Hindman Douglas (8 results)

paperback. Condition: Good. The cover shows normal wear. The pages show normal wear. There is highlighting or handwriting through out the book. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations!

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. this is the 2nd Edition 1978 as pictured ***GOOD CONDITION***CLEAN PAGES*** moderate edge wear, signed by previous owner, page and cover yellowing. We specialize in non-fiction books. Follow us on Facebook and Instagram.

Soft cover. Condition: Worn. Fourth.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. Light cloth boards with black lettering. Light rubbing and toing and some light foxing to the hinges. Interior pages unmarked. Internal printing errors between pages 74-87 where pages were printed blank in error and have been pasted in over the blank pages. Photos upon request. International shipping billed at cost.; Large 8vo 9" - 10" tall.

Wraps. Condition: Very Good+. 1st edition. 1st edition thus, 1977. A Very Good+ copy. Small 4to., 234 pp. plus 89 numbered images at rear. Bound in publishers stiff off white wraps. Minor darkening to spine and overall soiling to wraps. Previous sellers small sticker on rear cover. Text is unmarked, binding is solid. An exhibition at The University of Maryland September 15 - October 23, 1977.

Hardcover. Condition: Fine. 1st Edition. Volume, measuring approximately 7.5" x 10.5", is bound in oatmeal cloth, with stamped black lettering to spine and front cover. Book is in fine condition. Binding is firm. Interior is clean and bright. Contents are printed on watermarked Curtis Rag laid paper. 234 pages plus 89 numbered illustrations at the rear of volume. Catalogue of an exhibition at the University of Maryland, Art Department Gallery, College Park, Maryland, from September 15th to October 23rd, 1977. "The special character of "Pen to Press" is its focus on the interchange between two cultural enterprises during a revolutionary period of European history. It makes manifest the cooperation of scribes and printers, illuminators and graphic artists during a time of transition; it highlights the rivalry and the differences as well".

First Edition. Quarto. 234pp., [77] pages of illustrations situated at the rear. This scholarly work describes manuscripts and the printing press before and after the movable type by Gutenberg. It describes the process of the beautiful printing, and art of early manuscripts, the artist who worked on them. Oftentimes up to four artists worked on one manuscript such as the Morgan copy of the Bible of 1498. It also describes how the manuscripts or printed books were laid out as to conform to the book making process. (Margin, paper, lettering, decorative rubrications or illustration size, etc.) and the use of vellum. An important work on this study. Bound in white cloth lettered and framed in black, spine lettering black. A fine bright copy without names or bookplates.