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Garner Gretchen (64 results)
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Seller rating 5 out of 5 stars
Condition: very_good.
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Winold Reiss and the Cincinnati Union Terminal : Fanfare for the Common Man
Language: English
Published by Ohio University Press, 2016
ISBN 10: 0821422030 ISBN 13: 9780821422038
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Gretchen Garner, landscapes 1981-1988
Language: English
Published by Grand Rapids Art Museum, Grand Rapids, Mich., 1989
ISBN 10: 0942159098 ISBN 13: 9780942159097
Soft cover. Condition: Good. 1 folded sheet ([5] pages) : color illustrations. Light wear to corners, residue of stamp to front panel; contents fine. Catalog of an exhibition held at the Grand Rapids Art Museum, Feb. 17-Apr. 2, 1989. 30 grams.
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Six Ideas in Photography: A Celebration of Photography's Sesquicentennial 1839-1989
Language: English
Published by Grand Rapids Art Museum, 1989
ISBN 10: 0942159101 ISBN 13: 9780942159103
Soft cover. Condition: Very Good. Softcover book, barely cover wear. 18 Plates.
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by The John Hopkins University Press, Baltimore, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
First Edition Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: No DJ. 1st Edition. Full number line. Signed by Gretchen Gardner on title page below author's name. Author's short inscription off to side of page. Boards clean, some scuffing and light shelf wear. Spine square and clean. Binding sound. Contents unmarked & clean. Signed by Author(s).
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Six Ideas in Photography: A Celebration of Photography's Sesquicentennial 1839-1989
Language: English
Published by Grand Rapids Art Museum, 1989
ISBN 10: 0942159101 ISBN 13: 9780942159103
Paperback. Condition: Very Good. Grand Rapids Art Museum January 1989 Binding: Trade Paperback.
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Six Ideas in Photography: A Celebration of Photography's Sesquicentennial 1839-1989
Language: English
Published by Grand Rapids Art Museum, Grand Rapids, MI, 1989
ISBN 10: 0942159101 ISBN 13: 9780942159103
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition. Softcover. Published in conjunction with a show that ran June 2 through July 30, 1989. Introduction by guest curator Gretchen Garner. Includes black and white images by Russell Lee, Berenice Abbott, Phillipe Halsman, Francis Frith and numerous others. A fine copy in wrappers.
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Reclaiming Paradise; American Women Photograph the Land - Exhibition Catalogue
Published by Tweed Museum of Art, University of Minnesota, Duluth, Minnesota U. S. A., 1988
Paperback. Condition: Good. No Jacket. Various (Photographs) (illustrator). This tall thin catalogue has little creasing, some light rubbing of the covers. Interior text is clean and tight in it's binding. Small biographies of the photographers and examples of their work, most in black and white. Size: 4to - over 9¾" - 12" tall.
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Exposure 20:3
Published by Exposure, Chicago, 1982
First Edition
PAPERBACK. Condition: cover wear otherwise very good. First edition. 64pp. b/w illustrations quarto paper s. includes A Conversation with John Pfahl by keith Davis and William Kay , Peter Hales the Hidden Hand Jacob Riis and the rhetoric of Reform, etc.
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Exposure Volume 20: 4 - Journal of the Society for Photographic Education
Published by Society for Photographic Education, Chicago, IL, 1982
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition. Softcovers. 37 pages. This issue features a conversation with John Kouwenhoven by Jan Zita Grover and several other articles. A near fine copy in stapled wrappers with some light wear.
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Exposure: Journal of the Society for Photographic Education Volume 19:4
Published by Society for Photographic Education, Evanston, IL, 1981
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition. Softcover. 53 pages. Volume 19, Number 4. Includes images from: Imogen Cunningham, William Henry Fox Talbot, Max Yavno, Lee Friedlander, Ellen Land-Weber, Bill Owens, Abigail Perlmutter, Richard Avedon, Richard Estes. A near fine copy in stapled wrappers.
