Published by National Gallery London, 2006
ISBN 10: 1857093011 ISBN 13: 9781857093018
Seller: Housing Works Online Bookstore, New York, NY, U.S.A.
Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. Shelfwear. Bumped edges. Hardcover.
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Published by National Gallery Company Limited, 2006
ISBN 10: 1857093062 ISBN 13: 9781857093063
Seller: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Profusely Illustrated (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by National Gallery of London, London, 2006
ISBN 10: 1857093011 ISBN 13: 9781857093018
Hardcover. Brown boards with color illustrated glossy dustjacket. 288 pp., profusely illustrated in color. A wonderful study with new scholarship and insights. Lists, illustrates and annotates over 100 works by your favorite artists, with many pictures drawn from private collections. As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists' biographies, an illustrated, annotated list of works, and a complete bibliography. VG/VG small ownership stamp inside, VG/VG-, crease at top front of dust jacket.
Published by National Gallery of London, London, 2006
ISBN 10: 1857093062 ISBN 13: 9781857093063
Softbound. Profusely Illustrated (illustrator). Color illustrated wraps. 288 pp. Profusely illustrated in color. A wonderful study with new scholarship and insights. Lists, illustrates and annotates over 100 works by your favorite artists, with many pictures drawn from private collections. As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists' biographies, an illustrated, annotated list of works, and a complete bibliography. VG. One copy has owner's writing inside front cover.
Published by National Gallery London, 2006
ISBN 10: 1857093011 ISBN 13: 9781857093018
Seller: Nightshade Booksellers, IOBA member, Atlanta, GA, U.S.A.
Association Member: IOBA
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition, first printing. A fine copy in a fine mylar protected DJ. See my photos of the book you will receive, not stock photos. All books are wrapped in bubble wrap and shipped in a cardboard box. USPS tracking provided. #139.
Published by The National Gallery, London, 2006
ISBN 10: 1857093011 ISBN 13: 9781857093018
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. Large quarto. 288pp. Fine in fine dust jacket.
Published by London, National Gallery,, 2006
Seller: Antiquariat Knacke, Berlin, Germany
Sprache: Deutsch Mit zahlreichen Abbildungen. 288 Seiten. Gr.-8°. Illustrierter OriginalKarton, etwas bügig. Privater Stempel. Sonst guter gebrauchter Zustand!.
Published by London,, National Gallery,, 2006
Seller: erlesenes · Antiquariat & Buchhandlung, Wien, Austria
0. 4to. With contributions from David Park Curry, Rodolphe Rapetti and Christopher Riopelle. Numerous coloured illustrations. 288 p., cased boards. - Contents: At Home in Paris; Summers in the Country; Assimilation and Resistance 1880-1900; Amercan Art, American Power at the Paris Expositions Universelles; Americans Artists in France / French Art in America. Very good condition. Englisch Band: 0.
Published by National Gallery, London, 2006
ISBN 10: 1857093062 ISBN 13: 9781857093063
First Edition
Pictorial Card Covers. Condition: Very Good. Profusely Illustrated (illustrator). First Edition. 288pp. Copiously illus. Please note that this is a heavy book for which extra postage will be requested. Size: 28.5 x 24.5.
Published by National Gallery, London, London, 2006
Seller: Olana Gallery, Brewster, NY, U.S.A.
Hardcover. Condition: Very Good. Very good hardcover copy with d/j ex. cat. 23 Feb. - May 21, 2006 and at two other venues Museum of Fine Arts, Boston and Metropolitan Museum of Arts, New York, 288 pp, *shrink wrap still present. Sponsors fwd, 1 pp directors fwd 3 pp, 2 pp ack, figure illus. throughout, 103 4/C plates, text and 4/C illus for each artist and work ,list of lenders, 4 pp index. With contributions from David Park Curry, Rodolphe Rapetti and Christopher Riopelle with the assistance of Megan Holloway Fort and Kathleen Mracheck.
Published by Milan & 5 Continents
ISBN 10: 8874392885 ISBN 13: 9788874392889
Seller: Okmhistoire, St Rémy-des-Monts, SARTH, France
First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Paris 2006 . 1 Volume/1. -- Neuf -- Reliure éditeur cartonnée sous jaquette illustrée. Format in-4°( 29,4 x 25,5 cm )( . ------- 288 pages avec 140 reproductions en couleurs : 103 oeuvres à pleine page et 37 figures. ********************* "" "Au XIXème siècle, Paris était le centre du monde de l'art. Surtout après les années 1860, il exerça son magnétisme sur les étudiants en art et les artistes américains, qui envahirent les ateliers de peintres comme Gérôme et Bouguereau (.). Rares furent les artistes américains qui restèrent indifférents à l'effervescence parisienne (.). Ce superbe ouvrage, qui rassemble des oeuvres iconiques signées Sargent, Whistler, Mary Cassatt et Winslow Homer, rend également justice à des peintres peu connus en dehors des États-Unis." *********************** REF 407.