French Lithographer (124 results)

Singleside printed large-paper cardboard-sheet; large-4to.(ca. 32 x 25 cm). *** ORIGINAL LITHOGRAPH PLATE OF GRANDIDIERS MONUMENTAL WORK, apparently from the printer's stock. - White frame of the sheet with minimal foxing; A BEAUTIFUL SAMPLE. --- MANY MORE PLATES OR SERIES-OF-PLATES OF THE RARE LEMURIFORMES-SECTION (Volume IX, Tome IV, Atlas I [few] / Vol. IX/X, T. V/VI, Atlas II/III [many]) IN STOCK. . .

Singleside printed large-paper cardboard-sheet; large-4to.(ca. 32 x 25 cm). *** ORIGINAL LITHOGRAPH PLATE OF GRANDIDIERS MONUMENTAL WORK, apparently from the printer's stock. - Minimal foxing; A BEAUTIFUL SAMPLE. --- MANY MORE PLATES OR SERIES-OF-PLATES OF THE RARE LEMURIFORMES-SECTION (Volume IX, Tome IV, Atlas I [few] / Vol. IX/X, T. V/VI, Atlas II/III [many]) IN STOCK. . .

Singleside printed large-paper cardboard-sheet; large-4to.(ca. 32 x 25 cm). *** ORIGINAL LITHOGRAPH PLATE OF GRANDIDIERS MONUMENTAL WORK, apparently from the printer's stock. - Slight shallow foxing, left corner of the sheet slightly dusty; A VERY GOOD SAMPLE. --- MANY MORE PLATES OR SERIES-OF-PLATES OF THE RARE LEMURIFORMES-SECTION (Volume IX, Tome IV, Atlas I [few] / Vol. IX/X, T. V/VI, Atlas II/III [many]) IN STOCK. . .

Singleside printed large-paper cardboard-sheet; large-4to.(ca. 32 x 25 cm). *** ORIGINAL LITHOGRAPH PLATE OF GRANDIDIERS MONUMENTAL WORK, apparently from the printer's stock. - Slight foxing, right corner of the sheet slightly dusty; A GOOD SAMPLE. --- MANY MORE PLATES OR SERIES-OF-PLATES OF THE RARE LEMURIFORMES-SECTION (Volume IX, Tome IV, Atlas I [few] / Vol. IX/X, T. V/VI, Atlas II/III [many]) IN STOCK. . .

Soft cover. Condition: Very Good. Original chromo-lithograph caricature from the album of 'Chargeons les Russes' which collaborated with French engraver Daumier. Print size: Folio, 34x25 cm. glued on a paper sized: 43x33 cm. Signed on the bottom corner by pencil as 'Cham'. Text is in French: 'Le Cosaque: Mon honoeur est engage, je ne retirerai ma main qu'avec votre foulardet tout ce que vous avez dans votre poche!'. Ottoman and Russian soldiers in front of the 'Provinces Danubiennes' signboard. [With] Autograph letter signed 'Cham' in 1875, March 27 to an unknown friend. 1 p. Size: 14,10,5 cm. In French. Cham was raised by a family who wished for him to attend a polytechnic school, he instead attended painting workshops hosted by Nicolas Charlet and Paul Delaroche and began work as a cartoonist. He eventually took up the pseudonym of "Cham". In 1839, he published his first book, Monsieur Lajaunisse, which began a career that would span 40,000 drawings. In 1843, he began to be published in newspapers like Le Charivari, a publication where he was staff for thirty years. Later works included Proudhon en voyage and Histoire comique de l'Assemblée nationale. He wrote several comic plays towards the end of his life. "Mon cher ami, de noce et festin Mardi. Qu'il y long temps que je n'ai en le plaisir de vous voir! Triste! Triste! Trei a vous. A Samedi soir 27 Mars [[18]75].". [i.e.] "My dear friend, wedding and feast Tuesday. How long it has been since I have had the pleasure of seeing you! Sad! Sad! To you. To Saturday evening March 27 [[18] 75].".

