Friedlander Lee, Signed (261 results)

Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. 270 pages. Published in 2001. Retrospective Monograph. One of the most beautiful and valuable books on art and photography in our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Lowie & Lowrey Los Angeles: Oversize-volume format. Orange cloth boards with titles embossed on the cover and spine, as issued. Art by various contributors, a Who's Who of modern and contemporary art and photography. Curated with Essay by Barbara Tannenbaum, one of the most influential curators of our time, and various other leading specialist-writers such as Keith F. Davis and Luc Sante. Printed on pristine-white, thick coated stock paper to the highest standards. Without DJ, as issued. Presents "Akron Art Museum Since 1850: An Introduction To The Collection". An impressive and immersive artistic experience in book form. "One hundred paintings, sculptures, and photographs from the collection of the Akron Art Museum are lavishly reproduced and thoughtfully discussed. Each with a brief Essay written by a member of the Museum or one of 16 guest authors. Stresses the collection's three areas of special strength: Turn-of-the-century American painting, painting and sculpture since 1960, and twentieth-century photography. Artists include William Merritt Chase, Thomas Wilmer Dewing, Philip Guston, Nancy Graves, Chuck Close, Claes Oldenburg, Lewis Hine, Lee Friedlander, Gilbert & George, Carrie Mae Weems, and Lari Pittman" (Publisher's blurb). An absolute "must-have" title for art and photography collectors. This copy is very prominently, neatly, and beautifully signed, dated (shortly after publication), and inscribed in black ink-pen on the half-title page by the museum curator/author: "For Martha - Thanks for your support of the museum and for being such a champion of photography and photographers. Barbara Tannenbaum Oct.10, 2001". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is one of the most important figures of contemporary art photography. This title is now collectible. As far as we know, this is the only such signed, post-publication dated, and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 100 black-and-white and color plates. Some of the greatest American artists and photographers ever. A fine copy. ISBN 0940665050. Signed by Author.

Boards. Condition: Fine. Dust Jacket Condition: Fine. Bruce Davidson, Elliott Erwitt, Lee Friedlander, et al. (illustrator). First Edition. SIGNED by both Al and Tipper Gore with a Heart, 4vo, black paper spine & white paper over boards, illustrated with numerous photographs by Bruce Davidson, Elliott Erwitt, Lee Friedlander, Sally Mann, Mary Ellen Mark, Duane Michals, & others, dj, 207 pages. Remarkably fine copy in fine dust jacket with excellent bright photos, poignantly SIGNED with a heart by the (former) love-birds. May require a bit of extra postage due to size and weight.

First Edition. First edition and first printing. Softcover. 120 pages. Published in conjunction with an exhibition of the same name which was a terrific retrospective look at Friedlander's career up until 1987. Features text by Rod Slemmons. A collection of 153 tritone images that takes works from many of Friedlander's previous bodies of work. An about very good copy in wrappers with creasing and wear to the bottom right corners and some other light wear. Signed and inscribed by Friedlander in Seattle in the year of publication. Despite the flaws a solid copy of what is still one of the better monographs on Friedlander. Signed.

First Edition. First edition. Softcover. 96 pages. Winter 1972 & Spring 1973 double issue. Features images of works by Lee Friedlander, Jerry Uelsmann Ralph Gibson and poetry by George Hitchcock and William Everson. A near fine copy in photo-illustrated wrappers that feature a self-portrait of Jerry Uelsmann. Signed by Uelsmann on the table of contents page who has highlighted the cover credit. Uncommon signed. Signed.

Hardcover. Condition: As New. No Jacket. 1st Edition. Signed by the photographer on the half title-page. Large 4to, pp. Fully illustrated with black & white photographs. Hardcover, bound in original green cloth with pictorial pastedown to front cover. In excellent condition. A clean, tight, copy. Like new. Signed by Illustrator(s).

Hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp; signed by Lee Friedlander on the dedication page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. First Edition, First Printing. One of 600 signed limited hard cover copies. Signed by Author(s). Book.

hardcover. Condition: fine. With b/w photos throughout. Small, oblong 4to, Burgundy cloth with pictorial label on cover. (New York): Eakins Press Foundation, (2015). A fine copy. Inscribed by Friedlander on dedication page.

softcover. Condition: Fine copy. Illus. with photos (illustrator). 2nd ed. Oblong 4to, ca. 125 pp., Signed by the photographer on the half-title page., Afterword by John Szarkowski.

Hardcover. Condition: Fine. First edition. Square 4to. Unpaginated. Dust jacket over color printed boards. Still in publishers brown paper shipping wrapper. Signed on the half-title by Friedlander. A new copy.

Hardcover. Condition: Very good. No jacket. First Edition. Signed by Friedlander on the title page. Signed.

Softcover. Condition: Fine. No jacket. Signed by Friedlander on the half-title page.

First Edition. First edition and first printing. Hardcover. A collection of 55 black and white photographs of apple and olive trees. A fine copy in white photo illustrated paper covered boards. No dust jacket as issued. Signed by Friedlander on the half title page. A fresh copy of a book that is destined to be hard to find in condition like this. Signed.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Signed by Friedlander on the title page. Cover has minimal scuffing, small bump to left top corner, otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. Extra shipping will be required due to weight of book. Signed by Author(s).

Hardcover. Condition: New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Designed by Katy Homans. Unpaginated (64 pp.), with 55 plates, printed on matte art paper printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10-1/2 x 9-7/8 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "The master photographer best known for his extensive, insightful documentation of 'the American social landscape' --from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-- has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples, he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer." Signed by Author.

Hardcover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Friedlander. Hardcover. Photographs by Lee Friedlander. 140 pp., with 97 tritone plates. 10 x 11 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "Lee Friedlander is celebrated for his ability to weave disparate elements from ordinary life into uncanny images of great formal complexity and visual wit. And few things have attracted his attention--or been more unpredictable in their effect--than the humble chain link fence. Erected to delineate space, form protective barriers and bring order to chaos, the fences in Friedlander's pictures catch filaments of light, throw disconcerting shadows and visually interrupt scenes without fully occluding them. Sometimes the steel mesh seems as delicate as lace; at others it appears as tough as snakeskin. In this book's 97 pictures, drawn from over four decades of work, it recurs as versatile, utilitarian and ubiquitous--not unlike the photographer himself." Signed by Author.

Hardcover. Condition: New. 1st Edition. First edition, first and only printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Burgundy-color velvet-covered boards, with plate tipped in debossed front cover, no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Peter Galassi. Afterword by Maria Friedlander. 56 pp., with 48 duotone four-color plates, beautifully printed on fine matte art paper by Oceanic Graphic Productions. 12 x 11-1/4 inches. This first edition was limited to 2000 copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (slit open for signature). From the Introduction by Peter Galassi: "Photography likes sculpture. It likes to see how things look from different angles, especially things that don't move. It likes light falling on surfaces and the way the two become one in the picture. . . Above all, it likes the way photography, which makes living figures still, awakens figures frozen in stone." From the publisher: "The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the splendidly ornate display of sculptures erected in their memory. Carved from inanimate lumps of stone, these memorials have become more than the monumental tributes they were originally commissioned to be. Now feathered with a gentle coat of dust, each appears to have taken on a life of its own and out of the melancholy of death comes the comforting notion of a presence that will remain. This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality. Superbly printed in duotone on matte art paper, and bound in rich velvet, Staglieno is published in an edition of 2,000 copies. Introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York." Signed by Author. Signed.

Hardcover. Condition: As New. Large hardback; velvet covered boards; SIGNED by artist on title p; otherwise, in as-new cond. Signed by Author.

Hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp; signed in pen by Lee Friedlander on the half-title page; no other internal marks. Foreign shipping may be extra.

Hardcover with dustjacket; unpaginated with 193 illustrations; as new condition; clean and crisp; signed "Lee Friedlander" on half-title page; no other internal marks. Foreign shipping may be extra.

hardcover. Condition: fine. First. Numerous black & white plates. Slim 4to, lime green cloth, photograph inlaid on front cover. (New York): D.A.P., (2003). First Edition. Signed by the artist on the half-title.

