Goines David Lance, Signed (43 results)

Paperback. Condition: Fine. First Edition. 1st Printing. Paperback. Book Condition: Fine. Ten Speed Press, Berkeley, CA 1994. Signed by Author Goines on Half-Title page. First Edition. 1st Printing. 120 pages. Nice Firm Clean copy ! Size: 4to. Signed Art::Painting by Artist 5937L.

Hardcover. Condition: Near fine. Dust Jacket Condition: Near fine. David Lance Goines. (illustrator). First edition. 11 1/4'' x 8 1/4''. Full page color illustrations of 116 posters. Inscribed by Goines ''For Marcee Murphree, David Lance Goines, December, 1985.'' Also has a small gift inscription on fly-leaf. Light foxing to top of book and dust jacket.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Illustrations By Ann Arnold (illustrator). 1st Edition. 133 Pp. Black Cloth Over Brown Boards. Stated First Edition. Inscribed By Alice Waters To A Business Man And His Actress Wife, Marjorie Lord, "For ----- With Love, Alice + Fanny", And Signed By Alice And Fanny In Their Own Handwriting. Near Fine Book (Traces Of Rubbing At Corners) In Fine Dust Jacket, Not Price-Clipped. Menu By Goines Is Also Fine. Inscribed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. David Lance Goines (illustrator). 267 pages, 4to. SIGNED by Alice Waters on half-title page. Shelfwear to DJ: light scuffing along edges and covers. DJ in mylar. Tight binding, no marks. Volume is in Very Good condition. Signed by Author(s).

Hardcover. Goines, David Lance (illustrator). 3rd. SIGNED by Grover & Georgia Sales. Third printing. 8vo. xxiii, 232pp. Black & white illustrations by David Lance Goines. Foreword by Herbert Gold. Brown cloth covered boards; blind stamped titles to front board; gilt titles to the spine; illustrated dust jacket. A fine copy. The author, Grover Sales was a veteran Bay Area critic, author and teacher who wrote about jazz, movies and cultural politics with passion, knowledge and biting wit. - SFGate.

Hardcover. Condition: Fine. David Lance Goines (illustrator). 1st Edition. First edition stated, 5th prntg. David Lance Goines (illustrations) Goines illus glossy green boards, clean & bright, bndg crisp, sl bump bottom corners, all else as new, Unclipped Goines illus tan dj, no creases or tears, exc unread, gift cond; illus eps, no interior marks, color txt illus throughout, signed by Waters on the half-title pg, signature only, 140+ Cafe's best recipes, 267 pp. 7.5"x 10.5". Chez Panisse Cafe opened April Fool's Day 1980. printer & designer Goines, famous for the many colorful posters he created celebrating Chez Panisse. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. David Lance Goines (illustrator). 1st Edition. First Edition Stated. High-gloss green illustrated cover with clean, crisp interior. Inscription "for Ed & Jayne" and signed by Alice Waters on illustrated half-title page, dated 12-13-99. DJ with slightest of handling wear. Inscribed by Author(s).

Soft cover. Condition: Very Good. No Jacket. Advance Proof Copy. 768 pages. With 216 photo illustrations. Contents tight & clean without marks. This is an Adfvance Proof Copy with light grey stiff wraps. The front cover has slight soil and small area of scuffing near spine. The author has signed his name on the title page with "Oct. 3, 1997" underneath. Please "Ask Bookseller" if this is available before ordering. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 2nd Edition. 48 pages, text is by photo-offset lithography, all done in Goines' caligraphy style. This second edition is limited to one thousand copies. Contents are exceptionally tight & clean.Blue-gray cloth is also exceptionally clean & square, without any wear. On the half-title page THE AUTHOR HAS PENNED . in his calligraphic style: "for alan h. davidson/ our champion in the lists of justice/ david lance goines/ 31 may, 1972". The unclipped dustjacket is beautifully bright, clean without signs of wear. This title is scarce with the inscription, signature & date (same year as in its initial publication). Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Plain cardboard covers. #7/100 copies, signed by Goines. With the errata slip laid in loose. In a cream colored dust jacket printed in black and red. A minor bump to one upper fore corner and to the upper, rear spine corner. The jacket is quite clean. Without names or bookplates. ; 8vo 8" - 9" tall; 61 pages; Signed by Author.

