Haring Keith, Signed (51 results)

Trade Paperback. Condition: SIGNED / VG-. Carolyn Ferris; Vic Keller; Keith Haring; Andy Frith; Brummbaer (illustrator). SIGNED BY LEARY INSIDE FRONT COVER. used trade paperback edition. lightly shelfworn, corners somewhat bumped. light scuffing to covers, bottom edge of text block may be lightly discolored from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Signed By Author.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Haring, Keith; Neubecker, Robert (illustrator). 1st Edition. Signed by both the author, Kay Haring (Keith Haring's sister) and the illustrator,"For Joseph and the Warholian Lineage Research Center. Think Big. Work Hard. Give Back! Kay Haring Robert Neubecker". Signed by Author(s).

Hardcover. Condition: As New. Cornbread, Taki 183, Stay High 149, Crash, Daze, Futura, Dondi, Freedom, Kenny Scharf, Martha Cooper, Haze, Jean-Michel Basquait, Al Diaz, Keith Haring, Lee Quiones, Henry Chalfant, Lady Pink, Jenny Holzer, Ron English, Jose Parla, Doze Green, Dash Snow, (illustrator). 2nd Edition. Signed by Cornbread by the art accompanying his essay. Bought new and never opened. In original new plastic wraps. Due to the weight, size and/or rarity of this book, we will request an additional $5(domestic) to $30 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding. The newly updated edition and definitive "bible" of graffiti and street art from the exhibition, " Beyond the Streets" featuring Cornbread, Taki 183, Stay High 149, Crash, Daze, Futura, Dondi, Freedom, Kenny Scharf, Martha Cooper, Haze, Jean-Michel Basquait, Al Diaz, Keith Haring, Lee Quiones, Henry Chalfant, Lady Pink, Jenny Holzer, Ron English, Jose Parla, Doze Green, Dash Snow, Katsu, Swoon, Pose, Defer, Retna, Rime, Zeser, Slick, Aiko, Bansky, Invader, and so many more. Signed by Author(s).

Hardcover. Condition: As New. Cornbread, Taki 183, Stay High 149, Crash, Daze, Futura, Dondi, Freedom, Kenny Scharf, Martha Cooper, Haze, Jean-Michel Basquait, Al Diaz, Keith Haring, Lee Quiones, Henry Chalfant, Lady Pink, Jenny Holzer, Ron English, Jose Parla, Doze Green, Dash Snow, (illustrator). 2nd Edition. Signed by Cornbread on his essay and signed by Sacha Jenkins on Page 19 near his photograph that accompanies his essay. Bought new and never opened. In original new plastic wraps. Due to the weight, size and/or rarity of this book, we will request an additional $5(domestic) to $30 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding. The newly updated edition and definitive "bible" of graffiti and street art from the exhibition, " Beyond the Streets" featuring Cornbread, Taki 183, Stay High 149, Crash, Daze, Futura, Dondi, Freedom, Kenny Scharf, Martha Cooper, Haze, Jean-Michel Basquait, Al Diaz, Keith Haring, Lee Quiones, Henry Chalfant, Lady Pink, Jenny Holzer, Ron English, Jose Parla, Doze Green, Dash Snow, Katsu, Swoon, Pose, Defer, Retna, Rime, Zeser, Slick, Aiko, Bansky, Invader, and so many more. Signed by Author(s).

Original Wraps. Condition: Fine. No Jacket. First Edition. ***** This is the true first edition, first printing (with "First Edition" and "10 9 8 7 6 5 4 3 2 1" stated on the copyright page). ***** This book is SIGNED by Keith Haring on the "arrest photo" page. Keith Haring added the date (85) and his plus sign (in a circle) after his signature. Keith Haring also added a small ORIGINAL DRAWING (this original drawing replicates the "man on all fours" drawing that appears on his shirt). Please see all images.***** This book was acquired from the Smithsonian Museum Shops in the mid-1980's, and has the original Smithsonian Museums Shops price sticker on the rear cover (please see close-up image of the sticker) ***** Very nice large/oversized softcover book (as issued -- there was no hardcover issued). ***** There is NO writing, NO bookplates, and NO remainder marks. It is NOT a book club edition and NOT a former library book. ***** CONDITION: This book is in FINE condition. ***** OUR GUARANTEE TO YOU: All books are guaranteed to be as described. We believe that no sale is complete until you are happy. Any book is returnable for a full refund (including postage) if you're not 100% satisfied. All books are packaged very carefully and shipped via USPS Mail with Delivery Confirmation.***** Thank you! Richard Vick, Modern First Editions (Buying and Selling Modern First Editions since 1982). Signed by Author(s).

Condition: Near fine. First printing. Signed first edition of this foundational work of street art from the pop art superstar. Haring's subway drawings began around the dawn of the 1980s and arose from the artist's accidental observation that when advertising panels in subway stations were empty and waiting for new ads, they were covered with a matte black paper. Haring began carrying chalk wherever he went and dropped into stations throughout the city to draw on these panels. The work became immediately popular and recognizable: the radiant baby, the barking dog, the dancing humans, the flying saucers, and other various interlocking kinetic forms pulsing with energy. The style owed something to graffiti and street art, but also something to cartoons and even ancient pictograms. The MTA did not share Haring or the public's enthusiasm, however, and the artist was repeatedly arrested. By the time of his first gallery show in 1982, the subway drawings had trailed off considerably, but they were indispensable in defining not only Haring's style, but his approach: accessible, democratic. ART IN TRANSIT remains an important record of this decidedly ephemeral but important part of Haring's work and career. 7.75'' x 8''. Original color photographic wrappers. $12.95 cover price. [96] pages. Signed by Haring with his trademark plus sign in silver marker to page after Haring's foreword showing the artist being arrested for "criminal mischief." Trace shelfwear. Overall bright and sharp. Signed.

Paperback. Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Harmony Books, 1984. Quarto. Paperback. Signed by Haring on his arrest, dated 84 with plus sign; Also signed by photographer Tseng Kwong Chi on title page (Flat). Book is like new. Landmark Haring title, very scarce copy signed by Haring and Chi.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

paperback. Condition: fine. Keith Haring (illustrator). First. Replete with color photos by Tseng Kong Chi. Introduction by Henry Geldzahler; Design by Dan Friedman. Unpaginated 4to, glossy pictorial wrappers. New York: Harmony Books, (1984). First edition, printed in Japan. A fine copy, as new -- boldly signed by Haring on his statement page, along with a small original drawing -- signed and dated -- on his arrest photo page. Photobook filled with images of Haring's iconic underground subway chalk drawings.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. (1991). 4to. 1st edition. SIGNED by Gruen on f.f.e.p. Slight bowing to front cover. Mild bumping to extremities of covers and d.j. Slight scraping to fore corners, joint ends, and spine ends of faintly scratched and mildly rubbed d.j. Faint creasing to top edges of d.j. Barcode sticker affixed to rear d.j. and autographed sticker affixed to front d.j. by previous retailer. VG/VG. Author.

brossura editoriale con punti. Condition: in ottime condizioni. prima edizione. Amsterdam, 1985/1986. In -4 (mm. 300x300,5), pp. 20 non numerate. Brossura editoriale con punti metallici al dorso. Auto-copertinato. Album con venti litografie in nero a piena pagina (disegni con tratto spesso nero su fondo bianco). Stampa Offset su cartoncino. I disegni al tratto delle rispettive litografie si presentano nella stessa scala degli originali eseguiti dall'artista. Le tavole di Haring, realizzate in collaborazione con il suo editore europeo, sono state concepite come pagine di un album da colorare da destinare ai bambini. Edizione limitata di 750 copie, realizzata in due tirature, tra il 1985 e il 1986. Libro d'artista pubblicato in collaborazione con "De Harmonie" (Amsterdam), in occasione della sua prima esposizione personale in Europa, presso lo Stedelijk Museum di Amsterdam, tenutasi nella primavera del 1986. Firma e "tag" dell'artista stampate sulla prima di copertina. Prima edizione. Ottimo. copia autografata.

