Gerd Gillhoff (30 results)

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Good. No dust jacket, cover in great shape. Stamped on front and rear flyleaves. Hardcover, 1261 pages, no highlighting or underlining.

back cover is missing, front cover has major tear, former library, hard to find/rare, ships quickly, inventory#shelf31, international shipping available.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Paperback. 1st edition. 1938. Wear to wrappers, otherwise very good.

Soft cover. Condition: Fair. No Jacket. A bit marked and worn. Soundly bound. Our orders are shipped using tracked courier delivery services.

Condition: New. pp. x + 152 1st Edition.

Trade Paperback. Condition: Good. Third Printing. x, 181pp. Card covers. Very faded on spine and at edges. In this short novel a young man explores the subtleties of seduction as an art. Size: 8vo.

Paperback. Condition: Brand New. 1st edition. 168 pages. 7.50x4.75x0.50 inches. In Stock.

Paperback. Condition: new. Paperback. The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a dis- cussion of their activities at The Hague.There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than me- diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpful. The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a disA cussion of their activities at The Hague. There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than meA diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpfu Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Privately owned hardcover 1966. dust jacket shows some edge wear, torn and small patches missing, unmarked text. Ships from Berlin Bookshop Bxn127.

Condition: New.

Condition: New. In.

Paperback. Condition: New.

Condition: New. pp. 220.

Paperback. Condition: Brand New. 1938 edition. 220 pages. 10.00x7.01x0.52 inches. In Stock.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a dis cussion of their activities at The Hague. There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than me diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpful.

Paperback. Condition: Like New. Like New. book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a dis- cussion of their activities at The Hague.There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than me- diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpful. The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a disA cussion of their activities at The Hague. There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than meA diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpfu Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. (inventory#Shelf).

Condition: New. Print on Demand pp. x + 152.

Condition: New. PRINT ON DEMAND pp. x + 152.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a dis cussion of their activities at The Hague. There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than me diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpful. 220 pp. Englisch.

Condition: New. Print on Demand pp. 220.

Condition: New. PRINT ON DEMAND pp. 220.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. First Chapter: The Management.- Second Chapter: The Repertory.- A. Introduction.- 1. General remarks.- 2. Numerical information.- 3. The Translations.- 4. The Critics.- B. The French Plays.- C. The German Plays.- D. The Dutch Plays.- E. The English Plays.- .

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The history of the Koninklijke Nederduitsche Schouwburg (Royal Dutch Theatre) at The Hague begins in I804. although the theatre did not bear that name until Willem I granted it an annual subsidy a decade later. The present investigation covers the years from I804 to I876 because the company of Royal Dutch Players which was disbanded in the latter year had its origin in the group of actors that gave the opening performance of the new theatre on the K-orte V oorhout in the spring of I804. During the entire seventy-two years there were no important changes of policy at the Royal Dutch Theatre; it was not until I876 that a new period commenced in the theatrical life of the court city and of Holland. Although the Dutch players made frequent appearances in other towns and cities, particularly in Rotterdam and Leiden, the author has limited himself as much as possible to a dis cussion of their activities at The Hague. There is an almost complete absence of newspaper criticism on the Haagsche Schouwburg throughout the first three fourths of the Nineteenth Century, but this lack would be far more serious if the greater part of the period, at least from about I830 to I876, had not been one of theatrical and dramatic poverty . We have enough sources to know that the performances and plays were rarely better than me diocre. The little newspaper criticism available is usually of such an adulatory nature that it can hardly be called helpful.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 220 pp. Englisch.

Taschenbuch. Condition: Neu. The Royal Dutch Theatre at the Hague 1804-1876 | Gerd Aage Gillhoff | Taschenbuch | xi | Englisch | Springer | EAN 9789401700146 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand.