Guido Molinari (42 results)

Softcover, 78 pages, in French; very good condition, clean and crisp; long gift inscription in French on page 10; no other internal marks.

Paperback. Condition: Near Fine. Exhibition catalogue illustrated in colour. Texts by Gary Dufour, Robert Welsh, James Campbell and Guido Molinari. Foreword by Willard Holmes. Ink name to fep. RARE. 4to.

Couverture souple. Condition: Très bon.

Paperback. Condition: As New. 64 pages. Text in English & French. U.S. orders are shipped from N.Y. state.

Paperback. Condition: Near Fine. 1st Edition. Exhibition Catalogue Illustrated With Colourplates. Small Panphlet Addendum To The Exhibition Laid In. Text In French. 4to.

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Très bon. Collection Ğ Documents d'histoire de l'art canadien ğ.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 112pp. Several b/w illustrations. Bibliography. Text in French and English. 8vo.

brossura. Condition: ottimo. 21x15.5 pp. 130.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardcover edition in very good condition. Closed tear on the bottom back edge of the DJ. Signed by the author. Text clean, binding secure. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

Soft cover. Condition: Very Good. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Soft cover. Condition: Near Fine. Molinari, Guido (illustrator). Very large squarish softcover, full b/w photo of artist with name on front, includes 79 illustrations. Very slight wear to spine edges, very tiny tear at spine top right edge, two very tiny tears at spine bottom edge, Near Fine copy.

Condition: NEW.

First edition. Softcover. 160 pages. Exhibition catalog. Text in English and French. Includes 79 illustrations of which some are in color, list of previous exhibitions, lists of writings by Molinari, interviews and quotations, books, and articles. A near fine copy in wrappers and with the small rubber stamp of author, curator, and one time director of The Art Institute of Chicago Douglas Druick to the front free endpaper. A nice copy with a good provenance.

Soft cover. Condition: Very Good. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Hardcover. Condition: Near Fine. [ART]. Eds. Josee Belisle, Mark Cheetham. Contributors: Rene Payant, John Lyman, Guido Molinari, Francois Hertel, et al. "La Question de l'Abstraction (The Question of Abstraction) [English, French]." Montreal: MAC Montreal / ABC Art Books Canada, 2013. French and English languages. Hardcover with pictorial boards. Art historical texts with full-color illustrations for an exhibition on the topic of abstraction in art history, with list of artists, list of works, exhibition plan, and bibliography. 12 x 9 3/4 inches. 68 oz. 308 pp. Minor shelf-wear. Text clean. Near Fine. ISBN: 9782551253708. "The museum celebrates its inestimable collection with this encyclopedic review of art, artists, and art movements from the 1940s to 2010. A vast panorama of 110 works by 60 artists over seven decades is magnificently illustrated and discussed with both original essays by leading scholars and with rare archival texts written in the heat of the debates on the question of abstraction in Canada, particularly in Quebec. Accompanied by a bibliographic list of artists as well as an complete repertory of abstract art exhibitions since 1942.".

Couverture rigide toile. Condition: Très bon. Dust Jacket Condition: Jaquette en état satisfaisant. 112 pages. Petites déchirures à la jaquette, sans perte de papier. Coll. "Documents d'histoire de l'art canadien". Illustrations. Size: In-8.

Hardcover. Condition: New.

Trade Paperback. Condition: Used - Very Good. Very nice clean, tight copy free of any marks. This is the trade paperback edition.

Condition: Very Good. Used - Very Good.

Soft cover. Condition: Good. An ex-library copy that has been rebound in hard covers containing all of the original catalogue including front and rear covers. This was a reference library copy so there are several identifying stamps to the blank opening pages but no pockets and no marks to the inside illustrations or text. Numerous reproductions in black-and-white. Essay in English and French. 80 pages. s44f1.

pp. 24. Colour and black-and-white illustrations.Catalogue for Canada?s representation at the 1968 Venice Biennale, a joint exhibition of works the sculptor Ulysse Comtois and the painter Guido Molinari. Texts in Italian, French and English. With a foreword by Jean Sutherland Boggs, an introduction by Brydon Smith and two contributions by Pierre Theberge. Original wrappers, stapled. Some creasing to covers.

Paperback. Condition: Very Good. First Edition. The text is in english. signed by the Canadian artist "Guido Molinari 6 - 90" at the title page. paperback catalogue of the black and white paintings.books are NOT signed. We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Signed by Author(s).

Soft cover. Condition: Good. 1st Edition. Oblong 4to softcover volume in yellow wraps. Covers have been laminated with one small sticker on front cover.Withdrawn stamp on inner back cover. 24 pages in Italian Frech and English. Contents clean but page corners have been bumped.

8vo, stiff wrps., illustrated, 56 p. In very good condition. K15.

Stapled Wraps. First Edition, First Printing. pp. 53, [1]. 4to., measuring 10" x 12". Increasingly scarce issue of this quarterly, Canadian-published, avant-garde, art magazine. Featuring beautifully illustrated covers, and rich with interviews, art, black-and-white photographs, illustrations, literary criticism, art theory, and much else. Exceptionally well-preserved, with contents entirely without blemish, and free of writing, markings, notations, etc. Overall, near fine. Quite scarce in commerce. "PARACHUTE is a Canadian contemporary art magazine. The magazine offers the reader in-depth articles on the practice and theory of art, interviews, texts and works as conceived by artists themselves, as well as information relative to different aspects of contemporary art, including visual arts, music, film and video. PARACHUTE is a magazine preoccupied with the tendencies specific to the times, within an historical perspective that enables it to look at those who have made history and whose work remains important today, on a national and international basis. It is published quarterly in a 10" x 12" format, black and white photos, English and French.".

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso bruniture Condizioni dell'interno: Discrete con Difetti, bruniture.

Soft cover. Condition: Fine. Guido Molinari. Une Retrospective Important large format exhibition catalogue, Musée d'art contemporain de Montréal, May 19 to September 17, 1995. 78p ill mostly in colour. Guido Molinari was born in Montréal in 1933. He took a few courses at his hometowns École des beaux-arts and Museum of Fine Arts school between 1948 and 1951, but owed the bulk of his artistic education to his readings and travels, in particular to New York. His first solo show was held at the LÉchourie gallery in 1953 and, three years later, his work was exhibited in the United States for the first time. In 1965, he took part in a major exhibition, The Responsive Eye, at New Yorks Museum of Modern Art (MoMA), before representing Canada in 1968 at the 34th Venice Biennale.

Near fine in lightly soiled NF dj w/ one short, closed edge tear. Ed. Pierre Theberge. Documents d'histoire de l'art canadien, no. 2. 1st ed. Binding is HB.

brossura. Condition: Ottimo (Fine). BTT146UBrossura editoriale,volume in ottime condizioni,  illustrato, copertina e interno in ottimo stato, legatura salda 130 pagine circaCopertina come da foto ISBN/ASIN   . Book.

Hardcover. Condition: Sehr gut. 1. Auflage. Z: 112 Seiten/pp., 75 Abb./Illustrations - This volume, which was published in conjunction with the exhibition in the Albanian pavilion at the 2005 Venice Biennale, features the oeuvre of Sislej Xhafa, whose subversive actions cast a new light on the way Europeans see themselves. In Pleasure Our Flowers (2000), the artist decorated the uncomfortable atmosphere of a police station in Ghent with gilt-framed mirrors, bookshelves, Biedermeier chairs, and Persian carpets, turning it into a deceptively cultivated, upper-middle-class environment.