Soft cover. Condition: Fine. 1st Edition. Keith Haring - Invitation with original Drawing - SIGNED - pour un de'jeuner sur l'herbe - Knokke 1987 K.Haring - ter gelegenheid van de vooropening van de tentoonstelling Keith Haring in het Casino Knokke - zondag 28 juni 1987 om 12.30 uur - dog ear on one corner otherwise very fine. Size: 150 x 120 Mm. Signed by Author(s). Book.

Brossura. Condition: quasi ottimo. prima edizione. Catalogo della mostra pubblicata in occasione dell'esposizione tenutasi nel 1984. Composto da numerose fotografie di Haring in azione, vedute dell'installazione della mostra presso la galleria, pittura di un uomo e Haring con amici a una festa, misura 29.6 x 21 cm. Segnalo la presenza di un poster e di una cartolina promozionale firmata e data sul retro dall'artista, entrambi inseriti in una tasca trasparente in seconda di copertina. Autografato dall'autore.

Amsterdam. Stedelijk Museum. K. HARING 1986: Paintings, drawings and a vellum. Shilderijen, tekeningen, en een velum . 83 pages illustrated throughout in color and b&w. Oblong 4to, wrappers, in a new cloth folding box. 1986. A fine copy of this scarce early catalogue of Haring's work. Signed by Haring on the title-page and with a small doodle.

Condition: Sehr gut. 4°. 30,5 x 30,5 cm. [10] Blatt. Original-Klammerbroschur. 1. Auflage. [Eins von ca. 300 Exemplaren, nicht das "FUN Book"]. 20 Offset-Lithografien mit Schwarz-Weiß-Zeichnungen von Keith Haring, in der Platte des Vorderdeckels im Druck signiert. Sehr gutes Exemplar. First edition. [One of around 300 copies, not the "FUN Book"]. 20 offset lithographs with black and white drawings by Keith Haring, signed in the plate for the cover. Original softcover with staple binding. Fine copy.

Keith Haring black artist designed swesatshirt with crawling yellow baby with red lines on front and barking dog on rear; size XL; with "Sportsman" tag; good condition; sleeves have been cut off by previous owner; moderate wear to the yellow printing in the images; shirt is a bit worn.

No Binding. Condition: Very Good. Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brooklyn Academy of music in 1984. Off-set printed announcement. 6 x 8.5 inches. Some minor signs of handling & aging; in otherwise very good overall vintage condition with well-preserved colors. Printed signature K.Haring 1984 found on mid-lower right; from an edition of unknown size. Catalog Raisonne: Keith Haring: Posters (Prestel).Offered by Lot 180 Gallery New York. Signed by Author(s).

Keith Haring blue artist designed longsleeve swesatshirt with Crawling yellow Baby with red lines on front and barking dog on rear; size Large tag at bottom; no tag at top; very good condition; seems never worn; although shirt is a bit wrinkly.

Keith Haring black artist designed longsleeve swesatshirt with crawling yellow baby with red lines on front and barking dog on rear; size Medium; no tag at top; washing instructions tag at bottom; very good condition; slight wear to yellow in design; shirt has slight wear.

Soft cover. Condition: Good. Keith Haring Cover Art SFMMA 1984: Published by the San Francisco Museum of Modern Art on the occasion of The Human Condition SFMMA Biennial III 28 June-26 August 1984. Cover art created by Keith Haring specifically for the exhibit. Includes work by Jenny Holzer (reverse cover) with a foreword by Shirley Davis. An introduction by Henry T. Hopkins is followed up with essays by Dorothy Martinson, Wolfgang Max Faust, Achille Bonito Olivia, Klaus Ottman, and Edward Kienholz. Notable artists included in the exhibition include Kenny Scharf, Jean Dubuffet, Robert Longo, and Philip Guston. Medium: Soft cover staple bound museum program; 23 pages. Dimensions: 11 x 14.5 inches. Condition: In good overall vintage condition with the exception of a fold mark across center. Includes Haring s printed signature on lower right of the cover from an edition of unknown; scarce. Signed by Author(s).

