Holman Matthew (167 results)

paperback. Condition: Fine.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Brand New.

Condition: New.

Condition: New.

Paperback. Condition: New. This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara (1926-1966) undertook for the Museum of Modern Art in New York and abroad.Upon his premature death, the New York Times obituary ran with the headline: 'Frank O'Hara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies - Also a Poet'. However, in the half a century since, O'Hara's fascinating career as a curator, where he oversaw exhibitions of the likes of Jackson Pollock, Helen Frankenthaler, David Smith, and Larry Rivers, among others, has been eclipsed by the critical attention given over to his poetry. Drawing on a broad range of unpublished archival material, the book reveals the impact O'Hara's curatorial work had both on the reception of American modern art abroad and on the curatorial profession itself.It focuses on his travelling exhibitions for MoMA's International Program, a vehicle for soft power during the fraught years of the cultural Cold War, exposing him to new art, artists, and cities, while developing important transnational networks far from New York, from Madrid to Venice, Zagreb to Otterlo.Bringing together close readings of O'Hara's poems and unpublished letters with a selection of archival illustrations, Holman argues for O'Hara's sense of exuberant continuity between life as a writer and a curator, an American and a cosmopolitan - revealing that he was so much more besides the quintessential New York poet. It is perfect reading for anyone interested in American art in the mid-20th century, curatorial and museum studies, or simply this lesser known but fascinating aspect of the legendary poet's career. …

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: new. Paperback. This is the first book to closely examine the curatorial work that the celebrated poet Frank OHara (1926-1966) undertook for the Museum of Modern Art in New York and abroad.Upon his premature death, the New York Times obituary ran with the headline: Frank OHara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies Also a Poet. However, in the half a century since, OHaras fascinating career as a curator, where he oversaw exhibitions of the likes of Jackson Pollock, Helen Frankenthaler, David Smith, and Larry Rivers, among others, has been eclipsed by the critical attention given over to his poetry. Drawing on a broad range of unpublished archival material, the book reveals the impact OHaras curatorial work had both on the reception of American modern art abroad and on the curatorial profession itself.It focuses on his travelling exhibitions for MoMAs International Program, a vehicle for soft power during the fraught years of the cultural Cold War, exposing him to new art, artists, and cities, while developing important transnational networks far from New York, from Madrid to Venice, Zagreb to Otterlo.Bringing together close readings of OHaras poems and unpublished letters with a selection of archival illustrations, Holman argues for OHaras sense of exuberant continuity between life as a writer and a curator, an American and a cosmopolitan revealing that he was so much more besides the quintessential New York poet. It is perfect reading for anyone interested in American art in the mid-20th century, curatorial and museum studies, or simply this lesser known but fascinating aspect of the legendary poets career. The first book to consider the poet Frank OHaras distinguished curatorial career for the Museum of Modern Art, and his role in shaping the international reception of American modern art during the Cold War period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: new.

Paperback. Condition: new. Paperback. Between 1979 and 1989, Whitechapel Gallery established one of the most significant community education programmes in British art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. *Brand new* Ships from USA.

Condition: new.

Paperback. Condition: New. This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara (1926-1966) undertook for the Museum of Modern Art in New York and abroad.Upon his premature death, the New York Times obituary ran with the headline: 'Frank O'Hara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies - Also a Poet'. However, in the half a century since, O'Hara's fascinating career as a curator, where he oversaw exhibitions of the likes of Jackson Pollock, Helen Frankenthaler, David Smith, and Larry Rivers, among others, has been eclipsed by the critical attention given over to his poetry. Drawing on a broad range of unpublished archival material, the book reveals the impact O'Hara's curatorial work had both on the reception of American modern art abroad and on the curatorial profession itself.It focuses on his travelling exhibitions for MoMA's International Program, a vehicle for soft power during the fraught years of the cultural Cold War, exposing him to new art, artists, and cities, while developing important transnational networks far from New York, from Madrid to Venice, Zagreb to Otterlo.Bringing together close readings of O'Hara's poems and unpublished letters with a selection of archival illustrations, Holman argues for O'Hara's sense of exuberant continuity between life as a writer and a curator, an American and a cosmopolitan - revealing that he was so much more besides the quintessential New York poet. It is perfect reading for anyone interested in American art in the mid-20th century, curatorial and museum studies, or simply this lesser known but fascinating aspect of the legendary poet's career. …

Condition: New.

hardcover. Condition: New. *Brand new* Ships from USA.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. 2023 Hardcover 225pp. Interior clean; binding tight. Boards VG.

Condition: New. Brand New.

Paperback. Condition: New. Cases of citation presents a history of artists who incorporated literary references into their work from the 1960s onwards.Through a series of object-focused chapters that each take up a singular 'case of citation', the collection considers how literary citation emerged as a viable and urgent strategy for artists during this period. It surveys nine artworks by a diverse group of artists - including David Wojnarowicz, Lis Rhodes, Romare Bearden and Silvia Kolbowski - whose citations draw on literary works with authors ranging from Gertrude Stein to Jean Genet. The book also features an interview with pioneering feminist artist Elaine Reichek that discusses her career-long commitment to working with text. Together, the artworks and cited texts are approached from various critical angles, with each author questioning and complicating the ways in which we can 'read' textual citations in art.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: Brand New. 256 pages. 9.22x6.14x1.00 inches. In Stock.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. *Brand new* Ships from USA.

Condition: New. In English.