Hugunin James Richard (8 results)

Condition: Very good. - Small quarto [11 inches high by 3-3/8 inches wide], softcover bound in decorative black-and-white wraps. There is some light spotting to the front wrap & light soiling & 2 stains to the rear wrap. The wraps are slightly bumped. Unnumbered pages, including profuse conceptual art pieces in black & white. Very good.

Condition: Very good. - Small quarto [11 inches high by 8-1/4 inches wide], softcover bound in printed white wraps. The edges of the wraps are slightly darkened & there is some very light soiling to the rear wrap. [27] pages. Black-and-white illustrations. Very good.

Softcover staple bound artist book of photos, drawings, and text, 76 pages, good condition: cover has moderate shelf wear.

101 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "Art at Large," by Peter Clothier; "At Large in Santa Barbara," by Richard Ross; "You Can't Tell a Book by Its Cover (But You Can Locate a Text by Its Spine)," by Robert C. Morgan; "The Poltergeist," by David Askevoid and Michael Kelley; "Los Angeles Painters of the 1940s," by Susan Ehrlich; "Some Notes around a Recent Film by David Lamelas," by Paul Arthur; "Sculpture in California 1975 - 1980," by Richard Armstrong and "Evidence," by James Hugunin. Cover by Doug Wheeler. Very Good. 6 mm. dog-ear / bumping to bottom right corner of recto. 2 cm. surface tear to spine edge with additional light edge wear. Contents clean and unmarked.

Condition: Very good. Published by the author, 1974., 1974. Very good. - Small quarto, 10-5/8 inches high by 8-3/8 inches wide. Softcover, bound in pictorial gray, black & white wraps. The covers are lightly bumped & soiled. 39 pages, illustrated in black & white by the author. Near fine.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September - October 1981 issue of Journal Contemporary Art Magazine, edited by Bridget Johnson. Contents include: "David Salle Interview," by Peter Schjeldahl; "Knud Merrild: To Be Transformed in the Flux," by Susan Ehrlich; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. Morgan; "Public Sculpture and the Urban Community: Recent Works by Lloyd Hamrol," by Merle Schipper; "Willoughby Sharp Interview," by Nikola Tesla; "A Choice of Extremes: Recent Work by Peter Campus," by Richard H. Ross; "Photography: A Bourgeois Success Story," by James Hugunin; "An Interview with Robert Heinecken," by Dinah Portner; "Colson's Corner," by unattributed artists and "The Stockman Letter (Rightwing R.R.R. Versus Leftwing R.R.R. and Vice Versa)," by Richard Ralph Roehl. Cover by David Salle. Very Good. 1 cm. surface tear to bottom edge of spine. Light edgewear including light bumping of corners. 2 mm. yellow spotting on text block edge. Contents clean and unmarked.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. Morgan; "Two (Four) Views of Niagara," by Alan Sondheim; "The Photograph and the Photographed," by Frances Colpitt; "The Photograph as Nonsufficient Datum: A Conversation with Allan Kaprow," by Robert C. Morgan; "On Art Writing/Part II: A Conceptual Criticism," by Clair Wolfe; "Dennis Hopper's Lost Movie," by David James; "Despair, Sobriety, Sachlichkeit," by Sanda Agalidi; "A Cautionary Note," by Howard Singerman; "The Materialist Art Object," by Louise Lewis; "Maria Nordman," by Melinda Wortz; "Touch Don't Touch Don't Touch Now Don't," by Hunter Drohojowska and "Proposal for QUBE," by Peter D'Agostino. Cover by Leland Rice, featuring a photograph of work in Peter Lodato's Studio. Good / Very Good. Dust soiling and yellowing of covers with foxing along cover edges and light fingerprint soiling. Light handling wear and edge-wear. Contents clean and unmarked.

64 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; March / April 1979 issue of the periodical "Journal." Edited by Debra Burchett-Lere and Bridget Johnson. Contents include: "Spotlight;" "Making Music in the Name of Art," by Rhys Chatham; "Fluxus/Music: Two Views," Peter Frank and Al Hansen; "Performance Notes," by David Byrne; "Show Me a Boy Who Never Wanted to be a Rock Star and I'll Show You a Liar," by Savannah Roller; "Punk: Political Pop," by Dan Graham; "An Interview with Judy Nylon," by Margery Peters; "Interviewed: Iggy Pop," by Kristine McKenna; "Letterview, David Byrne of Talking Heads," by Debra Burchett-Lere; "Pythagorean Harmonics," by Drew Lesso; "Photography: Robert Cumming," by James Hugunin; "Performance: 'Laurie Anderson," by Richard Lorber, 'Michael Kelly," by Richard Armstrong, 'John White,' by Louise Lewis;" "Criticism," by Michael Kurcfeld, James Hayward; "Film," by David E. James; "Painting: Marjorie Nodelman," by Ruth Askey; "Video: Allan Kaprow," by Sanda Agalidi and "Sound/Sculpture," by Tom Marioni. Cover: Ron Nagle. Very Good. Rubbing, dust soiling, and light yellow soiling of covers wirh light handling and edge wear. Contents clean and unmarked.