Fulton Ray (11 results)

Hardcover. Condition: Good+ to Very Good-. Dust Jacket Condition: No Dust Jacket. 144 pp. Original green cloth covers w/ gilt title on front cover. Binding lightly rubbed w/ yellow discoloration to bottom edge of front cover near spine. Edges of endpapers sunned. Very light scattered foxing. Illust. w/ b/w photos.

Hardcover. Condition: Good to Worn - Age Marks. Dust Jacket Condition: Worn. Ben Erikssen and Ray Jarratt (illustrator). First In this Edition. Heavy book. Extra postal charges may apply.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Ben Erikssen and Ray Jarratt (illustrator). Second. This is a heavy book - extra postage charges will apply.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Blue cloth, lettered in gilt, bordered in black. A notably well-preserved copy showing virtually no wear, 1/4" blemish along front cover border that may be original to issue. 144 pp., illus. Mild tanning to rear endpapers and along edges of front endpapers. Accompanied by two related inserts: 1) facsimile copy of 19 July 1754 Virginia Gazette, 2) "A Young Colonel from Virginia" booklet (12 pp.) Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Ben Erikssen and Ray Jarratt (illustrator). First In This Form. Heavy book. Extra postal charges may apply.

Hardcover. Condition: Good - Some Wear. Ben Erikssen and Ray Jarratt (illustrator). Reprint. Heavy book. Extra postal charges may apply.

Soft cover. Condition: Very Good. 1st edition. VG+. 4to, 140pp, stapled wrappers. A thick double issue of Allen De Loach's important underground literary magazine; includes work by Berrigan, Bremser, Ferlinghetti, John Wieners, and a range of other important contributors. Unmarked copy, outer toning and wear. Not Signed.

24 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 13 - February 13, 1983. Curated and with essay by Cynthia Charters and L. Price Amerson. Artists include Bruce Nauman, William Allan, Robert Arneson, Jerrold Ballaine, Richard C., Michael Dunlavey, Jack Fulton, Edward Higgins, Ray Johnson, Stephen Kaltenbach, Rosa Esman, James Melchert, Jack Ogden, Paul Pechter, Ron Peetz, Lawrence Dean Phillips, Michael Stevens, Phil Weidman, Martial Westburg, Dorothy Wiley, Jeanette Wiley, William T. Wiley, William Witherup and William Yates. Includes exhibition checklist. Fair / Good. Rubbing and bumping of covers, corners, and spine. Bumping of corners of pages, contents otherwise clean and unmarked.

27 pp.; 43 x 31.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed June / July 1971 issue of Flash Art. Edited by Giancarlo Politi, with written contributions by Sol LeWitt, Hamish Fulton, Enea Ferrari, Maurizio Calvesi, Gino de Dominicis, Vincenzo Agnetti, Arturo Schwarz, Paul Eluard, Man Ray, Francis Picabia, and Yaacov Agam. Artists in the issue include Sol LeWitt, On Kawara, Arakawa, David Tremlett, Man Ray, Valentino Zini, Giancarlo Croce, and Fabio Mauri. Printed in black-and-white. Text in Italian and English. Good. Light overall wear, particularly at edges. Some tears measuring 2 cm. at left corner of center fold. Yellowing at creases. Contents clean and unmarked.

27 pp.; 43 x 31.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed June / July 1971 issue of Flash Art. Edited by Giancarlo Politi, with written contributions by Sol LeWitt, Hamish Fulton, Enea Ferrari, Maurizio Calvesi, Gino de Dominicis, Vincenzo Agnetti, Arturo Schwarz, Paul Eluard, Man Ray, Francis Picabia, and Yaacov Agam. Artists in the issue include Sol LeWitt, On Kawara, Arakawa, David Tremlett, Man Ray, Valentino Zini, Giancarlo Croce, and Fabio Mauri. Printed in black-and-white. Text in Italian and English. Very Good. Light overall wear, particularly at edges. Yellowing at creases. Contents clean and unmarked.

Six vintage publicity photographs of Joan Shawlee (née Fulton), one dated 1945 and five dated 1946. One photograph has a studio stamp on the verso crediting photographer Ray Jones, three photographs have studio stamps on the verso noting Fulton in Universal Pictures, and one with a mimeo snipe affixed to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Joan Shawlee (née Fulton) began her career as a model at fourteen and a New York nightclub singer at sixteen, and was soon thereafter signed under contract to 20th Century-Fox until she was revealed to be under-age and returned to New York. After being spotted singing at the Copacabana by comedian Lou Costello, she returned to Hollywood with her mother, where she would appear in thirteen films under the name Joan Fulton, culminating in a leading role in "Buck Privates Come Home" (1947). In 1950 after marrying businessman Walter Shawlee, she changed her surname. Among the over 50 films Shawlee appeared in, she is perhaps best known for her performances in "Some Like It Hot" (1959), "The Apartment" (1960), and "Irma la Douce" (1963). 8 x 10 inches. Near Fine overall.