Soft cover. Condition: Good. Keith Haring cover art 1990: A rare Bulgarian arts publication featuring cover art by Keith Haring. The cover art appears to have been submitted by Haring in 1989, and was uniquely published exactly 1 week before Haring's death (February 16, 1990). The complete publication; newspaper print, staple-bound approximately 40 pages. Dimensions: 7.75x10.5 inches Light to moderate signs of aging; well in-tact; good overall vintage condition. Printed signature on the upper-right; from an edition of unknown; rare. Signed by Author(s).

An iconic manually reworked silkscreen on handmade paper by Keith Haring, featuring a joyful New Year message : Happy New Year 1989 ! The work was designed as a New Years card for Galerie Hans Mayer, Düsseldorf, a gallery that played a pivotal role in the dissemination of Harings work in Europe. ** The silkscreen is manually reworked, signed, and dated in black : Keith 89, accompanied by Harings characteristic symbol. ** In addition, it bears a printed red signature in the lower left within the composition. ** The artwork showcases Harins unmistakable visual language, with dynamic dancing figures rendered in bold red lines, energized by black accents and rhythmic movement. The composition reflects his signature blend of street art, pop art, and graphic immediacy, making it instantly recognizable. ** The celebratory message : Happy New Year 1989! , gains additional significance through its historical context: 1989 was the final year of Harings life, giving the work a unique emotional and art-historical resonance. ** This example is particularly rare, as it was produced before the addition of the gallery imprint. It also retains the original fold, consistent with its function as a mailed New Year greeting, further enhancing its authenticity and collectible appeal. ** The work is professionally framed, mounted on black linen,floated presented in an acid-free passe-partout, in a custom-made black wooden frame with Plexiglas® Optical HC (UV protection, scratch-resistant, minimal reflection). Framed size: approx. 65 × 85 cm ** Keith Haring (1958 -1990) is one of the most influential artists of the late 20th century and a key figure in New York street art and pop art. His work is defined by direct visual communication, bold iconography, and strong social engagement. Haring collaborated with major contemporaries such as Jean-Michel Basquiat and Andy Warhol, and his work is held in leading museum collections including the Museum of Modern Art and the Tate. The market for Keith Haring remains exceptionally strong, with sustained international demand for both unique works and limited edition prints, making this rare early piece a highly desirable acquisition for collectors of contemporary art, pop art, and street art. # Authenticity and provenance guaranteed. # Delivered with a certificate of authenticity. # Worldwide shipping, tax-friendly to the USA and other countries. # Custom handmade framing available on request. .

Keith Haring : Original Drawing on Catalogue Stedelijk Museum Amsterdam 1986. ** This exceptional and unique work by Keith Haring is an original drawing in black marker, executed on the inner cover of the catalogue : Keith Haring Stedelijk Museum 86. This exhibition in Amsterdam was his first major museum solo exhibition. ** The work is hand-signed and dated in black felt-tip pen with the personal inscription : Love, Keith 1986. ** The drawing is made on a photographic image of Keith Haring and his sister, in which the artist has playfully and characteristically transformed the figures: his sister appears as a devil with horns and a tail, while Haring depicts himself as an angel with wings and a halo. On the T-shirt, his iconic radiant baby is visible, one of the most recognizable symbols within his oeuvre. ** The complete catalogue is included. The front, executed as a silkscreen, is visible through the plexiglass back of the frame. The publication itself contains rare photographs, early works, and an extensive interview, and forms an important document within the art history of Keith Haring. ** The exhibition at the Stedelijk Museum Amsterdam in 1986 marked a crucial moment in Haring's career. It was his first major museum solo exhibition and confirmed his international breakthrough. For this occasion, he also created a monumental site-specific artwork, a massive canvas of approximately 12 × 20 meters, completed in a single day, accompanied by music and in the presence of press and public. ** In addition to the exhibition, Haring worked throughout the city of Amsterdam, collaborating with local graffiti artists to create several works. His monumental mural on the Jan van Galenstraat, often described as a playful dinosaur form, remains his largest surviving public artwork in Europe and highlights his lasting influence on street art and urban culture. #### Professionally framed, mounted on purple linen and floated within a double acid-free passe-partout, presented in a custom-made wooden frame with Plexiglas Optical HC (UV protection, scratch-resistant, minimal reflection). Framed size: approx. 65 × 75 cm ** Keith Haring (1958 - 1990) became one of the most influential artists of the late 20th century. Emerging from the New York graffiti scene, he developed a visual language that was both accessible and socially engaged. His work connects pop art, street art, and neo-expressionism, addressing themes of identity, love, politics, and social justice # Authenticity and provenance guaranteed. # Delivered with a certificate of authenticity. # Worldwide shipping, tax-friendly to the USA and other countries. # Custom handmade framing available on request. .

