Grafe Steven (38 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Soft cover with minor cover and page wear.

Paperback. Condition: Very Good. Winter, 1997-98, pp. 426-477, Many Photos, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

Soft cover. Condition: Near Fine. Near Fine condition soft cover book. Very slight shelf wear to boards. Very slight toning text block edges. Signed by all authors and photographer. All of our books are individually inspected and described. Never X-library unless specifically described as such. Inscribed by Author(s).

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Trade Paperback. Condition: Used - Very Good. The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century--and at a turning point in their own history.The Columbia River Plateau, in the interior Pacific Northwest, was populated for centuries by the Umatilla, Walla Walla, and Cayuse Indians. By the late nineteenth century, after the U.S. government had confined these peoples to a single reservation, their lives began to change irrevocably. Major Lee Moorhouse, a businessman and former militia officer, served as an Indian agent during this period. Believing that the Indians he encountered were a 'dying race,' Moorhouse was driven to collect their artifacts and, for posterity, take their photographs.Although he was not a professional photographer, Moorhouse produced more than 9,000 glass-plate negatives, one-third with Indians as his subjects. Although his works to some degree reflect a stereotypical view, they are an invaluable aid for tribal researchers and historians because they identify their subjects by name.This book marks the first major examination of Moorhouse and his work. Featuring eighty exquisite plates, it not only showcases Moorhouse's extensive photographs but also tells the story of the man--about whom little is known--and of the world in which he lived and worked. The photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century. By the late nineteenth century, after the U.S. government had confined these Indians to a reservation, their lives began to change irrevocably. Book is a little out of square. Binding is tight no interior marks.

Soft cover. Condition: Fine-. Oversize softcover in fine minus condition: very slight wear to back lower corner. Might require extra for priority shipping. Not available for international shipping. Size: 4to - over 9¾ - 12" tall. Book.

Condition: New. Brand New.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: As New. No Jacket. 1st Edition. 219 pages. The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century - and at a turning point in their own history. The Columbia River Plateau, in the interior Pacific Northwest, was populated for centuries by the Umatilla, Walla Walla, and Cayuse Indians. A series of 80 glass plates are beautifully presented with the story of the Indians and the photographer portrayed.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century - and at a turning point in their own history.The Columbia River Plateau, in the interior Pacific Northwest, was populated for centuries by the Umatilla, Walla Walla, and Cayuse Indians. By the late nineteenth century, after the U.S. government had confined these peoples to a single reservation, their lives began to change irrevocably. Major Lee Moorhouse, a businessman and former militia officer, served as an Indian agent during this period. Believing that the Indians he encountered were a ""dying race,"" Moorhouse was driven to collect their artifacts and, for posterity, take their photographs.Although he was not a professional photographer, Moorhouse produced more than 9,000 glass-plate negatives, one-third with Indians as his subjects. Although his works to some degree reflect a stereotypical view, they are an invaluable aid for tribal researchers and historians because they identify their subjects by name.This book marks the first major examination of Moorhouse and his work. Featuring eighty exquisite plates, it not only showcases Moorhouse's extensive photographs but also tells the story of the man - about whom little is known - and of the world in which he lived and worked. The photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century. By the late nineteenth century, after the U.S. government had confined these Indians to a reservation, their lives began to change irrevocably. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear scratching and edge wear. Inside pages are clean. ; Volume 1; 10 X 0.9 X 12 inches; 256 pages.

Paperback. Condition: New. The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century - and at a turning point in their own history.The Columbia River Plateau, in the interior Pacific Northwest, was populated for centuries by the Umatilla, Walla Walla, and Cayuse Indians. By the late nineteenth century, after the U.S. government had confined these peoples to a single reservation, their lives began to change irrevocably. Major Lee Moorhouse, a businessman and former militia officer, served as an Indian agent during this period. Believing that the Indians he encountered were a ""dying race,"" Moorhouse was driven to collect their artifacts and, for posterity, take their photographs.Although he was not a professional photographer, Moorhouse produced more than 9,000 glass-plate negatives, one-third with Indians as his subjects. Although his works to some degree reflect a stereotypical view, they are an invaluable aid for tribal researchers and historians because they identify their subjects by name.This book marks the first major examination of Moorhouse and his work. Featuring eighty exquisite plates, it not only showcases Moorhouse's extensive photographs but also tells the story of the man - about whom little is known - and of the world in which he lived and worked.

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First printing of the assumed first edition. Squarish 4to. 221 pages. Photo illustrations throughout. Index. Cased in black cloth with all stamping in silver and gilt. Officially withdrawn from our Library with the only external indicator being a bar code sticker affixed to the rear panel of the dust jacket. A bright, crisp copy in very good or better condition in like dust jacket. Size: 4to - over 9¾" - 12" tall.

Softcover. Condition: New. Special order direct from the distributor.

Condition: New.