Condition: Good. Poster. 24 x 17-3/8 inches. Solid-tone, photo-offset lithograph. Goines, 140.Signed and numbered impression available for $250.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine first edition hardcover, SIGNED by Goines on the title page. White cloth with gold lettering. Jacket fine, no edge wear, not faded, not price-clipped. Foreword by Charles Shere, a longtime friend, and introductory conversation with Goines. The book is a chronological presentation of all 114 posters Goines had completed to date, all in color. 116 pages. M07400. Signed by Author(s).

Hardcover. Condition: As New. First Edition. Limited Edition. #21/100 copies Numbered and SIGNED on the colophon, of a total edition of 126. A Very Fine copy in an unusual binding of plain cardboards glued to endpapers, in a "plain brown wrapper" jacket printed in black and red block letters. 61pp. with errata slip printed on dark brown paper laid in. Goines was a master printer and graphic designer, renowned for his elegant posters. Q19182.

Hardcover. Condition: Fine. Dust Jacket Condition: Very good. Inscribed by Goines to E. Marc Treib, Professor of Architecture at UC Berkeley, on the half-title page. Dust jacket mildly soiled and with a small tear on the top edge.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Printing. A Fine copy in white cloth, in a Fine price-clipped dustwrapper. Foreword by Charles Shere. Introductory "Conversation" (uncredited). Unpaginated. Reproductions in full color of 114 of Goines's poster designs. This copy INSCRIBED and SIGNED--in Goines's exquisite calligraphic hand--to a third party, on the title page. Q12946. Signed by Author(s).

Softcover. Condition: Very good. No jacket. 2nd edition of 2500cc. Inscribed by Goines to professor E. Marc Treib on the title page. Light shelfwear.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. First Printing. A Very Fine copy in pale grey linen cloth, in a Very Fine cream paper dustwrapper, printed in red and black. A Saint Hieronymous Press Book, designed by Goines. Paginated through page 120, followed by 30 unnumbered leaves, and a colophon. Printed by the Stinehour Press on acid-free paper. This copy is INSCRIBED to the late anthropologist and archeologist, professor at UC Berkeley [1948-1988] John Howland Rowe in 1987 on the half title page. Q19405. Signed by Author(s).

Condition: Good. Poster. 24 x 16.25 inches. Solid-tone, photo-offset lithograph. Goines, 106.Edition of 3700 of which 300 are signed 1-300, 26 are signed A-Z as artist's proofs, and 3 sets are signed as progressives.November 15, 1983 10 colors including gold foil stamping, done by Marier Engraving 16-1/4" x 24"Client: John Seamster, Jean Morrow, Morrow Designs, 600 McCormick, San Leandro CA 94577 Model: Marika Maronee Goines A-Z: artist's own use. Progressives: 1 set to Jean MorrowModel: Marika Maronee Goine.s"The computer is a tool that emulates other tools. A Swiss army knife with a million blades. When great-grandpa Homo Habilis picked up a handy rock and banged on another rock to make a rock that was better suited to sharpening a stick so that he could kill something more efficiently, he set all his grandchildren on the path toward the dark and doubtful future in which we now reside. You look at that rock and it's hard to see any points about that rock that's different from any other rock.You look at a computer and it doesn't immediately recommend itself to you. What's it for? You look at a jackknife and pick it up, and after a moment's messing with it and probably cutting your thumb, you say, "Yeah. I know just what I could do with this." And off you go to do that good old Neanderthal trick of getting dinner without becoming dinner yourself. But a computer? It doesn't look like anything. You could shake it and poke at it and it would remain as mute as the Sphinx. You don't know what it's good for by just looking at it. It's a really fancy tool, something like your brain. Full circle.".

Condition: Good. Edition of 2820 of which 125 copies are signed 1-125, March 28, 1999 17-1/2 x 24 10 colors.

