Haskell Editor (226 results)

hardcover. Condition: Fair.

hardcover. Condition: VeryGood.

paperback. Condition: Good. Clean, sturdy, copy in good condition. Annotation throughout, mostly brackets around paragraphs and the occasional marginalia. Very, very light wear to top and bottom edges. Good, used copy. SZ.

Paperback. Condition: Good Plus or a Little Better. 532 pages. Incxludes a frontis map of literary middle English U.K.

paperback. Condition: Very Good. Ships quickly. Mild shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Soft cover. Condition: Fine. COLOR PHOTOS, TABLES (illustrator). 1st Edition. Copyright Date: 1990 Octavo, Spring 1990, PP.88, FOR THE SMALL SCALE GARDENER.

paperback. Condition: Fair. Excessive outer wear but still readable C2.

Hardcover. Condition: Good.

To California and The South Seas The Diary of Albert G Osbun 1849-1851 John Haskell Kemble, Editor Hardcover in dustjacket, Published by The Huntington Library, 1966. An Ohio doctor crosses the Isthmus of Panama, ships to California- 'the great land of gold and humbuggery- and eventually sails in pursuit of a speculative commerical venture to the South Seas. "jacket wear, tear, discoloration, book inside is very good clean and tight".

Soft cover. Condition: Very Good. No Jacket. s1 10"x11"; 680 pages; Catalog of the Exhibition at the National Gallery of Art, Washington from November 3, 1985 - April 13, 1986The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to the weight of this book, it may require extra postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Contains the following essays: "Introduction" by J. Carter Brown; "Temples of the Arts" by Gervase Jackson-Stops; "The Power House" by Mark Girouard; "Portraiture and the Country House" by Oliver Miller; "The Englishman in Italy" by Brinsley Ford; "The British As Collectors" by Francis Haskell; "The Backward Look" by John Cornforth; "The Last Hundred Years" by Marcus Binney and Gervase Jackson-Stops.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dust Jacket. Hardcover with dust jacket in all-around very good condition. A very nice copy.

Hard Cover. Condition: Very Good. No Jacket. Light shelf wear. No markings.

Hardcover. Condition: Very Good. A little rubbing on the boards, not bad, slightly bumped spine ends, I found one corner that has been turned, clean and unmarked. ; Young Folks Library.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Publisher's original blue boards with silver spine lettering, octavo, pp. xvii, 398. Light toning to text block, as with age.

Hard Cover. Condition: Good to Very Good. First Printing. 398 pages. Edges of pages somewhat discolored. The word "Discard" is stamped on the front free endpaper. The date" Apr 09 1996" is staped at the lower insider corner of the front free endpaper. "Brewster, Ohio" is stamped on top edge of pages and has been crossed out with a black magic marker. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condition: Very Good+. No Jacket. Illustrated by Color plates, b/w drawings. (illustrator). Fourth Edition. VG+ in cloth 8vo 392pp Series: Young Folks' Library Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. Unmarked text. Dust jacket under clear mylar cover. Contributors include Michel Braguet, Abigail Solomon-Godeau, Sandra Zalman, Clare Elliott, Caitlin Haskell, and Katrina Rush. Beautifully illustrated in color. This book looks at the art Magritte made during and after his stylistic crises of the 1940s, revealing his shifting attitudes toward painting. Even as he playfully explored new styles, his painting practice remained consistent in its cautionary message not to equate the observable world with reality in all its fullness. 150p. Measures 9x11 inches.

Soft cover. Condition: Very Good +. First Softcover Edition. Softcover book is a clean tight unmarked copy.

Paperback. Condition: Good. Pages unmarked. Covers moderately worn. Binding firm.Stress lines and dent alongside frpnt edge of spine Size: Digest-sized. Book.