Keith Haring : Original Drawing on on Catalogue Apocalypse - Rare Double-Signed Deluxe Edition 1988. ** Original silver marker drawing by Keith Haring depicting his well-known figure Triple Eyed Face , executed on the linen front cover of the Catalogue : Keith Haring & William S. Burroughs: Apocalypse - Rare Double-Signed Deluxe Edition. Experience a monumental piece of art history from 1988 New York: An Original Drawing by Keith Haring on rare deluxe Apocalypse catalogue. This unique collaboration between street-art icon Keith Haring and Beat Generation legend William S. Burroughs brings their explosive, prophetic dialogue to life in a museum-grade format. Sourced directly from the George Mulder Foundation archives, this is a premier collector's item featuring two distinct original signatures. Key Features & Specifications ** Unique Drawing in silver marker with Signature by Keith Haring ** Featuring the iconic 'Triple-Eyed Face'  ** Hand-signed in silver marker  by Keith Haring ** Drawn on the linen front cover of Limited edition Catalogue - bound in premium deep blue linen. ** Catalogue included - Hand-signed on the original white paper dust jacket by William S. Burroughs ** Artists: Keith Haring & William S. Burroughs. ** Publisher: George Mulder Fine Arts, New York *** The work is professionally framed in our own frame-shop, mounted in a custom-made white wooden frame, fitted with high-quality Art Glass. Size framed approx. 45 x 45 cm. ** The catalogue itself measures approximately 32.5 cm. *** The Apocalypse project represents a historic intersection of 20th-century avant-garde art and literature. Originally a portfolio of ten large-format silkscreens, Haring's feverish lines visualize Burroughs' raw, 'cut-up' texts. The work captures the turbulent spirit of the late 1980s, addressing the AIDS crisis, religious dogmas, and the fear of societal collapse. Inside this catalogue, a visionary spectacle unfolds: no cheerful figures, but a possessed cosmos of spirits, demons, and religious symbolism. *** The Philosophy of Apocalypse : In his stirring introduction, William S. Burroughs describes the not as an ending, but as a liberation. He argues that true art does not belong behind glass or on a pedestal; it must "spill out" of its frames?just as Keith Haring's graffiti reclaimed the walls of the subway.mAccording to Burroughs, reality is an illusion or a dream (Nothing is true, everything is permitted). The artist's task is to perform a miracle: to make the image come alive until it steps off the canvas. For him, the 'Apocalypse' is the moment art shatters the boundaries of reality, allowing a raw, unprecedented life force?the 'Pandemonium'?to flood in. It is a manifesto for art that does not merely represent reality, but fundamentally transforms it. ** Catalogue contains Complete Artwork Overview: High-quality reproductions of all 10 Apocalypse artworks. Each image is paired with Burroughs' corresponding text, showcasing the full visual and textual dialogue. ** Behind-the-Scenes: It is also a Unique photo documentation showing both artists working side-by-side on the original pieces, offering a rare look at their creative process. ** Condition : Official exhibition copy. Despite its history in exhibitions, it remains in excellent condition; the linen binding is sturdy and the interior is perfectly preserved. ** Provenance : Sourced directly from the George Mulder Foundation. As the original publisher of the Apocalypse project, the Foundation guarantees the highest level of authenticity and historical significance.   # Authenticity and provenance guaranteed. # Delivered with a certificate of authenticity. # Worldwide shipping, tax-friendly to the USA and EU countries. # Custom handmade framing available on request. .

