Floyd Emily C (24 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardback. Condition: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: new.

Condition: New.

Hardback. Condition: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.…

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Condition: New.

Condition: New. 2025. hardcover. . . . . .

Hardcover. Condition: Brand New. 256 pages. 10.00x7.00x10.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

hardcover. Condition: New. Special order direct from the distributor.

Condition: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 256 pages. 10.00x7.00x10.00 inches. In Stock.

Hardback. Condition: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.…

Condition: New.

Hardback. Condition: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.…

Hardcover. Condition: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardcover. Condition: Very Good. 1st Edition. 71 Pp. Full Red Cloth Stamped In Green, Orange, Pink, Blue, And Black; Spine Lettered In Green And Stamped In Black. The Original Printing, Full Cloth, Title Page Showing Raphael Tuck & Sons, Ltd., No. 801, Designed And Printed In England, Publisher's To Their Majesties The King And Queen & T. R. H. The Prince And Princess Of Wales. Undated, Circa 1907. Light Usage, No Marks, Bright, Small Discolorations To Front Cover. This Uk Issue In Red Cloth Is Rare, But The Reprints In Boards, And The New York Editions, Are Not Uncommon. Full Color Frontispiece, Two-Color Illustrations And B/W Ilustrations In Text. (illustrator).…

Hardcover. Condition: Very Good. 2019 Brill hardcover edition. Light reading wear else very good condition. Contents: Introduction Locating an American Capital in the Early Modern World Emily A. Engel PART 1 Urban Development and Government 1 The Cultural Trajectory of the Central Peruvian Coast, The Territory and Its People in the Valleys of Pre-Hispanic Lima Giancarlo Marcone Flores 2 Before Lima: The Rimac-Lurin Area on the Eve of Spanish Conquest Peter Eeckhout 3 Taxation, Obligation, and Corporate Identity in 16th-Century Lima Karen B. Graubart 4 Making Urban Colonial Lima (1535-1650): Pipelines and Plazas Martha G. Bell and Gabriel Ramon 5 Lima: A Legal City in the Early Colonial Andes (1538-1600) Renzo Honores 6 Don Juan de Padilla y Pastrana (1596-1670), Advocate of Peru's Indigenous Population? Alexandre Coello de la Rosa PART 2 Society 7 Lima and the Introduction of Peru into the Global Trade of the 16th Century Margarita Suarez 8 Indigenous Populations in Early Lima: Origins, Possessions, and Networks Gabriela Ramos 9 Society and Education: The University of San Marcos in the 16th Century Pedro M. Guibovich Perez 10 Women Writers and Hispanic Hegemony in the 17th-Century Viceroyalty of Peru: The Cases of Clarinda and Amarilis Martina Vinatea Recoba 11 'Para el aumento del servicio de Dios [For the intensification of service to God]': Formalization of Piety and Charity in Lima's Confraternities during the 16th and 17th Centuries Diego Edgar Levano Medina 12 Unsettling and Unsettled Readings: Occult Scripts in 16th-Century Lima and the Challenges of Andean Knowledge Claudia Brosseder PART 3 Culture 13 'Reina, limpia y pura [Queen of Heaven, clean and pure]', Italian Painters and Marian Imagery in 16th-Century Lima Irma Barriga Calle 14 Fashioning Lima's Virgin of Copacabana: Indigenous Strategies of Negotiation in the Colonial Capital Ximena A. Gomez 15 Privileging the Local: Prints and the New World in Early Modern Lima Emily C. Floyd 16 British Piracy and the Origins of a Colonial Imaginary in 16th-Century Lima Maria Gracia Rios 17 The Book and Western Culture in 16th-Century Lima Carlos Alberto Gonzalez Sanchez 18 The Callao Contract of 1599: Actors Set the Stage for an Early Modern Lima Susan Finque 19 The Sonic Construction of a New Capital: Urban Soundscapes and Acoustic Communities in 16th-Century Lima Javier Marin-Lopez Conclusion Leo J. Garofalo. …