Hare Illustrator, Used (11 results)

Hardcover. Condition: Fair. John L. Hare (illustrator).

Hardcover. Condition: Good. John L. Hare (illustrator).

Trade Paperback. Condition: Good. Robin Neild (Cover Illustrator) (illustrator). 1st Plume Printing: April 2005. 360 pp. Solidly bound copy with moderate use. Small tear on bottom of spine. Creased cover corners.

Hardcover. Condition: Like New. Dust Jacket Condition: Like New. Julia Anerson-Miller (Illustrator) (illustrator). Published in 1995. 303 pp. Clean, fresh copy and dj with very minor shelf wear on front and back flap of dj. Crisp pages and clean text.

33 pages with seven illustrations(six in color), 7 1/2" x 10 1/2", hardcover, (poor condition, previous owner's signature, covers worn through at edges, spine wear on top and bottom, back cover creased, front cover worn, a few pages with tape from tears, other pages with tears, some spotting).

Soft cover. Condition: Fine. B0185RLP3U 1945, 16 pages stapled booklet; the main theme seems to be that white jazz is just as valid as black | this copy is in excellent condition - clean and bright, free of name, notes etc | professional booksellers based in the UK | we package with great care and usually dispatch within 24hrs, always within two working days | please request scans or further information on any of our listings, which are all in stock and ready to be dispatched.

hardcover. Condition: Fair. Hardcover. Good / Acceptable price clipped Dust Jacket. Water stain. Strong reading copy - inside very good. PO name inside. Clear text. For any additional information or pictures, please inquire.

Paperback. Condition: Good.

Hard Cover. No Jacket. HARDBACK NODJ, VG/GOOD+, AS-IS, NOJACKET, 1909. 1st Edition, Early Issue, Hard Cover. Sight repair to inner front spine. Interior Nice tight Clean light FOX, Wear, COVER has Titles in Yellow, with light rub, wear Scuff marks edges, 343 pgs, NO ADS in Back . blank Flyleaf Former Owner Name Pencil & small edge Tear, B/W Glossy Frontispiece But dont Let Up, he admonished to Bob Walters in Locker Room to Player on Bench with Foxed Tissue Guard.

53 pencil sketches mounted on album pages. Various sizes, most between 90 by 130mm and 150 by 230mm. Folio. Half green morocco over green cloth boards, gilt line decoration, outer spine lacking, edges and corners frayed, sketches in good condition. One sketch loose. [Normandy, 53 original pencil sketches, mounted on album pages, of various locales in Normandy and Brittany, France.   Also including a small coloured engraving of the Chêne Chapelle (the chapel oak) in Allouville and a loose photograph of St. Pol de Léon by Morlain. Including sketches of the Abbey of Bec, Falaise, Argentan, Vire, Caen, Bayeux, Mont St. Michel, St. Malo, Dinan and the Chateau de Kérouzéré, among other places and sites; sketches depict street and topographical views, buildings and architectural details, among other subjects. Most sketches with handwritten caption.   Augustus Hare (13 March 1834 ? 22 January 1903) was an English writer and painter. He is well-known for his travel books.

First Edition. One of Only Fifty Signed - Cecil Aldin at His Most Characteristic Handsomely Bound by Sangorski & Sutcliffe ALDIN, Cecil Aldin, illustrator. HARE, Kenneth. Roads and Vagabonds. [London: Eyre and Spottiswoode, 1930]. Signed Limited Edition. One of only 50 numbered copies, this being no. 42, signed by both Cecil Aldin and Kenneth Hare. Large quarto (10 3/4 x 7 3/4 inches; 273 x 187 mm.). viii, 189, [1, blank] pp. Two inserted full-color plates and numerous color-tinted illustrations throughout the text. Handsomely bound ca. 1960 by Sangorski & Sutcliffe in full maroon crushed morocco, covers ruled in gilt, spine with five raised bands, elaborately tooled and lettered in gilt in compartments, gilt-ruled board edges and turn-ins, marbled endpapers, top edge gilt. A fine, elegant copy. A particularly charming example of Cecil Aldin's mature work, Roads and Vagabonds captures the artist's enduring fascination with the English countryside - its inns, lanes, sporting life, and gently comic rural characters. Aldin's illustrations, at once affectionate and keenly observed, helped define the visual language of early 20th-century British sporting and travel books. The limitation of just fifty signed copies places this among the scarcest of Aldin's illustrated books, seldom encountered on the market, and almost always in lesser bindings. The present example is significantly enhanced by its later binding by Sangorski & Sutcliffe, the great London firm associated with some of the finest decorative bindings of the modern era, here executed in a restrained but luxurious style that complements the work beautifully. Signed.