Grespi (85 results)

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Paperback. Condition: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.…

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Paperback. Condition: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.…

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Paperback. Condition: new. Paperback. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectators gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique. The latest issue of CINEMA&CIE, International Film Studies Journal. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 172 pages. 9.50x6.70x0.55 inches. In Stock.

Condition: Fair. : Este libro explora las traducciones castellanas de obras latinas e italianas encontradas en manuscritos del siglo XV en las bibliotecas de Madrid y El Escorial. Escrito por Giuseppina Grespi, el libro ofrece un análisis detallado de estos manuscritos y sus traducciones, proporcionando una visión valiosa de la historia de la traducción en España. Incluye una bibliografía exhaustiva que abarca desde la página 297 hasta la 313. EAN: 9788488699763 Tipo: Libros Categoría: Historia|Literatura y Ficción Título: Traducciones castellanas de obras latinas e italianas contenidas en manuscritos del siglo XV en las Bibliotecas de Madrid y El Escorial Autor: Giuseppina Grespi Editorial: Biblioteca Nacional Idioma: es-ES Páginas: 313 Formato: Tapa dura Año de publicación: 2005. …

Condition: New. 2021. Paperback. . . . . .

Paperback. Condition: New.

Condition: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

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Condition: Buone. inglese Condizioni dell'esterno: Buone Condizioni dell'interno: Ottime.

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Paperback. Condition: Brand New. bilingual edition. 147 pages. 9.50x6.75x0.50 inches. In Stock.

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Encuadernación de tapa dura. TRADUCCIONES CASTELLANAS DE OBRAS LATINAS E ITALIANAS. Contenidas en manuscritos del siglo XV en las bibliotecas de Madrid y El Escorial. Premio de Bibliografía 1999. CRESPI, Giuseppina. Edita Biblioteca Nacional, Mº Cultura, 2005. ISBN 848869976X. 313 páginas con tipografía a dos tintas. Tamaño 246x173mm. Tapa dura con lomo en tela color negro con caracteres dorados. Excelente estado y sin datos ni rastros de anteriores poseedores. Pequeña etiqueta de librería en guarda. Peso 680grs.…

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Taschenbuch. Condition: Neu. Neuware - Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.…

Paperback. Condition: new. Paperback. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectators gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique. The latest issue of CINEMA&CIE, International Film Studies Journal. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Condition: As New. Unread book in perfect condition.

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Paperback. Condition: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.…

Kartoniert / Broschiert. Condition: New. KlappentextDigital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has .