First Edition. First edition and first printing. Hardcover. Features a brief statement by Friedlander. Includes 65 duotone images. A fine copy in green cloth boards with black and white plate affixed to the front cover. No dust jacket as issued. Signed by Friedlander on the half title page. A very fresh copy. Signed.

Hardcover. Condition: As New. Hardback; published w/o jacket (decorative boards); SIGNED by artist under inscription; unmarked; no bent/torn pp.; boards excellent. Signed by Author.

First Edition. First edition. Hardcover. Number 218 of 600 copies. A collection of 77 black and white self portraits by Friedlander. A fine copy in blue cloth boards with black and white plate affixed to the front cover. No dust jacket as issued. Signed by Friedlander. Signed.

Hardcover. Condition: Near Fine. No additional printings listed. SIGNED. Quarto [34 cm] Photographically illustrated paper over boards. Hot pink endpapers. A collection of illustrations reproducing Friedlander's photographs of mannequins in store windows. Signed by Lee Friedlander on the front free endpaper. "Lee Friedlander began photographing the American social landscape in 1948. With an ability to organize a vast amount of visual information in dynamic compositions, Friedlander has made humorous and poignant images among the chaos of city life or in dense natural landscapes, focusing on countless subjects ranging from cars and trees to monuments and nudes. Fraenkel Gallery began showing Friedlander's work in 1979, the year the gallery opened, and has presented close to 20 solo exhibitions since then." - Fraenkel Gallery.

Leinen. Dust Jacket Condition: mit Schutzumschlag. Quart. Unpag. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX - auf dem Vortitel von Lee Friedlaender signiert. Signatur des Verfassers.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Signed by Lee Friedlander. The book and dust jacket are in very good condition. The only flaw is a ding on one corner. This affects all of the inner pages. It means there is a slight bend on all pages in one corner. This does not affect the text or the photographs. Signed by Author(s).

Hardcover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Excert from "Riders in the Chariot" by Patrick White. Design by Katy Homans. Tritone separations Steidl image department. 84 pp., with 77 black-and-white reproductions beautifully printed by Steidl. 12-1/2 x 11-7/8 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "In this compendium, Lee Friedlander examines the ordinary pickup truck, a quintessentially American mode of transportation. Unadorned in form as well as function, pickups have long been the vehicle of choice for farmers and tradespeople. Their well-worn bedsâ"usually open to the elements, laid bare for all to seeâ"have held and hauled all manner of things, from spare tires and jumbles of wires to animals and the occasional person. Friedlander, in his witty and encompassing, clear-eyed idiom, has observed this most utilitarian and unapologetically personal object in its native setting: the cacophonous bricolage that is American social landscape." Signed by Author.

Hardcover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated boards; no dust jacket as issued. Photographs by Friedlander. 120 pp., with 144 duotone plates. 11-3/4 x 12-1/2 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (slit open for signature). From the publisher: "For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander's photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist's key motifs, Lee Friedlander: Signs presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including The American Monument and America by Car, among others. Illegible or plainspoken, crude or whimsical, Friedlander's signs are an unselfconscious portrait of modern life." Signed by Author.

Soft cover. Condition: As New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander. Text by John Szarkowski. Designed by Catherine Mills Design, Seattle. 96 pp. with 77 plates printed by Meridian Printing, Rhode Island from duotone separations made by Richard Benson. 9-1/4 x 9-1/8 inches. This first edition was limited to 3300 total copies, of which 600 hardcover copies were signed and numbered for the limited edition. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From the publisher: "Lee Friedlander has documented a lifetime in photographs, creating a thick and diverse body of work which has left an indelible imprint on the medium he helped to fortify. Among his most important subjects - once at the beginning of his career, and now thirty years later - is himself. With the photographic cornerstone of a monograph, Self-Portrait, originally published in 1970, Friedlander created an archetype for self-imaging. Three decades later Friedlander re-acquainted himself with the far side of the camera." Signed by Author. Signed.