Condition: Very Good. 1st Edition. A striking Limited Edition poster, this being #51 of just 300 produced signed and numbered by Goines. Goines became famous due to his association with Alice Waters and her iconic Berkeley restaurant, Chez Panisse. Goines produced his first poster for the restaurant in 1972 and many more followed. "The design for this 1987 poster by David Lance Goines was first commissioned as a bottle label by Corti Brothers Grocery in Sacramento to note the introduction of some of the first extra-virgin olive oil made in the United States. According to Corti, the labels were originally made for Antinori, the great Italian wine (and olive oil) producer, but a freeze knocked out the olive crop. Antinori returned the labels to Corti, whose grocery was to carry the Antinori oil. Corti got Goines to re-do the labels for the Pallido and Verdesco oils, ?Extra Virgin Olive Oil from Spring Harvest Mission Olives,? simultaneously requesting a large number of the 4 color posters (unsigned, number130 in the Goines repertory) which he (Corti) could sell in the store. He also obtained the progressives from Goines, eventually giving the set of progressives and several of the posters to the National Museum of American History in 2012. The poster documents the arrival in the U.S. of the first wave of soon-to-be well known and much favored California-produced olive oils." - Smithsonian Pallido is a historic California Extra Virgin Olive Oil, famously associated with this 1987 poster, which documented early premium California-produced olive oil. The oil was specifically made from Spring Harvest Mission Olives and is part of the story of pioneering California olive oil, championed by experts like Darrell Corti. This beautiful piece measures approximately 24" X 17 1/4" and is signed and mubered by Goines in the lower right. Mild foxing along the top edge and a very light dampstain along the bottom edge. "The label and oil were designed to accompany fine, high-grade American food products, with the poster now residing in the National Museum of American History. It was a key part of introducing American consumers to California-produced extra virgin olive oil. Signed.

Condition: Good. Edition of 1900 of which 300 copies are signed 1-300, 26 are signed A-Z as artist's proofs, and five sets of progressives are signed out of 20 sets of progressives. The poster was printed at Tea Lautrec Litho.August 6, 1977 Four colors 18" x 24".Client: Dennis Mosgofian, Tea Lautrec Litho, 65 Sheridan, San Francisco CA A-Z: Artist's own use.

Condition: Good. Miniature poster/ invitation to gallery opening. 22.5 x 14.5 cm. Goines, 76.One of 11 signed, numbered and dated copies.

Condition: Good. Edition of 2965 of which 300 are signed 1-300, 26 are signed A-Z as artist's proofs, and 3 sets are signed as progressives.April 14, 1983.8 colors 16-3/4" x 24".Influence: Carl Otto Czeschka (Austrian, 1878 - 1960).Client: George Gund III for The San Francisco Film Festival.1-300: Saint Hieronymus Press, Inc. A-Z: artist's own use.Progressives: 1 set to George Gund III, 2 sets to Saint Hieronymus Press, Inc.(Communication Arts 83 Design Annual).The quest for the Holy Grail can be undertaken with any hope of success only by the pure in mind, body and heart. Lancelot, the best knight in the world, was disqualified because of his carnal love for Guenevere. Perceval didn't love anybody or anything, except his own purity. His strength was as the strength of ten because his heart was pure, and whenever he found himself in danger of becoming impure he was saved by some simple act of faith. Fiends burst like sausages all around him as soon as he made the sign of the cross, which he always did just in the nick of time. He was, in fact, too pure for the mundane altogether, and after attaining the object of his quest, passed out of this world without even bothering to die.

Condition: Good. December 9, 1974 Five colors 14" x 24"100Second printing of 1060 of which 25 copies are signed 1-25, 26 copies are signed A-Z as artist's proofs, and four sets are signed as progressives. Roman numeral II near signature block.1975 A-Z: artist's own use"did this poster on a whim, because I got a good idea out of the blue and nothing to do with it. I don't get that many good ideas and I hate to waste them. I like libraries and especially the Berkeley Public Library (or berkeley pvblic library, as it says on the front). When it was printed I packaged them up and took them to the main desk and set the packages down and said, "Here's your posters," and left. For a while the people at the library accused one another of ordering a poster without proper authorization, and the bureaucratic fur flew. But when somebody finally had the bright idea to give me a call and ask what was going on, and I told them it was for free and nobody had overstepped any departmental bounds, they were much relieved and asked for more.".