No Binding. Condition: Very Good. 1st Edition. Keith Haring, Fill Your Head with Fun! Start Reading! 1988: Vintage original Keith Haring illustrated poster produced for the New York Public Library system in 1988 to promote literacy. Original 1st printing produced during Haring's lifetime (Catalogue Raisonne: Keith Haring Posters; Prestel). Bold, vibrant colors, which make for stand out Haring wall art within reach. Features large Haring printed signature on mid, lower right. Great for a children's room, academic institution etc. Off-set lithograph in black, red, yellow and blue; printed on heavy paper. 32 x 24 inches (81 x 61 cm) Minor signs of handling; edge wear to lower right. Otherwise in good to very good overall vintage condition. Printed signature on mid-lower right. Catalogue Raisonne: Keith Haring Posters (Prestel, 2003). Throughout the 1980s Haring offered his services for education projects. Many of the best-known children s authors including Charles Schulz, Maurice Sendak, and William Steig also donated their artwork for literacy causes over the years even as a fine artist, Haring s work naturally paralleled theirs. In 1986, with the encouragement of his friend and mentor Andy Warhol, internationally known New York artist Keith Haring caused controversy by opening the Pop Shop in downtown Manhattan. Among Haring s, and the Pop Shop s, biggest fans were children: There is nothing that makes me happier than making a child smile, noted Haring in a 1988 journal entry. (source: New York Historical Society). Offered by Lot 180 Gallery New York. Signed by Author(s).

### The Valley - Original Drawing ### An exceptional and extremely rare object by Keith Haring : the original copper etching plate on which he directly incised his composition into the metal. This is an actual matrix for one of The Valley etching. The lines were carved by hand by Keith Haring into the copper. ** The portfolio The Valley contains sixteen etchings by Keith Haring. All sixteen hand-drawn on copper plates by Keith Haring in April 1989 in his New York studio. *** This is the actual matrix for one of them.  ** This plate is the physical source from which etchings were printed. ** As explicitly stated in the Colophon of The Valley: the sixteen images were drawn by Keith Haring and printed from 10 x 9 inch copper plates in black ink. The text by William S. Burroughs was copied by hand and subsequently photo-etched onto copper plates and printed in red ink. ** The distinction is essential and clearly defined in the Colophon: the images are hand-drawn into copper; the text is photo-etched. ** What photographs barely convey is the extraordinary precision of execution. In the copper, one encounters a deeply moving concentration. Every single line is placed exactly where it belongs?without correction, without hesitation. While Haring is widely known for his monumental works executed with bold, sweeping gestures, this copper plate reveals another dimension of his practice: absolute control, discipline, and refinement on an intimate scale. ** Working directly into copper is highly exceptional within Harings oeuvre. The act of physically incising the line into metal belongs to only a very limited number of projects in his career. The tangible presence of the original matrix, the technical perfection, and the clear documentation in the Colophon elevate this object to museum-level significance. The provenance is fully verifiable and transparently documented?something that is not always self-evident within the market surrounding Keith Haring. This clarity of origin further reinforces the authenticity and the exceptional nature of the work. ** The plate is presented in a custom plexiglass box, combined with the original linen case of The Valley, creating a striking and museum-quality presentation that powerfully unites the source matrix with the finished portfolio. Size case : approx 85 x 50 x 4 cm # Authenticity and provenance guaranteed. # Delivered with a certificate of authenticity. # Worldwide shipping, tax-friendly to the USA and EU countries. # Custom handmade framing available on request. .

