Franz Schubert, Signed (30 results)

OBroschur. Condition: Gut. Konzert 27. Dezember 1971 Herkulessaal der Residenz. 8 S. mit Programmfolge, geheft. OBroschur, 8°. Auf ganzs. Fotoportrait in blauem Kuli hschr. signiert "Hermann Prey". Dazu ganzs. Fotoportrait Wolfgang Sawallisch. Ecken gering berieben, mont. Kritiken u. 2 Eintrittskarten auf Werbeseiten bzw. Innendeckeln (Abdeckung v. Veranstaltungshinweisen). Sonst gut. Broschüre.

OKart., Condition: in gutem Zustand. (s. Foto). 1. Aufl. Bühl, Konkordia, 1978. 8°. 86 S. mit Bildtafeln. OKart., in gutem Zustand. (s. Foto). Ein Beitrag zum 150. Todestag Schuberts. - Mit handschriftlicher Widmung des Verfassers. Sprache: de.

Taschenbuch. Condition: Neu. Neuware -Franz Schubert's three last piano sonatas were all composed in September 1828, two months before the composer's premature death. These are the Sonatas in C minor (D. 958), B-flat major (D. 960) and A major (D. 959), the last of which is presented here in a separate edition. For this Urtext edition, the editor consulted the complete autograph in addition to an early draft. Whoever desires to experience the whole Schubert and his blossoming melodic beauty in a single work, should play this large A-major Sonata.; Les trois dernières sonates pour piano de Franz Schubert ont toutes été composées en septembre 1828 - soit deux mois avant la mort prématurée du compositeur. Outre les sonates en ut mineur D 958 et en sib majeur D 960, figure parmi elles la sonate en la majeur D 959 présentée ici en édition séparée. Pour cette édition urtext, l'éditeur s'est appuyé non seulement sur le manuscrit autographe complet, mais aussi sur une ancienne copie réalisée par Schubert lui-même. Si tout Schubert et son éclatante beauté mélodique devaient être concentrés en une seule oeuvre, ce serait bien dans la grande sonate en la majeur D 959.; Franz Schuberts drei letzte Klaviersonaten sind alle im September 1828 entstanden - zwei Monate vor dem frühen Tod des Komponisten. Zu ihnen zählt neben den Sonaten in c-moll D 958 und in B-dur D 960 die Sonate in A-dur D 959, die hier in einer Einzelausgabe vorliegt. Für diese Urtextedition wurde vom Herausgeber neben dem vollständig ausgeführten Autograph auch eine frühere Kompositionsniederschrift Schuberts mit herangezogen. Wer den ganzen Schubert, seine blühende melodische Schönheit in ein einziges Werk konzentriert wünscht, sollte zur großen A-dur-Sonate D 959 greifen. 36 pp. Englisch, Französisch, Deutsch.

