Goya, Signed (21 results)

Hardcover. Condition: Very Good. Goya (illustrator). 1st Edition. Red letters on dark yellow cloth. 66 pages; 90 b/w plates, with record of provenances and signatures for the portraits; notes; index. The inscription is signed only with " gue' ". The top end of the text block has darkened. The plate section of the text block has foxing on the top end and the foredge. Scans e-mailed upon request. Inscribed (to a name) And Sign.

Contained in the Fall 2004 issue of The Threepenny Review. This issue of the well-regarded literary quarterly contains work by, among others, Isabel Colegate, Geoff Dyer, Daisy Fried, August Kleinzahler, Wendy Lesser, Greil Marcus, Javier Marias, Adam Phillips, Jim Powell, James Tate, and Adam Zagajewski.

Encuadernación de tapa dura. Condition: Bien. Dust Jacket Condition: Bien. Pintura (illustrator). El servicio contrareembolso tiene un coste adicional de 3 euros. Todos nuestros libros son de segunda mano. Sello del anterior propietario.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. John Lucas (Author photo); Francisco Goya (illustrator). 1st Edition. First printing of the stated first edition. Signed by Mark Doty directly on the title-page. Book and dust jacket in fine, as new condition. Signed by Author(s).

Soft Cover. Condition: Very Good +. No Jacket. First Edition. Program from the All Star Concert Series at the Academy of Music in 1938. Boldly Signed by Carola Goya and the Harpist, Beatrice Burford on the front panel. 4 pp. 8" X 5.5". Size: 8vo - over 7¾" - 9¾" tall. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Goya (illustrator). 1st Edition. #519/666. Signed by teh Author, Don d'Auria (Introduction), and Glenn Chadbourne (Interior Artist)on teh illustrated limitation leaf laid in. HC w/DJ Book Condition: Fine: Sharp tight bright copy. / DJ Condition: Fine: Sharp bright dust jacket. Signed by Author(s).

Frühe, farbige CNR-Fotoporträtpostkarte, eigenhändig signiert.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Francisco de Goya (illustrator). 1st Edition. 1st ed/1st printing, SIGNED by the author on the half-title page. Deluxe reissue with new introduction by Ramsey Campbell. This is NOT one of the 200 numbered copies, this is a trade copy that was signed by RB. This book is square, solid, and unread; the boards are solid and unblemished, and the dust jacket is sharp and in a protective Brodart cover. No price clippings, no remainder marks. When this humdinger arrives at your door, you'll feel as though you've gotten drunk on dandelion wine and you're burning a wicked midnight fever of 451 after receiving an illustrated missive from Mars, all on October 31st! NOTE: Included with the book is a free collectible British Bradbury bookmark with double-sided art - not available in the United States. Signed by Author(s).

FIRST EDITION of this meeting of the minds between the greatest Spanish painter of the 18th and 19th centuries and the greatest Spanish novelist of the 20th. The 80 plates of Goya's Caprichos are reproduced on the odd-numbered pages, one to a page. Facing each one are the comments of Camilo José Cela (Nobel Prize for Literature, 1989). This copy includes AN ORIGINAL DRAWING BY CELA ON THE TITLE-PAGE, an imitation of Goya's famous self-portrait (plate 1 of the Caprichos) WITH SOME OF THE FEATURES ALTERED TO RESEMBLE CELA. Signed in full, dated (October 10, 1991), and localized (Guadalajara). With a warm presentation inscription to a friend. Large 8vo. Publisher's cloth with dustjacket. FINE AND BRIGHT WITH NO DEFECTS. Unique.

First edition, first printing. Signed by the author. Limited edition. Publisher's original boards with titles in black to the upper board and spine, and illustrations by Francisco José de Goya Lucientes to the upper and lower board, in dustwrapper. Illustrated with a frontispiece by Jay Kinney and Paul Mavrides, and black and white plates from Francisco José de Goya Lucientes' 'Los Caprichos' series throughout. A fine copy, the binding square and firm, the contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the fine original dustwrapper, which is bright and fresh, and without fading, loss, and tears. Not price-clipped (£25 to the lower front flap). Issued in an edition of 100 copies, from which this example is numbered 56 and signed by Michael Swanwick in blue ink to the limitation page. This lovely example of Swanwick's short story collection is based on 'Los Caprichos' (tr: The Whims), a series of etchings by Francisco Goya (1746 - 1828). Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Goya (illustrator). Hornsea: PS Publishing:, 2024. First edition, Hardcover, SIGNED, Limited, Fine in Fine dust jacket, 166 pp. Cover artwork by: Goya This edition limited to 100 numbered copies signed by the author. First edition, Hardcover, SIGNED, Limited, Fine in Fine dust jacket,

Pas de couverture. Condition: Bon. Jolie photo-carte dédicacée. Format : 8,5x14 cm. État : voir scans svp. Authenticité garantie. Signé par l'auteur.

Pas de couverture. Condition: Bon. Rare - Premier jour philatélique signé : Anniversaire. Paris, le 2 avril 2005. + Photo 23x15 cm (tirage récent). Format : 21x14,5 cm. État : voir scans svp. Provenance : Collection Claude Sachot (souvenirs philatéliques signés). Authenticité garantie. Signé par l'auteur.

