Gallun Lucy (136 results)

Paperback. Condition: New.

Paperback. Condition: Used-Very Good. Pap. Slight shelf-wear, else very sound.

Paperback. Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover, 112 pages; very good condition; clean and crisp; previous owner's inscription on first page; no other internal marks.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: new. Paperback. In the midst of an extended road trip across the United States, Robert Frank pointed his camera lens at a passing trolley in New Orleans, took a single exposure, and then turned back to bustling Canal Street, where crowds of people swarmed the sidewalks. That single click of the shutter produced a picture with enduring clarity: a row of windows framing the street car's passengers-white passengers in the front, black passengers in the back.Frank captured individual faces gazing from each rectangular frame, from the weary black man in his work shirt, to the young white girl just in front of him, her hand resting on the wooden sign that designated areas segregated by race. In 1958, Frank wrote: "With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion." By the time The Americans was published in the United States in 1959 (he managed to publish a French edition the previous year), with this image now appearing on its front cover, New Orleans street cars and buses had been desegregated through a May 30, 1958 court order. But Jim Crow was still in full swing, the 1960s Civil Rights struggles still ahead. An essay by curator Lucy Gallun conveys how this image continues to reverberate in new contexts today. An abiding image of American racial segregation from 1950s New Orleans Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Fine. 1st. vii, 111 pages, illustrations; 21 cm. Published on the occasion of the exhibition Time Out of Joint: Recall and Evocation in Recent Art, May 22 to June 13, 2009 at the Kitchen. Tight, clean copy. Exhibition curated by Luigi Fassi, Lucy Gallun, Roya Rastegar, and Jakob Schillinger, the 2008-09 Helena Rubinstein Curatorial Fellows of the Whitney Museum of American Art Independent Study Program. *** "This engaging publication explores the artistic practices that employ evocation--the calling forth of past emotions, desires, frustrations, and memories into the present--as a mode of connecting past and present. Featuring the work of emerging artists working in a variety of media, including Ronnie Bass, Kajsa Dahlberg, Tellervo Kalleinen and Oliver Kochta-Kalleinen, Fikret Atay, Katerina Seda, Maryam Jafri, and Johanna Billing, as well as films by Keren Cytter, Kevin Willmott, and Jennifer Phang, the book challenges the conventional approach to history whereby the past is kept at a distance as historical fact. Ranging from playful to haunting, the artworks presented here rupture conventional notions of time to alter the dynamic of the present moment and enhance the possibilities for radical change on both a personal and sociopolitical scale. / Luigi Fassi is Artistic Director of Ar/Ge Kunst, Bolzano, Italy. Lucy Gallun is the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art in Philadelphia. Jakob Schillinger is an artist living in Berlin and New York." - Publisher. Size: 8vo.…

Condition: new.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condition: Brand New. 120 pages. 8.00x5.50x0.25 inches. In Stock.

Condition: New. Explores the artistic practices that employ evocation - the calling forth of past emotions, desires, frustrations, and memories - as a mode of connecting past and present. Featuring the work of artists working in a variety of media, this book challenges the conventional approach to history whereby the past is kept at a distance as historical fact. Editor(s): Fassi, Luigi; Gallun, Lucy; Schillinger, Jakob. Series: Whitney Museum of American Art. Num Pages: 120 pages, 40 black-&-white illustrations. BIC Classification: ABA; ACB; AGB. Category: (G) General (US: Trade). Dimension: 214 x 142 x 13. Weight in Grams: 232. . 2010. Paperback. . . . .…

Condition: New. Explores the artistic practices that employ evocation - the calling forth of past emotions, desires, frustrations, and memories - as a mode of connecting past and present. Featuring the work of artists working in a variety of media, this book challenges the conventional approach to history whereby the past is kept at a distance as historical fact. Editor(s): Fassi, Luigi; Gallun, Lucy; Schillinger, Jakob. Series: Whitney Museum of American Art. Num Pages: 120 pages, 40 black-&-white illustrations. BIC Classification: ABA; ACB; AGB. Category: (G) General (US: Trade). Dimension: 214 x 142 x 13. Weight in Grams: 232. . 2010. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New. In English.

Paperback. Condition: Brand New. 48 pages. 9.25x7.50x0.25 inches. In Stock.

Condition: New. 2021. 01st Edition. Paperback. . . . . .

Condition: new.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2021. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Hardback. Condition: Good. The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works MoMA's collection, this publication charts the medium during the height of the modernist period, from 1920 to 1960. The Museum's significant role in the development of photography, and its complicity in the construction of a canon that championed photography as an art form (but also eclipsed certain alternative or unfamiliar practices) requires a reconsidered history for the 21st century. This book offers a fresh lens through which to appreciate works of exceptional significance, surprise and influence, encouraging creative new readings. The book begins with an in-depth introduction followed by seven chapters of fullcolor plates, each introduced by a short essay. Masterworks by such photographers as Henri Cartier-Bresson appear alongside lesser-known gems, and diverse notions of modernism enrich classic interpretations, so that the beautiful fictions and messy realties of photography are complicated, refreshed, and, above all, enjoyed.…