G Bufsi (4 results)

Giulio Ferrario (illustrator). 'TAVOLE XXXII. MAUSOLEO DI TEODORICO IN RAVENNA ORA SANTA MARIA DELLA ROTONDA. CHIESE DI S. VITALE NELLA DETTA CITTÀ EC.'(Plate 32. Mausoleum of Theodoric in Ravenna now Santa Maria of Rotonda. The Church of San Vitale in Ravenna.) This prints depict various views of the Mausoleum, now calles the Basilica di San Vitale. This print includes a floor plan of this basilica.Made by G. Bufsi after Giulio Ferrario.Medium: Line & aquatint etching with original hand colouring on wove (vellin) paper.Sheet size: 23.7 x 33.6 cm (9.33 x 13.23 inch). Image size: 23.6 x 31.4 cm. (9.29 x 12.36 inch).SAN VITALE-BASILICA-RAVENNA-FLOOR PLAN-MAUSOLEUM-ITALY-CHRISTIANITY-PL.32 | PCO-A3F-03BACKGROUND INFORMATIONFrom: 'Il Costume Antico e Moderno ., ltaliani.' , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian languagee volume has the date 1823. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide.Biography artist: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: very good, given age. With original blindstamp. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Giulio Ferrario (illustrator). 'TAVOLE XXXIX. CHIESA DI S. MINIATO IN FIRENZE: PIANTA DELLA CATTEDRALE DI PISA, DI S. MACRO IN VENEZIA EC. '(Plate 39. Church of S. Miniato in Florence: Plan of the Cathedral of Pisa, of S. Macro in Venice and more) Cross section of the Churches and details of the pillars.Made by G. Bufsi after Giulio Ferrario.Medium: Line & aquatint etching with original hand colouring on wove (vellin) paper.Sheet size: 33.4 x 26 cm (13.15 x 10.24 inch). Image size: 27.9 x 23.22 cm. (10.98 x 9.14 inch).SAN MINIATO-FLORENCE-SAN MARCO-VENICE-PLAN-SECTION-PILLARS-CHURCH-ITALY-PL.39 | PCO-A4-34BACKGROUND INFORMATIONFrom: 'Il Costume Antico e Moderno ., ltaliani.' , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian languagee volume has the date 1823. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide.Biography artist: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: very good, given age. Light foxing, soiling and creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Giulio Ferrario (illustrator). 'TAVOLE XXXVIII. MAGNIFICO ATRIO AVANTI ALLA PORTA DELL'IMP. E R. BASILICA AMBROSIANA IN MILANO'(Plate 38. Magnificent atrium in front of the Imp. E R. Basilica Ambrosiana in Milan) One of the most ancient churches in Milan, it was built in 379-386 by St. Ambrose. This church was built because of a local conflict between Arianism and the Nicene creed, besides that St. Ambros wanred to make northern Italy into a pro-Rome stronghold. This he did ny preaching and construstion this church and a few more. These churches were dedicated with anti-Arian language and as symbols of the wealth and power of the pro Nicene faction in Milan. (Source: Wikipedia) Made by G. Bufsi after Giulio Ferrario.Medium: Line & aquatint etching with original hand colouring on wove (vellin) paper.Sheet size: 33.4 x 26 cm (13.15 x 10.24 inch). Image size: 22.2 x 15.7 cm. (8.74 x 6.18 inch).MILAN-AMBROSIANA-PAINTING-FACADE-PILLARS-CHURCH-ITALY-PL.37 | PCO-A3F-01BACKGROUND INFORMATIONFrom: 'Il Costume Antico e Moderno ., ltaliani.' , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian languagee volume has the date 1823. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide.Biography artist: Giulio Ferrario (1767-1847) was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: very good, given age. With original blindstamp. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Giulio Ferrario (illustrator). 'TAVOLE XL. VEDUTA GENERALE DELLA CATTEDRALE E DEL BATTISTERIO DI PISA'(Plate 40. General view of the Cathedral and the Baptistery of Pisa) Made by G. Bufsi after Giulio Ferrario.Medium: Line & aquatint etching with original hand colouring on wove (vellin) paper.Sheet size: 37.1 x 23.9 cm (14.61 x 9.41 inch). Image size: 34.9 x 21 cm. (13.74 x 8.27 inch).CATHEDRAL-PISA-CHURCH-ITALY-PL.40 | PCO-A4-34BACKGROUND INFORMATIONFrom: 'Il Costume Antico e Moderno ., ltaliani.' , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian languagee volume has the date 1823. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide.Biography artist: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: very good, given age. Light foxing, creasing and soiling. Slight paper loss at bottom left. Folding as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.