Francesca Cappelletti (160 results)

Paperback. Condition: New. Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (1485-1547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo.This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide.…

Paperback. Condition: new. Paperback. Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (14851547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo. This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide. AUTHORS: Francesca Cappelletti is the director of the Galleria Borghese in Rome and Professor of Modern Art History at the University of Ferrara. Patrizia Cavazzini is an art historian, research fellow at the British School at Rome, an advisor to the American Academy in Rome and a member of the Borghese Gallery's scientific committee. SELLING POINTS: . Illustrates lesser-known works painted in the late Mannerist and early Baroque styles . Many of the photographs featured were taken especially for this publication and can't be found elsewhere 47 colour, 1 b/w illustrations The itinerary presents a selection of the most significant altarpieces painted on stone in Rome in the 16th/17th century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condition: New. In English.

Brossura. Condition: new. Edited by Cappelletti F. and P. Cavazzini. English Text. Milano, 2022; paperback, pp. 96, col. ill., cm 22x28. Libro.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Hardback. Condition: New.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: new.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. In English.

Hardback. Condition: New.

Condition: New.

Condition: New.

Condition: MOLTO BUONO. Roma, Argos cm.17x24, pp.136, 35 illustrazioni in bianco e nero numerose nel testo, brossura con copertina figurata a colori. Collana Guide.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: NEW.

Condition: NEW.

Condition: New.

Brossura. Condition: new. Roma, Palazzo Barberini, March 7 - July 6, 2025. Edited by Cappelletti F. and Terzaghi M. C. A cura di Francesca Cappelletti, Maria Cristina Terzaghi e Thomas Clement Salomon. English Text. Venezia, 2025; paperback, pp. 256, col. ill., cm 24x29. Il catalogo Caravaggio 2025, edito da Marsilio Arte e curato da Francesca Cappelletti e Maria Cristina Terzaghi, accompagna l'omonima mostra allestita a Palazzo Barberini dalle Gallerie Nazionali d'Arte Antica in collaborazione con Galleria Borghese (7 marzo - 6 luglio 2025), un progetto tra i più importanti e ambiziosi dedicati a Michelangelo Merisi detto Caravaggio (1571-1610). Riunendo alcune delle opere più celebri, l'esposizione vuole offrire una nuova e approfondita riflessione sulla rivoluzione artistica e culturale di Caravaggio, esplorando per la prima volta in un contesto così ampio l'innovazione che introdusse nel panorama culturale, religioso e sociale del suo tempo. Il volume illustra gli snodi biografici e gli sviluppi dello stile dell'artista attraverso saggi redatti da studiosi che, in ambito internazionale, hanno maggiormente lavorato su questi temi. Il catalogo si apre con il saggio di Keith Christiansen che traccia la parabola artistica del grande maestro, mentre i contributi delle due curatrici, Maria Cristina Terzaghi e Francesca Cappelletti, si concentrano sull'arrivo del grande maestro a Roma e sul collezionismo delle sue opere da parte delle grandi famiglie romane. Giuseppe Porzio ripercorre gli anni meridionali dell'artista, tra Napoli, Malta e la Sicilia; Alessandro Zaccuri propone una riflessione sul legame di Caravaggio con la spiritualità del suo tempo; Gianni Papi affronta uno degli argomenti più dibattuti, ovvero la ritrattistica - vera o presunta - del Merisi; Francesca Curti presenta, a partire da documenti d'epoca, le figure femminili ritratte dall'artista; Claudio Strinati e Stefano Causa affrontano un excursus storico delle mostre dedicate a Caravaggio e la sua fortuna critica, a partire dalla famosa mostra di Milano del 1951 che di fatto fa riscoprire l'artista dopo secoli di oblio; chiude Rossella Vodret con un'attenta analisi sulla tecnica esecutiva dell'artista. Le opere in mostra - ventiquattro e tutte di mano del Merisi - vengono analizzate attraverso schede dettagliate e approfondite che danno conto dei principali problemi critici, attributivi e di datazione. L'intero catalogo è illustrato con ricchezza di dettagli e le immagini coprono quasi interamente la produzione del maestro; completa il volume un'ampia bibliografia. Libro. …

Condition: NEW. Romano, Luciano (illustrator).

Condition: New.

Softbound. First. Color pictorial french flaps, 288 pp, hundreds of color and BW plates and figures. Text is in French. From the book--In Rome, in the first half of the seventeenth century, landscape painting is developing exceptional funds previously reserved for painted compositions, it becomes an autonomous pictorial genre and will experience then a considerable success. From all over Europe, especially Flanders, many artists come together in the eternal city where increasing architectural and urban transformations, and where their presence promotes exceptional artistic effervescence. Wide range of stylistic trends enrich this new pictorial expression and contribute to a widespread dissemination of the taste for landscape painting. With Annibal Carrache, Paul Bril, Peter Paul Rubens, Claude Lorrain, and Nicolas Poussin with Gaspard Dughet, just a few of the greatest painters of the seventeenth century have contributed to the emergence of landscape painting. This book presents some of their most successful creations through some eighty paintings and twenty drawings. VG, light edge wear, may have ex-art-library marks.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New.