Condition: Good. Original hand colored lithograph. 28 x 36.5 cm (sheet). Good, sheet toned, small tears and holes along sheet edges, one tear extending into image at left.

Condition: Good. Original hand colored lithograph. 28 x 36.5 cm (sheet). Good, sheet toned, small tears and holes along sheet edges.

Condition: Good. Lithograph on chine colle wove paper, with margins. 9 x 5 3/8 inches (sheet). Initialed "G" in the image. Very Good. Foxing in the margins. Print affixed at right sheet edge to another support sheet.Ref: (Catalogue Raisonne): Les Graveurs du XIX Siecle, Guide de L'Amateur d'Estampes Modernes par Henri Beraldi (Paris: Librairie L. Conquet, 1888).Jean Francois Gigoux (1806-1894), painter, printmaker, and illustrator, was born on January 8, 1806, in Besancon, France and he first studied at l'Academie de Besancon. In 1828 Gigoux went to Paris and enrolled in the Ecole des Beaux-Arts where he studied under Theodore Gericault and Camille Corot.Gigoux was foremost a portrait and history painter and he holds a distinguished place among the painters of the Romantic School. He also worked in woodcut and etching but he was quite facile with the lithographic crayon and is noted for his romantic and passionate portraits in the medium.In 1842 Gigoux became a chevalier in the Legion of Honor and was named an officer of the Legion in 1880. He was the last love of countess Eveline Hansak, the widow of French novelist Honore de Balzac. Gigoux dies December 31, 1894 at the age of eighty-eight.

Condition: Good. Lithograph on wove paper, with margins. 7 5/8 x 10 1/2 inches (sheet). Signed in the stone. Very Good. Sheet toned. Print affixed at top sheet edge to another support sheet.Ref: (Catalogue Raisonne): Les Graveurs du XIX Siecle, Guide de L'Amateur d'Estampes Modernes par Henri Beraldi (Paris: Librairie L. Conquet, 1888).Jean Francois Gigoux (1806-1894), painter, printmaker, and illustrator, was born on January 8, 1806, in Besancon, France and he first studied at l'Academie de Besancon. In 1828 Gigoux went to Paris and enrolled in the Ecole des Beaux-Arts where he studied under Theodore Gericault and Camille Corot.Gigoux was foremost a portrait and history painter and he holds a distinguished place among the painters of the Romantic School. He also worked in woodcut and etching but he was quite facile with the lithographic crayon and is noted for his romantic and passionate portraits in the medium.In 1842 Gigoux became a chevalier in the Legion of Honor and was named an officer of the Legion in 1880. He was the last love of countess Eveline Hansak, the widow of French novelist Honore de Balzac. Gigoux dies December 31, 1894 at the age of eighty-eight.

Condition: Good. Lithograph on grey chine colle, with margins. 18 1/4 x 12 3/4 inches (sheet). With the drystamp of Les Artistes Anciens et Modernes. Very Good. Light foxing in the margins. Jean Francois Gigoux (1806-1894), painter, printmaker, and illustrator, was born on January 8, 1806, in Besancon, France and he first studied at l'Academie de Besancon. In 1828 Gigoux went to Paris and enrolled in the Ecole des Beaux-Arts where he studied under Theodore Gericault and Camille Corot.Gigoux was foremost a portrait and history painter and he holds a distinguished place among the painters of the Romantic School. He also worked in woodcut and etching but he was quite facile with the lithographic crayon and is noted for his romantic and passionate portraits in the medium.In 1842 Gigoux became a chevalier in the Legion of Honor and was named an officer of the Legion in 1880. He was the last love of countess Eveline Hansak, the widow of French novelist Honore de Balzac. Gigoux dies December 31, 1894 at the age of eighty-eight.

