Harry Blain (18 results)

hardcover. Condition: New. Bernar Venet at Cliveden Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: New. Hardcover; sealed, new.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: Good. 2017. First Edition. 80 pages. No dust jacket. Signed by the author. Cream cloth a pasted on illustration. Signed by the author with dedication to first page. Pages remain clear with minimal tanning and foxing. Plates are bright and clear. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces. Mild crushing to spine ends.

Hardcover. Condition: New.

Hardcover. Condition: Good. Cover with tiny marks on back otherwise light wear only, Internally Very Good - Quick flick through pages could not see any issues, clean and tidy copy in tight binding. ** 1116g ** All orders are sent with a tracking /signature service for your peace of mind, so that you can keep tabs on your parcel. For overseas customers - on some sites we use, parcels weighing over the standard rate may incur an additional charge and we will then contact you with the additional shipping fee required. This is for the postage only we do not charge you for our time or our excellent packaging, which we are noted for. Dispatched in cardboard mailers within 24/48 Hours Mon - Friday 2pm, except bank holidays, otherwise next business day - excellent service guaranteed. AANBE14254.

Hardcover. Condition: Fine. No jacket. As new. Still shrinkwrapped.

First edition, first printing. Signed by Rachel Whiteread. Fine in near fine dustjacket.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. From the personal library of the feminist art historian extraordinaire, Dr. Whitney Chadwick, a giant across many fields. A fine catalogue raisonne of the paintings produced by the British painter Clive Head between 1996 and 2001 but who is known for his affinities to the American Realist style. Superior copy, gift-quality condition, inside and out, no discernible wear, bright and shiny dust jacket, protected. Bound handsomely in original publisher's gray cloth with silver lettering stamped to front cover. Bright and shiny dust jacket, illustrated, little worn. 94 pp. and with full bibliography and list of exhibitions.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Condition: Good. 272 pages. Hardcover. Condition: GOOD. Light general shelf wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp.

Hardcover. Condition: Brand New. 272 pages. 9.00x6.00 inches. In Stock.

Stiff Wrappers. Condition: Fine Condition. Unpaginated (56 pages) 22 illustrations in color. [INSCRIBED BY THE ARTIST] Inscribed by the artist to the previous owner, "For Jessica, Many Thanks, London 2004, Thomas Nozkowski". Illustrated wraps. Oblong. Published on the occasion of the exhibition at the Haunch of Venison, London 31 March-8 May 2004. Select Biography. Inscribed by the Artist. Book.

Hardcover, 96 pages, ENG. edition, 300 x 255 x 14 mm, NEW !, illustrated in color / b/w.,***please handle with care, book has a velvet-like cover ***. ISBN 9780984044733. Paul Delvaux, the subject of a modest exhibition at the Blain Di Donna gallery in Mayfair, was JG Ballard?s favourite painter. The writer prized him for the creation of a complete world. Ballard found that world curious and inviting. He said he could spend hours gazing at the pictures wishing he could escape into their alternate reality. Ballard was made of sterner stuff than me. The places Delvaux paints seem quiet but harsh, not much happens but they feel menacing. They are sparsely populated and lonely. On the other hand, Ballard had a point about how compelling and intriguing he made his vision. It is always either night or noon. The interiors are neo-classical apartments that belong to the European bourgeoisie from before the First World War, and they come with a full collection of Freudian indicators: locked doors, open windows, floors stripped down to the boards. The landscapes are either classical or barren and they have been emptied of all but a few people. The figures rarely interact with each other. No one speaks. The women always outnumber the men. They are thoughtful and distant, isolated but content and always utterly unapproachable. On the rare occasions they are clothed, it seems to be in the dress of the years before 1914: of Delvaux?s childhood. 900 g.

Hardcover. Condition: Fine. Two Hardback Volumes in slipcase; Both volumes unread and in mint condition; 1st 2008 Haunch of Venison.

Vintage oversize borderless color reference photograph from the 1970 French film, showing actress Bernadette Lafont undressing behind a curtain. A modern retelling of the Biblical story of Cain and Abel. 9 x 11.5 inches. Very Good plus, lightly faded at the edges.

Hardcover. Condition: new. Hardcover. A sobering and eyeopening indictment that Congress has consistently been the most dangerous branch of government when it comes to protecting, and undermining, civil libertiesparticularly in the wake of military conflict. Why do wartime restrictions on civil liberties outlive their original justifications? Scholars have long argued that the blame lies with the executive branch of government. Their logic is straightforward: during war, lawmakers require (in Alexander Hamiltons words) decision, activity, secrecy, and dispatch, so they choose to enable executive leadership. Executives promise to wield extraordinary powers temporarily, only to entrench them indefinitely. This book tests how these claims hold up in four pivotal moments in US history: the Civil War, World War I, World War II, and Vietnam. Ultimately, it finds them wanting. Harry Blain argues that national legislators are decisive in sustaining postwar restrictions on civil liberties. These elected officials have formidable tools at their disposal, including powers over the rules and membership of their own institution, the funding and personnel of the executive branch, the jurisdiction of federal courts, and the priorities of state and local governments. These tools make Congress, not the executive, the primary institutional threat to civil liberties in the aftermath of war. For example, the House used its exclusion power to refuse to seat the socialist Victor Berger, disenfranchising voters in the process; Congress used its power to compel testimony during the Red Scares in an effort to discredit and humiliate their political enemies; and legislators have removed, or threatened to remove, Supreme Court jurisdiction over habeas corpus petitions throughout US history. In a time where the president and the Supreme Court are seen as the most dangerous branches of government, Legislating Against Liberties is a sober reminder that Congress has historically been at the vanguard of undermining democracy and liberty. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.