Holm Christopher (73 results)

Pamphlet. Condition: Very Good. Open-File Rept 76, 10 pp.+ 6 Acetate & Color Photos, Orig Tan pocket Folder, Tall 4to, VG.

DVD. Condition: Used - Good.

DVD. Condition: Collectible - Acceptable.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: new.

Paperback. Condition: New. Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university's Women's and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga's intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women's Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari.

Condition: Very good.

Soft Cover. Condition: Very Good. First Edition. 2 Volumes in soft cover format complete; a definitive study published on the occasion of the travelling exhibition in Berlin, Amsterdam and at the National Gallery, London Sept 1991 through May 1992; 1st edition, large square 4to, 396pp, 288pp, introduction and essays from the authors; copious colour, sepia tinted and b/w photo reproductions; card covers; both volumes VG+ Copy; NB This is a large heavy set well outside the preset postage tariffs; however for simplicity this item has been priced accordingly and no extra postage will be required unless buyer wants overseas sending. Overseas is unavailable for this item Size: 4to - over 9¾" - 12" tall.

Condition: Como nuevo. : Este libro profundiza en la vida y obra de Rembrandt Harmenszoon Van Rijn, explorando su maestría y el funcionamiento de su taller. A través de 683 páginas, se analizan sus técnicas, influencias y legado, con contribuciones de expertos como Christopher Brown, Jan Kelch y Holm Bevers. Una obra esencial para comprender al maestro y su impacto en la historia del arte. EAN: 9788488045096 Tipo: Libros Categoría: Arte y Cultura Título: Rembrandt Autor: Harmenszoon Van Rijn Rembrandt| Christopher Brown| Jan Kelch| Holm Bevers| Pieter Van Thiel| Peter Schatborn| Barbara Welzel Idioma: es-ES Páginas: 683.

Condition: New. 2018. Paperback. . . . . .

Paperback. Condition: Brand New. 320 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: New. pp. 320.

Condition: New.

Hardcover. Condition: Used - Like New. Wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condition: Used - Very Good. Dustjacket has minor shelfwear, is now in protective brodart cover.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 320.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Black Cloth in Slipcase. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 2 volume set in pictorial slipcase. 288, 396 pages, colour & b/w illustrtions, bibliography. Produced to accompany the exhibition at the Altes Museum, Berlin: 12 September 1991 - 10 November 1991; the Rijksmuseum, Amsterdam, 4 December 1991 - 1 March 1992; The National Gallery, London - 26 March 1992 - 24 May 1992. Minor wear, unmarked, some rubbing, shelfwearscratch to slipcase. [824] Size: 300mm. x 260mm.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Rembrandt, Harmenszoon van Rijn (illustrator). First Edition. Two Volumes: Paintings and Drawings & Etchings. Paintings: 396 pp. 4to.; Drawings & Etchings: 288 pp. 4to. Clean, crisp copies. Matching slipcase in Fine condition. Heavy set, will require additional postage. Catalog from the exhibition of the same name.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Item Description Rembrandt The Master & His Workshop: Volume One Paintings Christopher Brown, Jan Kelch, Pieter van Thiel; Volume Two Drawings & Etchings Holm Bevers, Peter Schatborn, Barbara Welzel; Yale University Press, New Haven and London in association with National Gallery Publications, London, 1991. The Rembrandt Research Project, comprising the foremost Rembrandt scholars, based in Amsterdam, has undertaken the formidable task of establishing a body of works which can be securely attributed to Rembrandt. This has resulted in the deattribution of many works, once unquestionably accepted as Rembrandts. New research on artists known to have studied in Rembrandt s Workshop and the attribution of paintings and drawings to these students has provided more information. These books also serve as catalogues of the exhibition organized by curators from Berlin, Amsterdam and London galleries which have three of the finest collections of Rembrandt. In addition, works were lent to the exhibition from owners all around the globe, and they are listed in the books. Rembrandt Harmenszoon van Rijn (1606 - 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. These two books, 396 and 288 pages measuring 289 X 245mm, are in fine condition as are the dust jackets that are now in protective, mylar wraps. A beautiful set of books. The two large books are very heavy and additional postage will be required.

hardbound. profusely illustrated (illustrator). Published in conjunction with the major Rembrandt exhibition, Kupferstichkabinett SMPK Altes Museum Berlin 12 September 1991 - 27 October 1991 (and touring to Amsterdam and London); 2 volume set housed in illustrated slipcase, vol 1 Paintings, vol 2 Drawings and Etchings; essays by various authors, full-page colour plates and b&w text illustrations throughout; edited by Sally Salvesen; both volumes Very Good throughout; dustwrappers very lightly rubbed, o.w. Very Good; Very Good slipcase. dustwrapper/slipcase. 396/288pp. 2 vols 4to. Very Good in Very Good dustwrappers in Very Good slipcase Very Good in Very Good dustwrappers in Very Good slipcase.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - NICE! - may have remainder mark Oversized.

Paperback. Condition: New. Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university's Women's and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga's intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women's Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari.

hardcover. Condition: Acceptable. The item is showing use from the previous owner but works perfectly. Signs of previous ownership which could include: tears, scuffing, notes, excessive highlighting, gift inscriptions, slight water damage, a missing dust jacket, and library markings.

Condition: New. In.