Taschenbuch. Condition: Neu. Neuware -No other great composer left as many works for piano duet as Franz Schubert. Making music with others, often in a social circle, was a solid component of the Schubertian circle of friends. With the Fantasie in f minor D 940 op. post. 103, however, Schubert completely left the sphere of social gatherings and created, in the first months of his last year of life, a work of almost symphonic form, whose elegiac atmosphere at the beginning sets the tone for the entire work. Schubert was apparently aware of the significance of the work and prepared it for printing: the autograph already contained in his hand the opus number of the first edition published in March 1829.; Aucun autre grand compositeur n'a écrit autant d'oeuvres pour piano à quatre mains que Franz Schubert. Jouer de la musique ensemble, souvent dans un cadre convivial, faisait partie inté-grante de la vie au sein du cercle d'amis de Schubert. Pourtant, avec la fantaisie en fa mineur D 940 op. post. 103, Schubert délaisse complètement la sphère de la convivialité et, au cours des premiers mois de la dernière année de sa vie, crée une oeuvre de dimensions quasi sym-phoniques dont l'atmosphère élégiaque initiale l'imprègne tout entière. Schubert avait manifes-tement conscience de l'importance de cette oeuvre et la destinait à l'impression comme le montre le numéro d'opus noté de sa main sur le manuscrit autographe qui figure également sur la première édition parue en mars 1829.; Kein anderer großer Komponist hat so viele Werke für Klavier zu vier Händen hinterlassen wie Schubert. Gemeinsames Musizieren, häufig in geselligem Kreis, war ein fester Bestandteil des Schubert'schen Freundeskreises. Mit der Fantasie in f-moll, D 940, op. post. 103, verließ Schubert allerdings völlig die Sphäre des Geselligen und schuf, in den ersten Monaten seines letzten Lebensjahres, ein Werk von fast symphonischem Zuschnitt, dessen elegische Stimmung zu Beginn gleichsam das Motto für das gesamte Werk darstellt. Schubert war sich der Bedeutung des Werks offenbar bewusst und bereitete es für den Druck vor: Das Autograph enthält von seiner Hand bereits die Opuszahl der im März 1829 erschienenen Erstausgabe. 29 pp. Englisch, Französisch, Deutsch.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Katrin Talbot illus (illustrator). first printing. Paper-covered boards, xxii and 233 pages, 10-in tall. Illustrated with 116 duotone photographs of Katrin Talbot. In the song cycle "Winterreise" Franz Schubert set to music the poetry of Wilhelm Muller. Signed by photographer Katrin Talbot on half-title page. CD in pocket on rear pastedown is a recording of "Winterreise" performed by baritone Paul Rowe and pianist Martha Fischer. Fine in a fine dust jacket. Signed by Illustrator(s).

Hardcover. Condition: Very Good +. First Edition. Warmly inscribed by the editor, dated 1971. Rare, only one copy in 15 libraries on OCLC, #81026694. Bound in navy blue cloth with silver foil lettering on the spine. An authoritative score; Schubert's sketches, commentary, and Essays in history and analysis. viii 132pp.CONDITION: Light shelf wear. Covers have began to bow a little. First few pages have light chipping on the foredge, otherwise pages are crisp and clean. Binding and text block are sound. Inscribed and Signed by Editor.

253 S. m. Abb. Schöner, marmorierter Hldr. d. Zt., m. goldgeprägter Rückenornamentik. * Eins von 220 Exemplaren der Vorzugsausgabe "auf bestem Papier, numeriert und vom Autor signiert", unser Exemplar mit der Nummer 98. - Rücken oberhalb etwas fleckig, sonst sehr schöne Ausgabe.

Condition: Gut. Erstauflage. Paginiert von Seite 109 bis S. 120 + 8 s/w. u. farb. Abb. auf Tafeln + Beilagen (Teils gefalt.-Karten). Papier geringf. randvergilbt. 1 Tafel minimal kleinbraunfleckig. * Manching, Stadt im Landkreis Pfaffenhofen an der Ilm und liegt südöstlich von Ingolstadt - Sonderdruck aus Germania 50, 1972, 1-2. Halbband - Mit Or.-Widmung (sign.) auf d. 1. Seite Sprache: Deutsch Gewicht in Gramm: 125 4°, O(Hellgrau)-Karton.-Heft mit Schwarzfarb.-Titel. Gut erhalten.

Soft cover. Condition: Very Good. No Jacket. Pip Woolf (illustrator). 1st Edition. Inscribed to a famous Dallasite visionary and philanthropist, Peter O'Donnell by authors, Robert Lloyd, Julius Drake and Pip Woolf. Book is in very good (almost pristine) condition and CD of Die Winterreise recorded in 1999 at Y Tabernacl, Machynlleth, Museum of Modern Art, Wales, is included and present at the back. Very unique presentation with fold out 'books' on each side. (BR) Box 69. Inscribed by Author(s).

62 S., 1 Bl. (Verlagswerbung) m. Notenbsp. OLn. m. goldgeprgt. Deckeldekor. * Eines von hundert Exemplaren der Vorzugsausgabe, vom Verfasser signiert, unser Exemplar mit der Nr. 91.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st Printing. Signed. 160 pages. Published in 2019. Retrospective collection of essays. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and in the United Kingdom only. There is NO American Edition. The First Edition is now scarce. Presents Alfred Brendel's "The Lady From Arezzo: My Musical Life And Other Matters". His unapologetically and delightfully eccentric glance at his lifelong aesthetic passions as well as a summing-up of his career as one of the greatest pianists of our time. Alone among performing artists, Alfred Brendel was also a poet and an essayist of the first rank. That is to say, his writings have genuine literary value; they qualify as literature. The eponymous "Lady From Arezzo" refers to a beguiling and enigmatic mannequin that Alfred Brendel chanced upon in a window display in Arezzo, a small town in Italy, which he subsequently acquired. Who is this strange lady? Why is she carrying a large egg on her head? She conveys great seriousness together with quirky comic effect. In other words, she is the physical epitome of Brendel's own musical and literary essence. As such, the book begins with a brilliant, extended discussion of Dada, the most misunderstood movement of Modernism. Then, harking back to the Classical and Romantic Periods, masterpieces are re-appraised by Brendel, delving beyond performance towards their import and "affect", what they mean and the important context of their original creation and subsequent place in musical history. The "piece-de-resistance" is his summing-up essay, "My Musical Life", offering an insightful history of his stupendous career: "Music" rather than - more than - "Life", illuminated in a great essay. Alfred Brendel died on June 17, 2025 at the age of 94, his place in Western music and our larger culture preeminent and secure. An absolute "must-have" title for Alfred Brendel collectors. This copy is very prominently, beautifully, and uniquely signed, dated (shortly after publication), and inscribed in blue ink-pen on the title page by the author: "To John Alex, sharing music long distance, with all best wishes, Alfred Brendel, June 2020". It is signed directly on the page itself, not on a tipped-in page. His inscription refers mindfully to the COVID lockdown, which severely limited ("distancing") and in most cases, cancelled concerts as well as book signings outright, among other cultural events. This title is a great collection. As far as we know, this is the only such signed, post-dated, and inscribed copy of the First Hardcover Edition/First Printing (British) available online and despite its imperfection (rubbing on black cloth boards: A publisher's flaw) is still in fine condition overall: Clean, crisp, and bright. Please note: Alfred Brendel generously signed CD's and even Souvenir Programs. He did NOT sign too many books. Copies available online have very serious flaws ("Very Good") or are the Softcover Edition. This is surely an accessible and lovely alternative. A rare, one-of-a-kind signed copy thus. One of the greatest musical and literary artists of the 20th century and our time. A fine copy. (SEE ALSO OTHER ALFRED BRENDEL TITLE IN OUR CATALOG) ISBN 057135372X. Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st Printing. Signed. 505 pages. Published in 2015. The singer/interpreter's book-length account on subject. One of the best books on the musical art and achievement of Franz Schubert of our time. Advance Signed Copy of the First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Ian Bostridge's "Schubert's Winter Journey: Anatomy of An Obsession". His exploration of the world's most famous and challenging song cycle, "Winterreise". A definitive interpreter of the work, Bostridge "teases out the themes - literary, historical, psychological - that weave through the twenty-four songs that make up this legendary masterpiece. Completed in the last months of the young Schubert's life, 'Winterreise' has come to be considered the single greatest piece of music in the history of Lieder. These twenty-four short poems set to music for voice and piano are performed uninterrupted in little more than an hour. It nonetheless has an emotional depth and power that no music of its kind has ever equalled. A young man walks out into snow and darkness. As he wanders away, he experiences a cascade of emotions: Loss, grief, anger, and loneliness, shot through with fleeting moments of hope until the landscape he inhabits becomes one of alienation and despair. Originally intended to be sung to an intimate gathering, performances now pack the greatest concert halls around the world. Drawing equally on his vast experience performing this work, on his musical knowledge, and on his training as a scholar, Bostridge explores for us the world Schubert inhabited, his biography and psychological makeup, the historical and political pressures within which he became one of the world's greatest composers, and the continuing resonances and affinities that our ears still detect today" (Publisher's blurb). An absolute "must-have" title for Franz Schubert and Ian Bostridge collectors. This Advance Signed Copy is very prominently, neatly, and beautifully signed in black ink-pen on the title page by Ian Bostridge. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. This is one of few such pre-signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Ian Bostridge signed copies of the book through the publisher only. He did NOT tour or promote the book in person. Copies available online have serious flaws (because the white DJ soils easily) or are in subsequent printings. This is surely an accessible and lovely alternative. A rare signed copy thus. One of the most brilliant interpreter/scholars of our time on one of the greatest composers of all time. A fine copy. ISBN 030796163X. Signed by Author.

