
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Add to basketMap. Condition: Very Good. [Descripción en español a continuación] Original antique engraving depicting the explosion of the church of Santa Engracia in Zaragoza, drawn by Fernando Brambila and engraved by Juan Gálvez, published in Cádiz in 1814. The scene shows the dramatic moment of the temple's destruction during the Sieges o…f Zaragoza in the Peninsular War. The church of Santa Engracia, located in the historic center of Zaragoza, was blown up by Napoleonic troops on August 14, 1808, to prevent it from serving as a refuge for Spanish defenders. The explosion destroyed much of the Renaissance building and caused numerous casualties among the civilian population who had taken shelter inside. Fernando Brambila was a Spanish painter and engraver who accompanied scientific expeditions and documented scenes from the war against France. Juan Gálvez, an engraver active in Cádiz in the early decades of the 19th century, collaborated on numerous publications about the Peninsular War. This engraving is part of a series documenting the most notable episodes of Spanish resistance. Technique: copper engraving. -------------------- Grabado antiguo original que representa la explosión de la iglesia de Santa Engracia en Zaragoza, dibujado por Fernando Brambila y grabado por Juan Gálvez, publicado en Cádiz en 1814. La escena muestra el momento dramático de la destrucción del templo durante los Sitios de Zaragoza en la Guerra de la Independencia española. La iglesia de Santa Engracia, situada en el casco histórico de Zaragoza, fue volada por las tropas napoleónicas el 14 de agosto de 1808 para evitar que sirviera de refugio a los defensores españoles. La explosión destruyó gran parte del edificio renacentista y causó numerosas víctimas entre la población civil que se había refugiado en su interior. Fernando Brambila fue un pintor y grabador español que acompañó expediciones científicas y documentó escenas de la guerra contra Francia. Juan Gálvez, grabador activo en Cádiz en las primeras décadas del siglo XIX, colaboró en numerosas publicaciones sobre la Guerra de la Independencia. Este grabado forma parte de una serie que documenta los episodios más destacados de la resistencia española. Técnica: grabado en cobre.

Seller: Librería La Candela, Murcia, MU, SpainLibrería La Candela
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Add to basket.- Copia del reconocimiento verificado el 25 de Noviembre de 1859 por el Comandante Don Juan Burriel y el Teniente Don Eduardo Gamir del Cuerpo de E. M. del ejército. 68x34 cms. Una pequeña rasgadura de 4 cms. En la parte superior. . Copia del reconocimiento verificado el 25 de Noviembre de 1859 por el Comandante Don Juan Burrie…l y el Teniente Don Eduardo Gamir del Cuerpo de E. M. del ejército. 68x34 cms. Una pequeña rasgadura de 4 cms. En la parte superior. . GRABADOS / OBRA GRáFICA - Siglo XIX, Grabados / Obra Gráfica - Ciudades - Granada, . . .

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HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnFractal analysis has entered a new era. The applications to different areas of knowledge have been surprising. Benoit Mandelbrot, creator of fractal geometry, would have been surprised by the…use of fractal analysis presented in t.

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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnFractal analysis has entered a new era. The applications to different areas of knowledge have been surprising. Let us begin with the fractional calculus-fractal geometry relationship, which al…lows for modeling with extreme precisi.

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Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermanyBuchWeltWeit Ludwig Meier e.K.
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Fractal analysis has entered a new era. The applications to different areas of knowledge have been surprising. Benoit Mandelbrot, creator of fractal geometry, would have been surprised by the use of fractal analysis presented in this book.… Here we present the use of fractal geometry, in particular, fractal analysis in two sciences: health sciences and social sciences and humanities. Part 1 is Health Science. In it, we present the latest advances in cardiovascular signs, kidney images to determine cancer growth, EEG signals, magnetoencephalography signals, and photosensitive epilepsy. We show how it is possible to produce ultrasonic lenses or even sound focusing. In Part 2, we present the use of fractal analysis in social sciences and humanities. It includes anthropology, hierarchical scaling, human settlements, language, fractal dimension of different cultures, cultural traits, and Mesoamerican complexity. And in Part 3, we present a few useful tools for fractal analysis, such as graphs and correlation, self-affine and self-similar graphs, and correlation function. It is impossible to picture today's research without fractal geometry. 226 pp. Englisch.