Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges and a slip insert attached to the preliminary pages. Book and dust jacket show some shelf & handling wear, including edge wear and light scuffing. Dust jacket is in a plastic protector. Pages are worn on their edges, but remain intact with unmarked text & pictures. A good reading copy.
Language: English
Published by Stanford University Press., Standford, California., 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Doss-Haus Books, Redondo Beach, CA, U.S.A.
Soft cover. Condition: Near Fine. Softcover 2002 edition. Text and covers in near fine condition. Binding firm. Page unmarked and clean. (274 pages).
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: Lost Time Books, Brattleboro, VT, U.S.A.
hardcover. Condition: Very Good. Light shelfwear. Dust jacket in protective sleeve. Text is pristine throughout with no writing or markings of any kind.
Language: English
Published by Princeton University Press, [, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: Hammer Mountain Book Halls, ABAA, Schenectady, NY, U.S.A.
Hardcover. Bottom edge of front cover sun-faded; otherwise very good condition in very good dust jacket. ]. 288p. Illus.
Language: English
Published by Stanford University Press,, 2001
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Signed
Paperback. Presentation copy: "and to a very good friend who passes through and whose passages are always so much a pleasure - with a great deal of affection, and respect for your work - Rae Beth Gordon 7 June 2002" Very minor bumped corner & slight stain on fore-edge of text, else very good, clean and sound condition with bright cover.
Language: English
Published by Stanford University Press, 2001
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 274 pages; as new condition; clean and crisp; no internal marks.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Hollywood Canteen Inc., Toronto, ON, Canada
Paperback. Condition: Good. 2025 junefiled in biossmall crease on cover.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
US$ 30.32
Quantity: 15 available
Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Stanford University Press, US, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Vividly bringing to light the tradition of physical comedy in the French cabaret, café-concert, and early French film comedy, this book answers the perplexing question, "Why do the French love Jerry Lewis?" The extraordinary emphasis on nervous pathology in the Parisian café-concert, where the genres of the Epileptic Singer and the Idiot Comic took center stage, and where popular comic monologues and songs included "Man with a Tic" and "I'm Neurasthenic," points to a fascinating intersection between medicine and popular culture. The French tradition of comic performance style between 1870 and 1910 nearly exactly duplicates the movements, gestures, tics, grimaces, and speech anomalies found in nineteenth-century hysteria; the characteristics of hysteria became a new aesthetics. Early French film comedy carried on this tradition of frenetic gesture and gait, as most film performers came from these entertainments and from the circus. Even before Chaplin's films triumphed in France, film comics were instantly recognizable from their pathological gait, just as Jacques Tati would be a half-century later. Comedy, a genre that dominated French cinema until World War I, has often been linked to a mass public for film; the author elucidates this link by proposing a broadly generalized cultural-medical phenomenon as the explanation for the dominance of the comic genre. Comic performance style drew from a group of nervous disorders characterized by the psychological automatism emanating from the "lower faculties": nervous reflex, motor impulses, sensation, and instinct. Building on her previous work on hysteria, the cabaret, and pathologies of movement in the films of Georges Méliès, and drawing on over 400 French films made between 1896 and 1915, the author contributes to a new theory of spectatorship at work in the cabaret, in shows of magnetizers, and in early French film comedy. Jerry Lewis touches a nerve in French cultural memory because, more than any other film comic, he incarnates this tradition of performance style.
Published by Stanford: Stanford University Press, 2001., 2001
First Edition
Soft cover. Condition: As New. 1st Edition. 8vo. xix, 274 pp. Illustrated with B & W photographs. Original stiff pictorial brown wrappers. This is a tight, fine book.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: The Private Library, London, United Kingdom
US$ 13.74
Quantity: 1 available
Add to basketHardcover. Condition: Very Good. From the Library of John Russell Taylor.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: Labyrinth Books, Princeton, NJ, U.S.A.
