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Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Published by Ostfildern, Hatje Cantz / Institut für Auslandsbeziehungen,, 2013
Book First Edition
4°, OKart. 1. Aufl. Mit zahlreichen Abbild., 335 S. Widmung auf Vorsatz, Kanten minimal bestoßen, sonst schönes Ex. Sprache: Deutsch Gewicht in Gramm: 0.
Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.75.
Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: Ludilivre Photobooks, FONTAINEBLEAU, France
Book
Condition: D'occasion - Très bon état.
Published by Hatje Cantz 2013-09-15, 2013
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, United Kingdom
Book
Hardcover. Condition: Fine. UNUSED-Some minor shelf wear otherwise like new.
Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. 3.75.
Published by Ostfildern. Hatje Cantz. 2013., 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: Antiquariat & Verlag Jenior, Kassel, HE, Germany
Book
335 S. Hardcover. 4°. Zweisprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.
Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: New. Book is in NEW condition. 3.75.
Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 3.75.
Published by Hatje Cantz, 2014
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: Book Deals, Tucson, AZ, U.S.A.
Book
Condition: New. New! This book is in the same immaculate condition as when it was published 3.75.
Published by Ostfildern, Germany : Hatje Cantz,, 2013
ISBN 10: 3775736948ISBN 13: 9783775736947
Book
Gebundene Ausgabe. Condition: Neu. en, 1. Aufl. 335 S. : zahlr. Ill. ; 28 cm NEUBUCH ! 9783775736947 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 1687.
Published by Hatje Cantz Verlag, Ostfildern, 2013
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: CitiRetail, Stevenage, United Kingdom
Book
Hardcover. Condition: new. Hardcover. In 1951 the Italian-Brazilian industrialist Ciccillo Matarazzo founded the Sao Paulo Biennial, the second-oldest art show of its kind. From the start, it was said that the show's role model was the mother of all biennials in Venice. As is the case there, the participating countries choose artists to represent them and send them to Brazil at the countries' expense. The young Federal Republic of Germany always attributed great importance to the global art exhibition in far-away Sao Paulo. The German Democratic Republic was also represented from 1977 onward, although with far more modest presentations.This richly illustrated book is the first to document all of the German contributions to the thirty biennials that have taken place up to now, and examines them in the context of post-war history and cultural politics. Studies of archives in Sao Paulo, Berlin, and Stuttgart exhumed a cornucopia of previously unpublished documents and photographs. A number of essays describe the founding and the history of the biennial, which is closely associated with the fate of Brazilian Modernism. Germany has supported the Sao Paulo Biennial since the global art exhibition's foundation in 1951. This richly illustrated volume documents all of the German contributions to all 30 biennials, and examines them in the context of postwar history and cultural politics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Hatje Cantz Verlag, Ostfildern, 2013
ISBN 10: 3775736948ISBN 13: 9783775736947
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Hardcover. Condition: new. Hardcover. In 1951 the Italian-Brazilian industrialist Ciccillo Matarazzo founded the Sao Paulo Biennial, the second-oldest art show of its kind. From the start, it was said that the show's role model was the mother of all biennials in Venice. As is the case there, the participating countries choose artists to represent them and send them to Brazil at the countries' expense. The young Federal Republic of Germany always attributed great importance to the global art exhibition in far-away Sao Paulo. The German Democratic Republic was also represented from 1977 onward, although with far more modest presentations.This richly illustrated book is the first to document all of the German contributions to the thirty biennials that have taken place up to now, and examines them in the context of post-war history and cultural politics. Studies of archives in Sao Paulo, Berlin, and Stuttgart exhumed a cornucopia of previously unpublished documents and photographs. A number of essays describe the founding and the history of the biennial, which is closely associated with the fate of Brazilian Modernism. Germany has supported the Sao Paulo Biennial since the global art exhibition's foundation in 1951. This richly illustrated volume documents all of the German contributions to all 30 biennials, and examines them in the context of postwar history and cultural politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.