Hans Flato (5 results)

Condition: Very Good. 58 pp., original illustrated paper wrappers, small hand stamp to top margin of the front cover, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condition: Very Good. No Jacket. Hans Flato (illustrator). 1st Edition. VG, folio size class annual with usual features, frats/sororities, social activities, sports programme, departments, photos of senior class, ads, contains eight cartoon-style colour drawings by 46-year-old German-born illustrator Hans Flato (front cover of two Scotties) suitable for framing. He did cover art for Harpers, Colliers, Woman's Home Companion and many other commercial magazine art forms in the 1930s; also 8 x11 photo of Freshman class (?) loosely inserted as well as and 20pps booklet for the following commencement ceremony held at the Syria Mosque in Pittsburgh on 8 June 1936. No mention found of Flato in this annual. Dampstaining along edge in rear with slight loss of paper on a few pages.

Pictorial boards. Condition: Very Good. Hans Flato (illustrator). First Edition. The 1942 1st (and almost certainly only) edition of this scarce regional cookbook, published by the National Brewing Company of Baltimore and very nicely illustrated throughout by Hans Flato. Solid and VG- to VG in its pictorial, spiralbound orange boards. Fragile to be sure, with light rippling and soiling to a number of the pages and mild rubbing as well. Oblong 12mo, charming and scarce.

Hardcover in Dust Jacket. Condition: Fair. Dust Jacket Condition: Good+. Hans Flato (illustrator). Second Printing Thus. 8vo. Pp. [6], 7-203. Translated from the French by Lewis Galantiere. Fore-edge untrimmed. Bound in tan half-cloth over purple paper-covered boards, black lettering and rules stamped on spine. Edges of cover faded. Spine is cracked, with some trauma to front and rear hinges. That said, book is holding quite well, and remains presentable. In the illustrated dust jacket, price-clipped, with slight edge-wear and with a vertical crease running the length of the spine. A novel presented with epistolary narrative involving four entangled love affairs, with scenes set in two country houses, in a Paris studio and on the Normandy coast.The Hans Flato dust jacket is triumph of 1920s French style, depicting a woman in five guises in line drawings, and shaded in differing colors. Dust jacket is now preserved in a removable, clear archival sleeve.

Softcover. Condition: vg to near fine. Small folio. 8 unpaginated, double-sided leaves. Illustrated wrappers with gorgeous art-deco style orientalist pochoir images, printed in hues of purple, green, orange and white. A now scarce and lavishly printed promotional publication announcing the upcoming run of Max Reinhardt's "Sumurun" a "wordless play in 9 scenes" at the Casino Theater in New York. The majority of the text is a scene by scene narration of the plot of the story written in prose text, accompanied by photographic images of the corresponding scenes and characters. The introductory text discusses the significance of the work and the history of past stagings of the production, to date. The final text page contains the lyrics to the "Song of Sumurun." Illustrated throughout in black and green with decorative geometric borders, as well a title page, a few initials and small vignettes all finely screen-printed. B/W photographic reproductions after staged studio photographs of characters and scenes from the production. Also included is a large photographic portrait of Max Reinhardt at the front, as well as portraits of producer Winthrop Ames and composer Victor Hollaender at the the rear. Oddly no cast credits are listed here, which may indicate that this was printed before the cast for the American production had been completely finalized. The striking art deco covers were designed by German graphic artist Hans Flato (1887-1950). By 1910, pioneering German theatrical director and producer Max Reinhardt had for many years been acclaimed for his avant-garde and expressionistic style. Based on a suggestion to create an oriental pantomime, Reinhardt commissioned writer Friedrich Freksa (1882-1955) to shape a story for the show. Freksa created a narrative for the wordless pantomime based on some of the stories from the Arabian Nights. Composer and conductor Victor Hollaender (1866-1940) was charged with creating the music. The stage design, costuming and effects were all in the hands of Reinhardt's frequent collaborator Ernst Stern (1876-1954). These men were all noted and acclaimed creative figures in their own right. Upon it's premiere on April 22nd, 1910, at Reinhardt's Kammerspiele in Berlin, the show was lauded. The success was such that the following month Reinhardt moved the production to his Deutsches Theater next door, which could hold a larger audience. Critics and audiences at the time noted the novel and dramatic effects of Reinhardt's stripped down but expressive style in elevating the story and giving it a primal feel. His use of a runway stage - with his actors emerging from and disappearing into the audience - was said to make the storytelling more engrossing and break down barriers between the characters and the viewers. In June of that year Reinhardt released a filmed version his stage production in German cinemas. The following year, in 1911, the stage show's success took it twice to London and to Vienna as well. In 1912 Broadway producer Winthrop Ames brought Sumurun to America, and in doing so brought Reinhardt and his work to the United States for the very first time. Ames imported the original production from Berlin, featuring the very same crew that had made the initial run such a success, along with some of the original cast. Composer Victor Hollaender was brought over to conduct the music himself. The title role in the American production was performed by Camilla Eibenschütz (18841959), replacing Grete Wiesenthal from the original German production. The American premiere was held at New York's noted Casino Theater, on January 16th, 1912. It was the very first time that a runway stage had been used in a major American theatrical production. Although only initially planned for a limited engagement, the production's success lead to a total of 62 performances in New York. Following this the American production moved to Chicago and then to Boston. This was later followed by a run of performances in Paris. In 1920 famed German director Ernst Lub.