Keith Haring T-Shirt with blue marker drawing of crawling baby, signed "K.Haring" on rear of shirt above the Burger King Logo; from the 1986 City Kids Speak on Liberty event at the Jacob Javits Center, sponsored by Burger King; where about 1000 kids helped Haring create a 30 x 90 ft Statue of Liberty banner; the XL size shirt, with a Hanes Fifty-Fifty tag, has the Haring Statue of Liberty image on front; from the collection of a NYC public school teacher who took some of her students to the event.

Printed by Rupert Jasen Smith, with his blind stamp. This is one of ten prints from the Apocalypse portfolio. Haring was as much a social activist as he was an artist, using his work as a platform to confront and promote awareness of social issues, in particular the AIDS crisis. Haring developed AIDS in 1988, succumbing to the disease in 1990. In the years before his death, he worked tirelessly to raise awareness of the epidemic through his art, advocating for safe sex and fighting the growing stigma surrounding the disease. As part of this, Haring created the Apocalypse series in 1988 in collaboration with writer William S. Burroughs. Recurring motifs in the series include horned devil sperm and sexual imagery juxtaposed with Christian iconography and Renaissance paintings. Littmann, p. 109. Edition of 90. Screenprint on Lenox Museum board. Signed, dated and numbered in pencil by Haring. Sheet size: 96.5 x 96.5 cm. Framed size: 98 x 98 cm. Presented in an acrylic box frame. Excellent condition.

Printed by Rupert Jasen Smith, with his blind stamp. One of ten prints from the Apocalypse portfolio. Haring was as much a social activist as he was an artist, using his work as a platform to confront and promote awareness of social issues, in particular the AIDS crisis. Haring developed AIDS in 1988, succumbing to the disease in 1990. In the years before his death, he worked tirelessly to raise awareness of the epidemic through his art, advocating for safe sex and fighting the growing stigma surrounding the disease. As part of this, Haring created the Apocalypse series in 1988 in collaboration with writer William S. Burroughs. Recurring motifs in the series include horned devil sperm and sexual imagery juxtaposed with Christian iconography and Renaissance paintings. Littmann, p. 106. Edition of 90. Screenprint on Lenox Museum board. Signed, dated and numbered in pencil by Harring. Sheet size: 96.5 x 96.5 cm. Framed size: 98 x 98 cm. Presented in an acrylic box frame. Excellent condition.

First edition, signed by the artist on the title page with a self-portrait illustration in the year of publication. This publication was issued in conjunction with an exhibition at Stedelijk museum in Amsterdam, between 15 March and 12 May 1986, during which Haring painted a wall on the museum depot that is still visible today. Loosely inserted is a contemporary newspaper review of the exhibition and three articles reporting the artist's death, all in Dutch. Oblong quarto. Illustrated throughout in colour and black and white. Text in Dutch and English. Original pictorial wrappers, titles to spine and front wrapper in black and yellow. Housed in a black cloth flat-back lettered on the spine in yellow by the Chelsea Bindery. Neat pencil ownership inscription of one "Veor Willemijn", dated from the exhibition's opening night, to title page. A little rubbing to covers, negligible spots of foxing to first few leaves, else clean and bright: a near-fine copy.

Condition: Near Fine. First Edition. First edition. Signed on the rear by Keith Haring and inscribed to a former owner dated 1986 with a drawing of his iconic Radiant Baby. Single pictorial sheet folded in half. Printed in Dutch and English. Near Fine with light edge wear with minor creasing to corners, light foxing and slight rubbing to covers. A scarce appendix to the exhibition catalogue published for the occasion of Keith Haring's art show at the Stedelijk Museum Amsterdam, March 15th May 12th, 1986. Haring created completely new pieces for the exhibit, including a spray painted hanging fabric installation and one of his largest murals Amsterdam Notes, a 125-foot black ink drawing of floating limbs, monsters and walking brains.