Fogel Aaron (11 results)

Soft cover. Condition: Near Fine. Softcover, 92 pgs. Light toning to spine, else fine.

8vo, stapled card covers, 93pp. Prose and verse. Contents provided in our photographs. VG+: a clean and sound copy.

Softcover. Condition: Very Good. First Edition.

Soft cover. Condition: Very Good.

Paperback. Condition: Brand New. 1st edition. 242 pages. 8.00x5.00x0.55 inches. In Stock.

Paperback. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. Light wear to spine, covers & corners. Slight soiling to top edge of text block. ; Light wear to spine, covers & corners. Slight soiling to top edge of text block. ; The Printer's Error is a poetry collection by Aaron Fogel that explores the interplay between human fallibility and the creative process. The title poem, written as a humorous testimonial from a veteran printer, argues that typographical mistakeswhether accidental, intentional, or even divineare integral to the authenticity of printed works and should remain uncorrected. This perspective challenges traditional ideas of textual perfection, suggesting that errors can enhance meaning and reflect deeper truths. Throughout the collection, Fogel uses inventive linguistic techniquessuch as inserting numbers into words or pairing unexpected letter combinationsto emphasise the dynamic and unpredictable nature of language. His work blends humour with philosophical reflection, encouraging readers to reconsider the value of imperfection in both literature and life. The Printer's Error was awarded the 2001 Kahn Award from Boston University, recognising its broad appeal and insightful commentary on the human condition.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Conrad's was a distinctive reading of the English language conditioned by his particular idea of forced speech and forced writing. Fogel shows how Conrad shaped ideas and events and interpreted character and institutions by means of dialogues representing not free exchange but various forms of forcing another to respond. Fogel proposes that to understand this form is to begin to reconsider our political and aesthetic assumptions about what dialogue is or ought to be. 296 pp. Englisch.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Novelists have individually distinctive ideas of dialogue, Aaron Fogel argues. In this analysis of Conrad s narrative craft he explores--with broad implications--the theory and uses of dialogue. Conrad s was a distinctive reading of the .

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Conrad's was a distinctive reading of the English language conditioned by his particular idea of forced speech and forced writing. Fogel shows how Conrad shaped ideas and events and interpreted character and institutions by means of dialogues representing not free exchange but various forms of forcing another to respond. Fogel proposes that to understand this form is to begin to reconsider our political and aesthetic assumptions about what dialogue is or ought to be. 296 pp. Englisch.

Buch. Condition: Neu. Coercion to Speak | Conrad's Poetics of Dialogue | Aaron Fogel | Buch | Englisch | 1985 | Harvard University Press | EAN 9780674334205 | Verantwortliche Person für die EU: De Gruyter, Genthiner Str. 13, 10785 Berlin, orders-books[at]degruyter[dot]com | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Novelists have individually distinctive ideas of dialogue, Aaron Fogel argues. In this analysis of Conrad's narrative craft he explores--with broad implications--the theory and uses of dialogue. Conrad's was a distinctive reading of the English language conditioned by his particular idea of forced speech and forced writing. Fogel shows how Conrad shaped ideas and events and interpreted character and institutions by means of dialogues representing not free exchange but various forms of forcing another to respond. He applied this format not only to the obvious political contexts, such as inquisition or spying, but also to seemingly more private relations, such as marriage, commerce, and storytelling. His idea of dialogue shaded the meanings he gave to words even to characters' names. Conrad is particularly interested in scenes in which a speech-forcer is surprised, repudiated, or punished. Fogel concludes that Conrad increasingly saw the punishment of the speech-forcer as classically related to Oedipus inquiries, in which the provoked answers rebound upon and destroy the forcer. This punishment is--as Shakespeare, Scott, and Wordsworth also dramatically intuited--the classical Oedipal dialogue scene. Fogel's analysis ranges widely over Conrad's fiction but focuses especially on Nostromo, The Secret Agent, and Under Western Eyes. His readings offer a balanced critique of Mikhail Bakhtin's theories about dialogic. Conrad's novels have many of the features Bakhtin identified as dialogical; but he was preoccupied with coercion in dialogue form. Fogel proposes that to understand this form is to begin to reconsider our political and aesthetic assumptions about what dialogue is or ought to be.