Condition: New.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738939 ISBN 13: 9780804738934
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: Elder Books, Ross on Wye, Herefordshire, United Kingdom
First Edition
US$ 27.47
Quantity: 1 available
Add to basketHardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition. Large 8vo, Hardback with Unclipped Dust Jacket. An excellent near fine copy in likewise jacket. Extra postage may apply for overseas orders. All books are posted in a sturdy book box.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
US$ 30.34
Quantity: 1 available
Add to basketCondition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Hardcover. Condition: Very Good. Very good hardcover with dj. Light wear. Pages are clean and unmarked. book.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Bringing to light the tradition of physical comedy in the French cabaret, cafe-concert, and early French film comedy, this book answers the perplexing question, Why do the French love Jerry Lewis? Num Pages: 296 pages, Illustrations. BIC Classification: APB; APF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 17. Weight in Grams: 404. . 2001. Paperback. . . . .
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
US$ 33.62
Quantity: Over 20 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 41.41
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. 1st edition. 274 pages. 9.75x6.25x0.75 inches. In Stock.
Language: English
Published by Stanford University Press, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Bringing to light the tradition of physical comedy in the French cabaret, cafe-concert, and early French film comedy, this book answers the perplexing question, Why do the French love Jerry Lewis? Num Pages: 296 pages, Illustrations. BIC Classification: APB; APF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 17. Weight in Grams: 404. . 2001. Paperback. . . . . Books ship from the US and Ireland.
Published by Princeton University Press, Princeton, New Jersey, 1992
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
First Edition
Hardcover. Condition: Fine in Fine dust jacket. First edition. 24 x 16 cm. Octavo. 288pp. Grey cloth in dust jacket.
Condition: Very good.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: SHIMEDIA, Brooklyn, NY, U.S.A.
Condition: New. Satisfaction Guaranteed or your money back.
Language: English
Published by Princeton University Press, 2014
ISBN 10: 0691606331 ISBN 13: 9780691606330
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Princeton University Press, 2014
ISBN 10: 0691606331 ISBN 13: 9780691606330
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Stanford University Press, US, 2002
ISBN 10: 0804738947 ISBN 13: 9780804738941
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Vividly bringing to light the tradition of physical comedy in the French cabaret, café-concert, and early French film comedy, this book answers the perplexing question, "Why do the French love Jerry Lewis?" The extraordinary emphasis on nervous pathology in the Parisian café-concert, where the genres of the Epileptic Singer and the Idiot Comic took center stage, and where popular comic monologues and songs included "Man with a Tic" and "I'm Neurasthenic," points to a fascinating intersection between medicine and popular culture. The French tradition of comic performance style between 1870 and 1910 nearly exactly duplicates the movements, gestures, tics, grimaces, and speech anomalies found in nineteenth-century hysteria; the characteristics of hysteria became a new aesthetics. Early French film comedy carried on this tradition of frenetic gesture and gait, as most film performers came from these entertainments and from the circus. Even before Chaplin's films triumphed in France, film comics were instantly recognizable from their pathological gait, just as Jacques Tati would be a half-century later. Comedy, a genre that dominated French cinema until World War I, has often been linked to a mass public for film; the author elucidates this link by proposing a broadly generalized cultural-medical phenomenon as the explanation for the dominance of the comic genre. Comic performance style drew from a group of nervous disorders characterized by the psychological automatism emanating from the "lower faculties": nervous reflex, motor impulses, sensation, and instinct. Building on her previous work on hysteria, the cabaret, and pathologies of movement in the films of Georges Méliès, and drawing on over 400 French films made between 1896 and 1915, the author contributes to a new theory of spectatorship at work in the cabaret, in shows of magnetizers, and in early French film comedy. Jerry Lewis touches a nerve in French cultural memory because, more than any other film comic, he incarnates this tradition of performance style.
Language: English
Published by Princeton University Press, 1992
ISBN 10: 0691069271 ISBN 13: 9780691069272
Seller: The Book Spot, Sioux Falls, MN, U.S.A.
Hardcover. Condition: New.