Paperback. Condition: New. The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century - and at a turning point in their own history.The Columbia River Plateau, in the interior Pacific Northwest, was populated for centuries by the Umatilla, Walla Walla, and Cayuse Indians. By the late nineteenth century, after the U.S. government had confined these peoples to a single reservation, their lives began to change irrevocably. Major Lee Moorhouse, a businessman and former militia officer, served as an Indian agent during this period. Believing that the Indians he encountered were a ""dying race,"" Moorhouse was driven to collect their artifacts and, for posterity, take their photographs.Although he was not a professional photographer, Moorhouse produced more than 9,000 glass-plate negatives, one-third with Indians as his subjects. Although his works to some degree reflect a stereotypical view, they are an invaluable aid for tribal researchers and historians because they identify their subjects by name.This book marks the first major examination of Moorhouse and his work. Featuring eighty exquisite plates, it not only showcases Moorhouse's extensive photographs but also tells the story of the man - about whom little is known - and of the world in which he lived and worked.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Illustrated by Ed Munro (illustrator). Stiff clean book, unmarked but for blindstamp of previous owner to lower title page, and inventory tick to top edge. In ligthly rubbed dust jacket. ; 12.1 X 10.1 X 1.0 inches; 256 pages.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Binding firm, interior clean and unmarked. DJ in protective cover. Oversize/Overweight: additional postage may apply.

Condition: New.

Paperback. Condition: Brand New. 224 pages. 9.75x9.75x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New. The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century - and at a turning point in their own history.The Columbia River Plateau, in the interior Pacific Northwest, was populated for centuries by the Umatilla, Walla Walla, and Cayuse Indians. By the late nineteenth century, after the U.S. government had confined these peoples to a single reservation, their lives began to change irrevocably. Major Lee Moorhouse, a businessman and former militia officer, served as an Indian agent during this period. Believing that the Indians he encountered were a ""dying race,"" Moorhouse was driven to collect their artifacts and, for posterity, take their photographs.Although he was not a professional photographer, Moorhouse produced more than 9,000 glass-plate negatives, one-third with Indians as his subjects. Although his works to some degree reflect a stereotypical view, they are an invaluable aid for tribal researchers and historians because they identify their subjects by name.This book marks the first major examination of Moorhouse and his work. Featuring eighty exquisite plates, it not only showcases Moorhouse's extensive photographs but also tells the story of the man - about whom little is known - and of the world in which he lived and worked.

Trade Paperback. First Edition. 323 pages, including index. 10-1/8 by 11 inches. Volume 6 in the Western Legacies Series. A photo book with text, illustrated with reproductions of black-and-white and color photographs. First edition (first printing). A paperback copy in very good condition. Cover has minor shelf wear; top corners lightly bumped. A very nice copy. In 1896, a young easterner named Walter McClintock arrived on the Blackfeet Indian Reservation. A forest survey had brought him to Montana, but a chance encounter with a part-Blackfeet scout led him instead to a career as a chronicler of Plains Indian life. McClintock is now well known as the author of two books about his experiences among the Blackfeet, but only a few of his photographs have ever been published. This volume features biographical and interpretive essays about McClintock's life and work and presents more than one hundred of his little-known images.Many of McClintock's photos were eventually reproduced as colored lantern slides. One set of signature views contained numerous brightly lit tepees, rendered so that the great circular Blackfeet encampment "looked like an enormous group of coloured Japanese lanterns." His pictures, the photographer claimed, "were not posed" but were instead "of real life." In truth, McClintock's photographs captured the attire and activities of the Blackfeet during the few weeks each year when they actively celebrated their old ways. Rather than recording day-to-day reservation life, they instead revealed the photographer's own romantic ideals and nostalgic longing. Lanterns on the Prairie explores the motivations of the players in McClintock's story and the historic context of his engagement with the Blackfeet. The photographs themselves provide an irreplaceable visual record of the Blackfeet during a pivotal period in their history.

Condition: New. KlappentextrnrnThe remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century--and at a turning point in their own history. This first major examination of photographer Le.

softcover /PB, 255 x 200 mm, 324 pages throughout Kleurenillustraties, NL edition. nieuwstaat. ISBN 9789082122558. Om de twee jaar publiceert het Vlaams Architectuurinstituut (VAi) het Architectuurboek Vlaanderen. Sinds meer dan twintig jaar vervult de reeks de functie van naslagwerk en bundeling van kritische essays die focussen op de huidige architectuurproductie. De nieuwste editie zal gelanceerd worden tijdens de opening van de Architectuurbiënnale in Venetië in mei 2016. De 12de editie van het Architectuurboek Vlaanderen toont in welke mate architectuurcultuur is doorgedrongen in onze samenleving, en het illustreert de grote verscheidenheid van de architecturale projecten die gerealiseerd werden in Vlaanderen en Brussel en door architecten uit Vlaanderen en Brussel. De geselecteerde projecten vertonen een aantal overeenkomsten. Ze weerspiegelen de inventieve oplossingen die architecten ontwikkelden om een ??succesvolle interactie tussen vorm, schaal, hergebruik en toe-eigening te realiseren en ze worden gekenmerkt door nauwkeurigheid, vakmanschap en aandacht voor de historische en ruimtelijke context. Het boek toont architectuur op maat. De redactie maakte een zorgvuldige selectie uit de bijna 400 ingezonden projecten van meer dan 200 architecten. Diverse formats werden ontwikkeld om de veelheid aan projecten te tonen. Dertien essays geclusterd rond vier thema's - leven, stad, schaal en de vorm - schetsen de huidige ontwikkelingen in de architectuur in en uit Vlaanderen. In aanvulling op de essays, toont het boek een selectie van de beste projecten door een caleidoscoop van plannen, schetsen en foto's 1164 g.