High Richard (245 results)

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. High, Richard (illustrator).

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. High, Richard (illustrator). …

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. High, Richard (illustrator).

Condition: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects. High, Richard (illustrator).

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. High, Richard (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. High, Richard (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. High, Richard (illustrator).

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. High, Richard (illustrator).

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. High, Richard (illustrator).

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. High, Richard (illustrator).

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. High, Richard (illustrator).

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. High, Richard (illustrator).

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New. Food - how it's grown, how it's shared - makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind's first task: "The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed" (Gen. 2:8). The desire to get one's hands dirty raising one's own food, then, doesn't just come from modern romanticism, but is built into human nature.The title, "The Welcome Table," comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible's closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited - a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come.Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Köder, Carl Juste, André Chung, Ángel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others. …

Condition: As New. Unread copy in mint condition.

Paperback. Condition: New. Food - how it's grown, how it's shared - makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind's first task: "The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed" (Gen. 2:8). The desire to get one's hands dirty raising one's own food, then, doesn't just come from modern romanticism, but is built into human nature.The title, "The Welcome Table," comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible's closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited - a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come.Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Köder, Carl Juste, André Chung, Ángel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others. …

Condition: New. Brand New.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Fine. First Edition. [1st printing] Sept. 2005. Cover art by Emmett Watson. Includes "The Wave of Death" by Richard Foster; "Out to Pasture" by Harold de Polo; "The Sting of the Hornet" by Dale Clark; "The Payoff" by Hal White; "Dead Men Pay Debts" by G. T. Fleming-Roberts. Original illustrations. Book. …

Wraps. Condition: Fine. First Edition. [1st printing] Jan. 2005. Cover art is uncredited. Includes "Babies for Sale" by Richard Foster; "The Crimson Mask's Scorpion Trail" by Frank Johnson; "Last Round" by Robert Leslie Bellem; "Dwindling Death" by Lew Merrill. Magazine.

SingleIssueMagazine. Condition: Fine. First Edition. [1st printing] Nov. 1999. Cover art by Norman Saunders. Includes "Death's Five Faces" by G. T. Fleming-Roberts; "Some Gold Is Bloody Red" by Mat Rand; "Refugee Racket" by Leo Hoban; "Tainted Alibi" by Zachary Strong; "Double for Death" by Richard W. Sprang; "Murder Goes Streamline" by N. Wooten Poge [Norvell Page]. Slight wear. Book.…

Paperback. Condition: Fine. First Edition. [1st printing] Sept. 2005. Cover art by Emmett Watson. Includes "The Wave of Death" by Richard Foster; "Out to Pasture" by Harold de Polo; "The Sting of the Hornet" by Dale Clark; "The Payoff" by Hal White; "Dead Men Pay Debts" by G. T. Fleming-Roberts. Original illustrations. Book. …

Paperback. Condition: Fine. First Edition. [1st printing] Sept. 2005. Cover art by Emmett Watson. Includes "The Wave of Death" by Richard Foster; "Out to Pasture" by Harold de Polo; "The Sting of the Hornet" by Dale Clark; "The Payoff" by Hal White; "Dead Men Pay Debts" by G. T. Fleming-Roberts. Original illustrations. Book. …

No Binding. Condition: Very Good. ORIGINAL articles; disbound from journal; no covers; in very good condition. Journal.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. 1st ptg. 0395909902 VERY GOOD very good dj. High, Richard (illustrator).

Hardcover. Condition: New. 1st Edition. ## NEW book is clean, crisp, unclipped and unmarked. First Edition. First printing. Full number line. Dust jacket is New. Illustrated in brilliant color. No marks in or on book. NOT A REMAINDER. Size: c. 7 by 7 inches. 96 pages. Dust jacket protected in a crystal clear mylar cover. Bubble wrapped and custom boxed for standard shipping. Unopened, unread. New First Edition. High, Richard (illustrator).…