Condition: Good. 18" x 24" (first edition 1970 was in 3 colors only). This is the 3rd edition in 5 colors.Artwork modified, color separations remade May 1, 1975. Five colors. Artwork modified, color separations remade A-Z: Artist's own use. All signed copies to The Poster, San Francisco May 1, 1975 Five colors Artwork modified, color separations remade A-Z: Artist's own use. Third edition of 4943 of which 100 copies are signed 1-100, 26 are signed A-Z as artist's proofs, and four sets are signed as progressives. This poster says it all. After a bit of batting around, peering into this artistic style and that, trying them on for size, I settled on the Vienna Secession and the Jugendstil-the German Art Nouveau-as models. They, in turn, draw from the deep well of Japanese ukio-e woodblock prints of the Edo period, to which the West was exposed from the third quarter of the nineteenth century. The Velo-Sport design is bilaterally symmetrical, employs avian symbolism, contrasts light and heavy elements-the tiny bicyclists racing the great death-symbol steam locomotive-and cheerfully throws together two completely different kinds of perspective. My fascination with complementary colors, particularly blue and orange, may stem ultimately from childhood exposure to The Bookhouse Books, dating from 1920 and still-so far as I know-in print. To soften the transition from one area of color into the next, I adopted the soft grey or pale color outline motif from Otto Obermeier and Ludwig Hohlwein, though it was a common enough design element through the early part of this century.

Condition: Good. Edition of 916 of which 125 copies are signed, 1-125 26 copies are signed A-Z as artist's proofs, three sets are signed as progressives and 25 are signed as dedication copies.May 22, 2005.16-3/16" x 24", 9 colors, Paper: Mohawk Superfine 80# Cover.Model: Jenna ArcherClient: Self-promotion1-125: Saint Hieronymus Press, Inc.A-Z: Artist's own useDedication copies: Jenna ArcherProgressives: One set to Jenna Archer, two sets to Saint Hieronymus Press.

Condition: Good. Edition of 1000 copies of which 100 are signed. Three sets of signed progressives.Printed on a text weight, laid sheet. September 11, 1973 4 colors 18" x 24"(Print September/October 1974: Print's Poster USA 74)Second printing 1100 copies of which none are signed. Printed on heavier paper than the first edition, & a Roman numeral II inside a circle is printed in red next to the signature block. February 9, 1977Client: Victoria WiseThe time has come," the Walrus said, "to talk of many things: of shoes-and ships-and sealing wax-of cabbages-and kings-And why the sea is boiling hot-and whether pigs have wings." So Lewis Carroll whiled away the hours writing for the amusement of little Alice Liddell. Surrealists have attempted to read into his works early embodiments of their own principles, and Freudians have had a field day with the symbolism. As well they might. Though there are some things better left alone: the innocent pleasure that you take in twisting about with Alice in her looking-glass world might be marred by too close a look into the workings of the author's Victorian mind, and you should likewise avoid witnessing the manufacture of sausages or the making of civil and criminal law."Laws are like sausages: it is better not to see them being made." Otto von Bismark (1815-1898), attributed.

Condition: Good. Edition of 1000 copies of which 100 are signed. Three sets of signed progressives.Printed on a text weight, laid sheet. September 11, 1973 4 colors 18" x 24"(Print September/October 1974: Print's Poster USA 74)Second printing 1100 copies of which none are signed. Printed on heavier paper than the first edition, & a Roman numeral II inside a circle is printed in red next to the signature block. February 9, 1977Client: Victoria WiseThe time has come," the Walrus said, "to talk of many things: of shoes-and ships-and sealing wax-of cabbages-and kings-And why the sea is boiling hot-and whether pigs have wings." So Lewis Carroll whiled away the hours writing for the amusement of little Alice Liddell. Surrealists have attempted to read into his works early embodiments of their own principles, and Freudians have had a field day with the symbolism. As well they might. Though there are some things better left alone: the innocent pleasure that you take in twisting about with Alice in her looking-glass world might be marred by too close a look into the workings of the author's Victorian mind, and you should likewise avoid witnessing the manufacture of sausages or the making of civil and criminal law."Laws are like sausages: it is better not to see them being made." Otto von Bismark (1815-1898), attributed.

Condition: Good. Edition of 3776 of which 300 are signed 1-300, 26 copies are signed A-Z as artist's proofs, and three sets are signed as progressives.April 18, 1983 17 colors, including gold foil stamping, done by Marier Engraving 17 3/8" x 24".Client: The Oakland Symphony (Arthur Jacobus).

Condition: Good. Original poster. 24 x 18 inches. Solid-tone, photo-offset lithograph in six colors. Goines, 75. Signed and numbered 34/300 by artist in pencil.