Condition: Gut. 4°. (= Ed. Tonger Band 829 / PJT 8006). 20 S. Orig.heft, min. Gebr.spuren, gutes Ex. Notenheft, Vorsatz mit Stempel und SIGNIERT vom Geiger und Konzertmeister Otto Klinge, Erfurt (1941).

Gr.-8°, Halbleinen. 150 SS, 5 Abbildungstafeln im Anhang Bibliophiler, privater Halbleinenband mit goldgeprägtem Rückentitel und Deckeln mit Marmorpapierbezug. (leicht berieben.) Widmungsexemplar des Autors mit ganzseitiger Widmung an den geheimen Regierungsrat Prof. Max Lehrs. ExLibris auf Spiegel. Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 500.

4. Auflage. 8vo. 370 S. OKt. Einband gebräunt, sonst guter Zustand. Mit handschriftlicher, signierter Widmung des Verfassers auf Titel.

LP. Condition: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Die Vinyl-Platte(n) sind stets in Inlays. Stereo und/oder Mono. (Keine genaue Jahreszahl angegeben.) Signatur der Musiker. Platte top. A1 Grand Rondeau A-Dur Op. 107 A2 Andantino Varié H-Moll Op. 84 Nr. 1 B - Fantaisie F-Moll Op. 103 B1 Allegro Molto Moderato B2 Largo B3 Allegro Vivace B4 Tempo 1 LP8 Sprache: Deutsch Gewicht in Gramm: 1001.

Erste Auflage. Quer-4°. 70 S., 5 Bl Orig.-Halblederband mit Deckel-Titelschild in der Orig.-Papierhülle Das Autograph von Franz Schuberts H - moll - Sinfonie ("Unvollendete") wurde im Auftrag des Drei Masken Verlages A.-G., München im Frühjahre 1923 erstmalig vollständig reproduziert. Diese Ausgabe enthält außer der Partitur auch die autographen Skizzen Schuberts zum ersten, zweiten und dritten Satz, soweit sie erhalten sind. Das Original der Partitur und der Skizzen liegt im Archiv der "Gesellschaft der Musikfreunde" zu Wien." (Impressum). --- Vorliegend ein Widmungsexemplar von Ekkehart Vesper (Leiter der Staatsbibliothek Berlin West von 1972-1987) an Ludwig Borngässer (Leitung von 1963-1972) zu dessen 75. Geburtstag am 5. April 1975. -- Tadelloses frisches Exemplar, die Papierhülle mit Einriss.

Early Edition. 6 Volumes. Finely bound all in leather backed buckram boards. All edges gilt. Marble end papers. Remains particularly well-preserved overall; tight, bright, clean and strong. Provenance: presentation copy from Philip Napier Miles to Lady M. Caroline Clarence Paget. With Lady Pagets gilt-blocked monogram. Date is suggested from inscription. Physical description: 6 volumes. Music score. Notes: Language in german. Subjects: music score. music score, with lyrics. German texts. 19th century music score. Schubert. Franz. Friedlaender, Max. 3 Kg.