Condition: Good. Lithograph on chine colle wove paper, with margins. 9 3/8 x 5 1/2 inches (sheet). Initialed "G" in the image. Very Good. Foxing in the margins. Print affixed at right sheet edge to another support sheet.Ref: (Catalogue Raisonne): Les Graveurs du XIX Siecle, Guide de L'Amateur d'Estampes Modernes par Henri Beraldi (Paris: Librairie L. Conquet, 1888).Jean Francois Gigoux (1806-1894), painter, printmaker, and illustrator, was born on January 8, 1806, in Besancon, France and he first studied at l'Academie de Besancon. In 1828 Gigoux went to Paris and enrolled in the Ecole des Beaux-Arts where he studied under Theodore Gericault and Camille Corot.Gigoux was foremost a portrait and history painter and he holds a distinguished place among the painters of the Romantic School. He also worked in woodcut and etching but he was quite facile with the lithographic crayon and is noted for his romantic and passionate portraits in the medium.In 1842 Gigoux became a chevalier in the Legion of Honor and was named an officer of the Legion in 1880. He was the last love of countess Eveline Hansak, the widow of French novelist Honore de Balzac. Gigoux dies December 31, 1894 at the age of eighty-eight.

Condition: Good. Lithograph on grey chine colle, with margins. 17 3/4 x 12 1/4 inches (sheet). With the drystamp of Les Artistes Anciens et Modernes. Very Good. Light toning along sheet edges. Jean Francois Gigoux (1806-1894), painter, printmaker, and illustrator, was born on January 8, 1806, in Besancon, France and he first studied at l'Academie de Besancon. In 1828 Gigoux went to Paris and enrolled in the Ecole des Beaux-Arts where he studied under Theodore Gericault and Camille Corot.Gigoux was foremost a portrait and history painter and he holds a distinguished place among the painters of the Romantic School. He also worked in woodcut and etching but he was quite facile with the lithographic crayon and is noted for his romantic and passionate portraits in the medium.In 1842 Gigoux became a chevalier in the Legion of Honor and was named an officer of the Legion in 1880. He was the last love of countess Eveline Hansak, the widow of French novelist Honore de Balzac. Gigoux dies December 31, 1894 at the age of eighty-eight.

Condition: Good. Lithograph. 24.5 x 16 cm. (sheet). Good. Foxing throughout. A small hole in lower margin.

Condition: Good. Lithograph. 245 x 330 mm. (sheet). Good, light soiling.

Condition: Good. Colored reproduction of the 1868 original. 58.5 x 89 cm. Colors more muted than in the reproduction.View looking from Rincon Point area; city and harbor with ships and pier in center; Telegraph Hill, Russian Hill, and bay in distance; several tents scattered between buildings; figures in foreground. Printed title (LC]: San Francisco, vue prise d'un point élevé du côté sud, Californie [California]. Printed (LL): Dessiné et lithog. par L. Le Breton, Paris, E. Savary et C[ompagn]ie, Edit. 10, Place de Louvre; (LR): Paris. Imp. par Auguste Bry, 149 r[ue] du Bac, London, Published by E. Gambart et Co. Embossed stamp (LL): E. Savary et Cie, Editeurs, Paris. Inscriptions in French.

First edition hard back binding in publisher's original rebacked half scarlet leather, scarlet cloth sides, the spine divided into five panels, gilt lettered in the second, tools to the others, original re-inforced lemon lining papers, top edge gilt. Quarto. 10¼'' x 7½''. Contains illustrated additional title-page, (xxxiii), [i], 292 pp illustrated by 150 designs by Victor Adam over 38 single-sided plates of engravings, illustrating 150 birds, each plate exquisitely hand-coloured. White paper label to the front free end paper with the name 'A. J. Warnock', ink name above, one gathering slightly proud, two loosely enclosed letters, one typed, one hand written from 'Jacques Delmand' referring to the contents of the book, rubbing to the leather corners, hinges sound and in Very Good. Member of the P.B.F.A. ORNITHOLOGY.

