Heon Laura (114 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. A bright, square, and overall a nice copy.

Paperback. Condition: Good. The roadside billboard as a versatile form of contemporary public art.foreword by Joseph Thompson This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MAS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Genevi ve Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and color images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small color image. The book also contains three essays. In Disturbances in the Field of Mammon: Toward a History of Artists' Billboards, Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards (Uncle Sam Wants You). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not sell any political message.Copublished with the Massachusetts Museum of Contemporary Art.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. The roadside billboard as a versatile form of contemporary public art.foreword by Joseph Thompson This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MAS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Genevi ve Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and color images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small color image. The book also contains three essays. In Disturbances in the Field of Mammon: Toward a History of Artists' Billboards, Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards (Uncle Sam Wants You). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not sell any political message.Copublished with the Massachusetts Museum of Contemporary Art.…

Soft cover. Condition: Very Good. 1st Edition. Very good condition. Minor edgewear. All intact. No writing or marking. Not Ex-Library.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Used.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Very Good Condition. Five star seller - Buy with confidence.

Hardcover. Condition: Very Good. No DJ As Issued Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Paperback. Condition: Fair.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condition: Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Standard-sized.

Soft cover. Condition: Very Good. Paperback. Binding sound, text clean, mild shelfwear, bit of rubbing to one corner. Book.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condition: Fair.

Soft cover. Condition: As New. No Jacket. 1st Edition. This catalogue accompanies MASS MoCA's inaugural exhibition, a retrospective of artists' billboards of the last three decades. Card Covers. Very good condition in shrinkwrap. Language: eng Language: eng 0.0.

Softcover, 112 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 106 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. First Edition. 4to - over 9¾" - 12" Tall. In color pictorial wraps, 4to, 69pp. Illustrated. Color and b/w Illustrations (illustrator).

Paperback. Condition: Good. The MIT Press June 1999 Binding: Trade Paperback.