Early Edition. 6 Volumes. Finely bound all in leather backed buckram boards. All edges gilt. Marble end papers. Remains particularly well-preserved overall; tight, bright, clean and strong. Provenance: presentation copy from Philip Napier Miles to Lady M. Caroline Clarence Paget. With Lady Pagets gilt-blocked monogram. Date is suggested from inscription. Physical description: 6 volumes. Music score. Notes: Language in german. Subjects: music score. music score, with lyrics. German texts. 19th century music score. Schubert. Franz. Friedlaender, Max. 1 Kg.

Oblong folio. Original publisher's dark orange cloth-backed marbled boards. 1f. (recto half-title, verso blank), 1f. (recto title, verso blank), 71 pp. facsimile of the composer's autograph musical manuscript, 9 pp. blank facsimile pp., 1f. (recto "Entwürfe," verso blank), 7 pp. facsimile of the composer's autograph musical manuscript, [i] (blank) facsimile, iv pp. ("Nachwort"), 1f. (recto limitation statement, verso blank). Lower outer corners of first two leaves slightly creased. Limited to 1,800 copies. Signed.

2 unveränderte Auflage. Jahr: 1997. Einband: Leinen. Beschreibung: 1997 - Band I: Die Texte der einstimmigen Lieder vollständig gesammelt und kritisch herausgegeben von Maximilian und Lilly Schochow. Geleitwort von Walter Gerstenberg. Aischylos - Metastasio. XI, 370 S. - Band II: Die Texte der einstimmigen Lieder vollständig gesammelt und kritisch herausgegeben von Maximilian und Lilly Schochow. Mikan - Zettler. S. 371-744. Sehr gut erhalten. Sprache: de. XI, 744 S.

Kleine Autogrammkarte (blanko), in grüner Tinte mit Jahr 1948, Unterschrift eigenhändig signiert - mit Repro-Porträtfoto unter dunkelgrünes Passepartout (4 to) gerahmt (dito wie vor, zum gleichen Preis : Kleines Albumblatt (blanko, Rand leicht stockfleckig) in Tinte mit Jahr 1943, Unterschrift eigenhändig signiert, rückseitig eigenhändig signiert von IDA HAENDEL (1928-2020, britische Violinistin polnischer Herkunft. Sie gilt als eine der größten Geigerinnen des 20. Jahrhunderts .).

Eigenhändiger Brief (2 S. kl. 4°, in Tinte) mit Ort, Datum, Unterschrift signiert Dalta Villa, 18.11.1814 - al Ab. Meneghelli in Padua (zum gleichen Preis : E.Brief (4 S. kl. 4° in Tinte) mit Ort, Datum, Unterschrift Bassano, 1. Juglio (o.J.) - an M. Abate Irivellato).

Brief (2 S. 8 to, gedruckter Briefkopf, gefaltet) in Tinte mit voller Unterschrift DR. JOH. N VOGL, REDACTEUR DES ÖSTERR. MORGENBLATTES signiert Wien, o.D. - an eine andere Löbliche Redaction, der er die dritte Auflage seiner UNGARKLÄNGE zur Rezension übersendet.

Eigenhändiger Brief (1 S, gr. 4 to, gefaltet) in Tinte mit Ort, Datum, Unterschrift signiert Dresden, 1.VII.1846 - übersendet einen Artikel für die Theaterzeitung. ( Winkler schrieb zum Beispiel die Texte zu Schuberts "Das Heimweh" (D456) und das Libretto für Webers Oper Die Drei Pintos . Viele Jahre lang war er Herausgeber der Literaturzeitschrift Penelope und der Dresdner Abendzeitung (von 1817 bis 1843) in Zusammenarbeit mit Friedrich Kind . Dresden ernannte ihn 1851 zum Ehrenbürger . WIKI).