Paperback. Condition: Original printed wraps. First Paperback Edition. Chicago and London: The University of Chicago Press, 1996. 6" wide by 9" tall. As New condition. No store stamp, owner's name or bookplate. No remainder marks. No underlining. No highlighting. No margin notes. Bright, shiny, clean, square, tight, unmarked copy. Flat spine. No creases. Pages are fresh and crisp, obviously never read. From the publisher: "At the bottom of every controversy embroiling the university today -- from debates over hate-speech codes to the reorganization of the academy as a multicultural institution -- is the concept of academic freedom. But academic freedom is almost never mentioned in these debates. Now nine leading academics consider the problems confronting the American university in terms of their effect on the future of academic freedom. Whom and what does academic freedom protect? Are restrictions on hate speech compatible with the academic freedom of inquiry? Must academic freedom have epistemological foundations, or should it be reconceived as an ethical practice? If the American university is now undergoing a radical reorganization, both intellectual and economic, what are the threats to the freedoms of inquiry and expression that professors and students have traditionally taken for granted? The essays respond to critics of the university, but they also respond to one another: Rorty and Haskell argue about the epistemological foundations of academic freedom; Gates and Sunstein discuss the legal and educational logic of speech codes. But in the end the volume achieves an unexpected consensus about the need to reconceive the concept of academic freedom in order to meet the threats and risks of the future.". First Paperback Edition. Soft Cover. Original printed wraps. ix, 239pp.

Condition: Good. Modern Library New York 1956 grey cloth boards and spine are slightly age toned. previous owner bookplate to front pastedown. text block crisp.

paperback. Condition: LikeNew. Looks almost new!

Paperback. Condition: Good. No Jacket. Good condition. Some edge wear, yellowing. Size: 8vo - over 7¾" - 9¾" tall.

Paper Back. Condition: Acceptable.

Hardcover. Condition: Good. No Jacket. 1st Edition. THE DECCA BOOK OF BALLET, edited by David Drew, with an introduction by Ernest Ansermet, and a short history of ballet by Arnold L. Haskell, hardcover with no dust jacket, first edition, illustrated with 37 B/W photos. 1958. BOOK CONDITION: good. The text block is in fine condition, with no tears, marks, or dog-ears. On copyright page the tape which was covering the copyright date has been removed, leaving behind a stripe, but the print is still legible. Not a remainder nor library book. No bookplates nor signature of prior owner. The first and last endpapers and pastedowns are slightly foxed and have minor smudges. The top and side edges are also foxed. The red cloth boards are in good condition (one bumped corner, somewhat bowed lengthwise, a few slight spots on front and back, slight spine bumping, and light fading of spine but lettering still crisp). 9 ½ x 6 ½, 572 pages, 48 ounces NOTE THAT SINCE THE BOOK WEIGHS THREE POUNDS, THERE MAY BE ADDITIONAL SHIPPING CHARGES IF YOU LIVE OUTSIDE THE U.S OR REQUIRE PRIORITY MAIL INSIDE USA XX [from the preface] It is perhaps desirable to preface the DECCA BOOK OF BALLET with some explanation of its more novel features. In a sense, the book is a Chronicle of the part played by composers in the development of the art of ballet. For this reason, we have returned, wherever possible, to the composer's original conception and have attempted to establish what were his intentions with regard to the relationship between his music and the action of the ballet. In this respect, the function of the book is primarily documentary. But at the same time, it is designed to answer two practical needs. In the first place, it should provide guidance for those who listen to ballet music on gramophone records, in the concert Hall, and on the radio. The selection of music examples has been made entirely with this end in view. We have confined the music examples to those themes or motifs which helped to sustain the musical and dramatic unity of the score. The second , and more traditional, aims of our book is to assist the ballet-goer in following the action and the symbolism, if any, of a ballet.

Trade Paperback. Condition: Very Good. Purple covers with white script and design. Some shelf wear with slightly bumped corners and light edgewear, but binding is tight and the pages are all clean with no markings.

Hardcover. Condition: Very Good. Octavo, hardcover, embossed black boards with gilt decorations on spine. Early edition. School stamp on title page, pages tanning else VG. 392 pp. and list of supplementary reading. Seven color plates and 90 black and white pictures in text; Tales of courage and action such as exploring the bagworthy water, an adventure in Thule, On the trail, A brave woman's adventure, an adventure in War Time, rescued from the Indians, the escape, kidnapped and others.

Hardcover. Condition: Very Good. Octavo, hardcover, beige and black boards with yellow and green decorations Book is lightly cocked else VG. 392 pp. and list of supplementary reading. Seven color plates and 90 black and white pictures in text; Tales of courage and action such as exploring the bagworthy water, an adventure in Thule, On the trail, A brave woman's adventure, an adventure in War Time, rescued from the Indians, the escape, kidnapped and others.

paperback. Condition: Very Good. Softcover. Very Good condition. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Hard Cover -- VG/VG -- Book and dust jacket show only light wear -- 233 pages with index.