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Exposure Volume 20: 2 - Journal of the Society for Photographic Education
Published by Society for Photographic Education, Chicago, IL, 1982
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition. Softcovers. 51 pages. This issue features a conversation with Van Deren Coke by Jan Zita Grover. Mark Johnstone on "The Workshop Idea at Colorado College." Also includes John G. Morris "A Photographic Memoir." A near fine copy in stapled wrappers.
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Exposure Volume 20:1 - Journal of the Society for Photographic Education
Published by Society for Photographic Education, Chicago, IL, 1982
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition. Softcovers. 63 pages. This issue features an interview of Larry Viskochil by Gretchen Garner and a article by James Kaufmann on the photographs of Mark Goodman. A near fine copy in stapled wrappers.
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Center Quarterly Volume 10, Number 1, 1988 Spiritual Subjects
Published by Center for Photography at Woodstock, Woodstock, NY, 1988
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Association Member: ABAA ILAB MWABA
Seller rating 5 out of 5 stars
First Edition
First edition. Softcover. 30 pages. Features articles by Gretchen Garner, Julia Ballerini, and John Matturri. Also Includes a portfolio and text by Shelby Lee Adams. A fine unused copy in stapled wrappers.
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A certain curve : collecting art, a personal story
Language: English
Published by Gretchen Garner, Columbus, Ohio, 2011
Signed
Soft cover. Condition: Near Fine. 187 p. Pictorial paper wrappers fresh, corners sharp, spine uncreased; contents as new. Inscribed by author. 370 grams. Inscribed by Author(s).
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From the most distant time; photographs by Gretchen Garner / Chinese poems translated by Kenneth Rexroth
Language: English
Published by Gretchen Garner, Columbus, Ohio, 2011
Signed
Soft cover. Condition: Fine. Unpaginated. Poems and photographs on facing pages. Light shelfwear to pictorial paper wrappers; author's signature to title-page, else contents as new. 290 grams. Signed by Author(s).
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Disappearing Witness: Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Condition: new.
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Disappearing Witness : Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Condition: New.
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Disappearing Witness: Change in Twentieth-Century American Photography
Published by Johns Hopkins University Press, Baltimore, 2003
Seller: Kenneth Mallory Bookseller ABAA, Decatur, GA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Very good. Hardcover. xix, 293pp+ index. Previous owner's blindstamp on front free endpaper, else a very good hardback in a very good dustjacket.
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Disappearing Witness : Change in Twentieth-Century American Photography
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Condition: As New. Unread book in perfect condition.
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Disappearing Witness
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Condition: New. pp. xix + 305 Illus.
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Disappearing Witness: Change in Twentieth-Century American Photography (eng)
Language: English
Published by Johns Hopkins University Press, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Condition: new.
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Reclaiming Paradise: American Women Photograph the Land
Published by Tweed Museum of Art, University of Minnesota Duluth, Duluth, Minnesota, 1987
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Seller rating 4 out of 5 stars
Softcover. Putty-colored pictorial wraps; 64 pp.; 26 color and bw photos. From a traveling exhibition that feature photos by Berenice Abbott, Mary Beth Edelson, Laura Gilpin, Marion Patterson, Geraldine Sharpe, Vida, and others. VG-, ex-library, with a label on upper cover.
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Reclaiming Paradise: American Women Photograph the Land
Published by Tweed Museum of Art, University of Minnesota Duluth, Duluth, Minnesota, 1987
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Seller rating 4 out of 5 stars
Softcover. Condition: VG. Putty-colored pictorial wraps; 64 pp.; 26 color and bw photos. From a traveling exhibition that feature photos by Berenice Abbott, Mary Beth Edelson, Laura Gilpin, Marion Patterson, Geraldine Sharpe, Vida, and others.
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Disappearing Witness
Language: English
Published by Johns Hopkins University Press, US, 2003
ISBN 10: 0801871670 ISBN 13: 9780801871672
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
Hardback. Condition: New. American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography-fine-art, documentary, and editorial-her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice.In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality-a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