Condition: Good. Folio. 2 vols. 54 x 42.5. 93 color plates some folding to twice the size of the album. Original boards. Light to moderate foxing. Plate volumes only. Heavy vols. Loosely inserted is a pencil signed and dedicated engraving of Napoléon III by Pollet.Rare, the atlas not in OCLC; Bibliothèque nationale de France identifier ark:/12148/bpt6k1308058.Campagne de l'Empereur Napoléon III en Italie 1859. Atlas des Marches. Atlas des batailles. Rédigé au Dépôt de la Guerre d'après les documents officiels étant Directeur le Général Blondel sous le Ministère de son Excellence le Maréchal Comte Randon 1860-1861. Paris, Imprimerie Impériale, 1862. 2 volumes in-folio, demi-percaline verte, dos lisse, (reliure de l'éditeur). .Atlas bien complet de deux titres, deux tableaux et de 93 cartes lithographiées et coloriées par Erhard Schièble. Il manque probablement un volume de texte. .Bon exemplaire. Rousseurs. in modo molto dettagliato i piani delle battaglie, in ordine cronologico per giornate di combattimento: Palestro, Novara, Turbigo, Pontenuovo, Buffalora, Magenta, Pavia, Milano, Melegnano, Livorno, Bobbio, Vaprio, Lonato, Castiglione, Piacenza, Brescia, Castelgoffredo, Medole, Rebecco, Madonna della Scoperta, Solferino, San Martino, Cavriana, Guidizzolo, Pozzolengo, Peschiera, Verona, Bormio, Tirano, Custoza, Pastrengo, Castelnuovo, Valeggio, Villafranca, etc. Les cartes donnent les marches des armées en présence depuis le 29 avril jusqu'au 6 juillet 1859. 2. Atlas des champs de bataille, rédigé au Dépôt de la Guerre d'après les documents officiels, étant directeur le général Blondel, sous le ministère de S.E. le Maréchal Comte Randon. 1860-1861. - Comprend : un titre gravé, la table des planches, un tableau des signes conventionnels employés dans la cartographie de l'atlas, et 24 cartes (7 en grand dépliant, 7 à double page, 10 à pleine page) en couleurs ; le tout gravé par Erhard Schieble. Les cartes détaillent de façon très précise les moments successifs des batailles de Montebello, Palestro, Robechetto, Magenta, Melegnano et Solferino. BnF 340881770. Expertise by Christian GASCHBoite Postale 40558004 NEVERS Cedex.

Soft cover. 1st Edition. 1st Edition. Soft cover. Signed by Author. Bonnard, Pierre. [1867 - 1947]. French Painter & Lithographer. 1937 ALS To Monsieur Walter. 1 page, April 11th, 1937. Good content -the artist at work. Trans. "I sent you the cylinder today and you will probably receive it at the same time as this letter. I forgot the final corrected proof. I am including it here. I have a few corrections that I indicated. Generally speaking, the reproduction is more yellowish and heavy than the original, but the ratios remain and thats what's important. My corrections are fragments and I think easy to do." "The engraving made after my gouache of a workshop can be sent to print. Subject to my corrections showed on the proof." In very good condition, the page was three hole punched with 2 distint tears, a very interesting letter to his print maker. Orig. "Monsieur Walter / Je vous ai envoyé le rouleau aujourd'hui et vous l'aurez probablement en même temps que cette lettre. J'ai oublié le bon à tirer. Je le mets ici. Je vous réserve des quelques corrections que j'indique. En général, la reproduction est plus jaunâtre et lourde que l'original mais les rapports sont conservés et cest le principal. Ma correction est fragmentaire et je pense facile à réaliser. / Croyez Mr. en ma considération / Bonnard / Le 11 avril 37 / Bon à tirer pour la gravure fait d'après ma gouache représentant un atelier. Sous réserve de la correction indiquée sur l'épreuve. / Bonnard". Original Autographed Letters & Documents. Signed by Author.

Condition: Good. Lithograph. 20 x 28.5 cm (sheet). Signed in the stone. Very Good.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges, tears at lower right and left sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.

Condition: Good. Lithograph. 35 x 25.5 cm (sheet). Good, light specks of foxing throughout, toning along sheet edges.