Hand-colored etching by Herta Czoernig-Gobanz (1886-1970), estate signed. Plate size 20 x 18,5 cm (7¾ x 7¼ in), sheet size 35 x 29 cm (13¾ x 11½ in). In 1825 and 1826 the composer lived in the so-called "Fruwirthaus" next to Karlskirche church, where Johann Fruwirt's gun factory was located. The building captured in the picture by the artist had to make way for an office building in 1971. Among other works, Schubert wrote the "Deutsche Messe" ("German Mass", D 872) here, which was premiered in the Karlskirche. The musical quotation shows the beginning of "Das Wandern" ("Wandering"), the first song in the cycle "Die schöne Müllerin" (op. 25, D 795) composed in 1823 after poems by Wilhelm Müller: "Das Wandern ist des Müllers Lust, das Wandern" ("To wander is the miller's delight, to wander").

Hand-colored etching by Herta Czoernig-Gobanz (1886-1970), estate signed. Plate size 20 x 18 cm (7¾ x 7 in), sheet size 35 x 29 cm (13¾ x 11½ in). The courtyard of the house at Kettenbrückengasse 6, a building typical of the Biedermeier period with its own well. Franz Schubert spent the last weeks of his life in this house in the apartment of his brother Ferdinand and died here on November 19, 1828. The musical quotation shows the beginning of one of his most famous songs, "Die Forelle" ("The Trout", op. 32, D 550): "In einem Bächlein helle da schoss in froher Eil" ("In a sparkling stream darted about happily and swift "). It was composed between 1816 and 1817.

Hand-colored etching by Herta Czoernig-Gobanz (1886-1970), estate signed. Plate size 20,5 x 19 cm (8 x 7½ in), sheet size 35 x 29 cm (13¾ x 11½ in). The courtyard of the house at Nußdorfer Strasse 54, where the composer was born and spent his early years, facing the garden. Today the building, which dates from the 18th century, houses a memorial. The musical quotation shows the beginning of the song "Wohin?" ("Where to?") from Schubert's cycle "Die schöne Müllerin" (op. 25, D 795) composed in 1823 after poems by Wilhelm Müller: "Ich hört ein Bächlein rauschen wohl aus dem Felsenquell" ("I heard a little brook babbling from its rocky source").

Hand-colored etching by Herta Czoernig-Gobanz (1886-1970), estate signed. Plate size 21,5 x 17 cm (8½ x 6¾ in), sheet size 29 x 24 cm (11½ x 9½ in). The courtyard of the house at Nußdorfer Strasse 54, where the composer was born and spent the first years of his life, from the garden side. Today the building, which dates from the 18th century, houses a memorial. The musical quotation shows the beginning of the song "Ständchen" ("Serenade") after a poem by Ludwig Rellstab from Schubert's last, posthumously published cycle "Schwanengesang" ("Swan song", D 957): "Leise flehen meine Lieder durch die Nacht zu dir" ("Softly my songs plead through the night to you").

Hand-colored etching by Herta Czoernig-Gobanz (1886-1970), estate signed. Plate size 19,5 x 18,5 cm (7½ x 7¼ in), sheet size 35 x 29 cm (13¾ x 11½ in). Between 1820 and 1826 the composer often visited the inn in the romantic valley of Hinterbrühl near Mödling (Lower Austria) with friends. Legend has it that the famous song "Der Lindenbaum" ("The Linden Tree", D 911-5) from the cycle "Winterreise" ("Winter Journey", op. 89) based on poems by Wilhelm Müller was written here. The musical quotation shows the beginning of the song published in 1828: "Am Brunnen vor dem Tore da steht ein Lindenbaum" ("At the fountain in front of the gate there is a linden tree").