Fiona Maccarthy (629 results)

Condition: Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Good. Good condition ex-library book with usual library markings and stickers.

Condition: Good. FORMER LIBRARY COPY, MAY HAVE STICKERS AND INDENTIFYING STAMPS AND/OR MARKERS ON IT Former Library book. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Paperback. Condition: Very Good. Eric Gill This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condition: Very Good. Eric Gill This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. 'In 1958 - the year in which Krushchev came to power in Russia, the year after Eden's resignation over Suez, two years after John Osborne's "Look Back in Anger" - the last of the debutantes, myself among them, went to the Palace to curtsey to the Queen.' Fiona MacCarthy and her fellow 'debs' were taking part in one of the final rituals of aristocratic power. The system had been in operation almost unchanged since the eighteenth-century. It was a female rite of passage, an elaborate initiation ceremony marking the emergence of the virgin out of the schoolroom and into society at the marriageable age of seventeen. But that year, in 1958, it was drawing to a close. Under pressure to shine - not least from their mothers - the girls were somewhere between teenagers and clones of the Queen herself. Still the focus for newspaper diarists and society photographers, these young women participated in a party season stretching for months among the great houses of London and the Home Counties. Yet behind all the grandeur lay anxiety and making-do, as many families struggled to maintain the splendour of former times. Filtered through some of its most colourful and eccentric inhabitants, from Lady Caroline Lamb in the eighteenth-century to Princess Diana in the twentieth, "Last Curtsey" is a riveting portrait of Britain as both empire and the customs and certainties of the old order came to an end. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Eric Gill This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. This biography of Byron (by Byron's own publisher John Murray) attempts to reinterpret Byron's life and poetry for a new generation. Fiona MacCarthy has had access to the full John Murray Byron archive, by far the largest in the world. In addition to this resource of correspondence, literary manuscripts and artefacts (many previously unseen by Byron scholars), she has drawn fully on other major collections and has travelled extensively in the Europe that Byron knew, believing strongly in the resonance of place. She aims to bring a fresh eye to Byron's childhood in Scotland, his embattled relations with his mother and the effect on him of his deformed foot. MacCarthy traces his early travels in the Mediterranean and the East, using fresh material to throw light on his series of relationships with adolescent boys - a hidden subject in earlier biographies. Perceptive on the compelling tragi-comedy of Byron's separation, his incestuous love for his half-sister Augusta and the clamorous attentions of his female fans, Fiona MacCarthy gives a new importance to his close male friendships, in particular with his publisher John Murray. For the first time she tells the story of their famous rift, as Byron's poetry became more recklessly controversial. Here Byron is viewed as a formative figure in European romanticism, the literary equivalent of Napoleon in the sweep of his ambition. He was a charasmatic influence on 19th-century music, painting, dress, manners and the art of self-preservation. Not merely a poet, Byron was a man of action, involved in the Italian "Risorgimento" and in the Greek War of Independence in which he died aged 36. Newly translated letters illuminate this tragic episode. Byron was a celebrity in his lifetime, a "superstar" after the publication of "Childe Harold" in 1812. As the Byron legend grew to unprecendented proportions after his death, the problem for the biographer has been to sift the truth from the sentimental, the self-serving and the spurious. What was Byron really like? The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Winner of the James Tait Black Memorial Prize for biography, The Last Pre-Raphaelite is Fiona MacCarthy's account of the life of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso. In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged. With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.