First edition, one of approximately 300 copies; quarter broadsheets (311 x 205mm); 80 plates on a single uniform stock of unwatermarked laid paper; etchings with burnished aquatint, many with drypoint and/or burin (fine impressions printed in sepia, printing with great contrasts and bright highlights, the aquatint just beginning to show a little wear on some plates, with the scratch on plate 45, with wide margins, some pale spotting mainly on the first few pages, otherwise in very good condition; black morocco binding by Lebrun, signed on the spine and dated Paris 1844 on the rear cover, tooled in gilt with the Self-Portrait of plate 1 and the name of the artist on the front cover, the motif and title of plate 32 on the back cover, marbled endpapers; within a matching red morocco box, with the name of the artist, the title and the name of the binder on the spine, the inside with a black and gilt morocco inlay showing all the tools used for the binding. The complete set of eighty etchings with burnished aquatint, drypoint and engraving, 1797-1798, on laid paper. A very good set from the first edition, published by the artist in an edition of approximately three hundred copies. With Los Caprichos, Goya for the first time made his vision of the more sinister side of Spanish society â" and the human soul in general â" accessible to a wider audience, beyond his small group of friends and patrons. Goya was commercially ambitious, and set himself an enormous undertaking, prepared over several years and based on hundreds of drawings. Harris has estimated that he produced 300 sets (i.e. 24,000 impressions) of the Caprichos, making it at the time the largest series of prints ever conceived by a single artist. But the bitter reality was that perhaps only some thirty sets of this first and only lifetime edition were sold. In 1803, the artist gave the plates and the remaining impressions to the King, presumably to escape the wrath of the Inquisition. In hindsight Los Caprichos is the pivotal work of Goya's entire oeuvre. In one grandiose, dark symphony he unleashes both his unsparing satirical sense and his wild imagination, plate after plate, tied loosely together by related motifs and laconic, often mysterious titles. The only plate without an engraved title is perhaps the most famous of all: the artist, overcome by sleep, with his head resting on a table, is surrounded by creatures of the night: owls, bats, a cat and a lynx. On the front of the table the following words appear vaguely out of the aquatint surface: El sueño de la razon produce monstruos. The phrase is ultimately untranslatable, as sueño can mean both 'sleep' and 'dream'. This ambiguity â" does Reason dream up monsters or do monsters arise as Reason sleeps? â" is characteristic of the entire series. Having first conceived it as the title page, Goya changed his mind and placed it as plate 43 right in the middle of the series, dividing the series roughly into two parts. The first part is largely devoted to satires of courtship and prostitution, mocking the vanities and pretensions of the young and old. It is in the nightmarish second part that the monsters arise, witches and demons fly, and goblins awake. Beyond the mere evocation and critique of superstition and witchcraft, the precise meaning of these later plates is even more cryptic. Concealed through visual puns, word play and allusions to proverbs, they often ridicule the idle and ruling classes, the clerics and the nobility. Wickedly satirical and subversive as the Caprichos are in their imagery and content, they also represent a technical revolution. Having previously created a number of competent yet ultimately conventional etchings after Velazquez, Goya in this series suddenly and completely mastered the aquatint method. In particular through his use of blank paper for glowing highlights among dense shades of grey and black, he created images of dramatic and disturbing beauty. What makes Los Caprichos one of the greatest unified series of images ever produced, is not just his extraordinary draughtsmanship or his technical mastery, nor his sharp satirical wit, but the intensity of his imagination and the depth of his humanity.

A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts, each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED, ALL ON JAPON NACRE, AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT, LIKE NEW. Extremely rare.

4°, 37 S. und 100 Tafeln. Orig.-Halbleinen. Erste Ausgabe. 1.-10. Tausend.- Vorsatz mit kurzer Widmung des Herausgebers an Günter Busch, den ehemaligen Leiter der Kunsthalle Bremen und seine Frau.- Einband lichtrandig, Vorsatz mit Besitzvermerk. Gutes Exemplar.

Espagne / Editorial Aqua 2008. In-4 cartonnage éditeur de 186 pages au format 17 x 25 cm sous jaquette illustrée. Etude sur Rosario Weiss Zorrilla qui fut la filleule et disciple de Francisco de Goya, avec 62 illustrations, in et hors texte, dont 14 en couleurs. Tirage sur couché. Petit tirage. Edition originale, enrichie d'une belle dédicace et d'une lettre autographe signée de l'auteur, adressées au peintre Juan Sevilla Saez ( collection personnelle ).

Condition: Very Good. Peter Paul Rubens, Norman Lindsay, Titan and Turner, Francesco Goya, William Blake, the Hellenes (illustrator). Signed Limited edition. Signed by Lindsay to limitation page; #158/500. Forward by R.L. Hall. Includes an advertising pamphlet regarding the book with a blurb about Nietzsche and a comment by P.R. Stephensen, stating the price is "two guineas at subscription." Bound in a "new German Art-cloth with gold design" to front board and gilt particulars to spine. Top edge gilt; deckled edges. Printed on Arnold's Unbleached paper and includes 12 hors texte collotype plates throughout. xi, 243 pp. 7 3/4 x 10 1/4 inches.

S/W-FOTOPORTRÄTPOSTKARTE ((60'er Pathe-Natan) mit eigenhändiger Empfehlung, Unterschrift in Tinte signiert.

IP signed photograph, shows Goya Toledo in a half length portrait, 8 x 10 inch, obtained In-Person in Berlin, signed in blue felt tip, in very fine condition.

Dimensions : 567 x 383 mm (marges comprises). Belle eau-forte originale avec remarque et monogamme, signée et justifiée (46 / 300) à la mine de plomb en marge inférieure. ''Léon Salles fut l'élève de d'Auguste Boulard. Sociétaire des Artistes Françias depuis 1893, il figura au Salon de ce groupement ; mention honorable en 1894, médaille de troisième classe en 96, médaille de bronze en 1900 à l'Exposition Universelle''. (in Bénézit). Bénézit IX, Dictionnaire des peintres, p. 250 - Delteil II, Manuel de l'amateur d'estampes, p. 434. Infimes altérations en marge de la planche. Du reste, très belle condition.