Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
US$ 69.05
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Add to basketHardcover. Condition: Very Good. Book is in very good condition. 396pp with colour illustrations.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: ISD LLC, Bristol, CT, U.S.A.
First Edition
hardcover. Condition: New. 1st.
Seller: ISD LLC, Bristol, CT, U.S.A.
First Edition
hardcover. Condition: New. 1st.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
hardcover. Condition: New.
Seller: ISD LLC, Bristol, CT, U.S.A.
First Edition
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hardcover. Condition: New. 1st.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 144.29
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Add to basketHardcover. Condition: Brand New. 300 pages. 6.00x0.63x9.00 inches. In Stock.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 145.47
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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hardcover. Condition: New. 1st.
hardcover. Condition: New. 1st.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
hardcover. Condition: New. 1st.
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New.
Condition: New.
Language: English
Published by Brepols N.V., Turnhout, 2025
ISBN 10: 2503615678 ISBN 13: 9782503615677
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Luigi Dallapiccola represents one of the most important Italian composers of the twentieth century. Born in Pazin, on the border between three frontiers, he experienced a certain multiculturalism from a young age that led him to take an interest in the new musical languages that were flourishing. Approaching the music of Schoenberg, from the 1930s he began his natural inclination toward twelve-tone music, which he developed fully after the 1950s. After 1950, the composer sought to bring his work into a principle of structural unity and stylistic uniformity, directing himself "toward patient clarification, toward sensibility, not theory". This volume offers essays on Dallapiccola's mature works, from the 1940s through to the 1970s, including the so-called 'protest music' works (Canti di prigionia, Prigioniero and Canti di liberazione), with analyses related to text, timbre and compositional process. In addition, the volume is enriched by an important section of musical and documentary sources, reproducing letters from and to Dallapiccola, as well as musical autographs, sketches, and quotations from works such as "Sex Carmina Alcaei", "Il prigioniero", "Canti di liberazione", and "Ulisse". This volume offers essays on Dallapiccola's mature works, from the 1940s through to the 1970s, including the so-called 'protest music' works (Canti di prigionia, Prigioniero and Canti di liberazione), with analyses related to text, timbre and compositional process. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Brepols N.V., Turnhout, 2020
ISBN 10: 2503589510 ISBN 13: 9782503589510
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. In 1795 Friedrich Schiller wrote: "Die bildende Kunst in ihrer hochsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart ruhren" (Schiller, Uber die asthetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to "ut musica pictura", music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
US$ 188.59
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Add to basketCondition: As New. Unread book in perfect condition.
US$ 190.42
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Add to basketHardcover. Condition: Brand New. 470 pages. 10.50x8.25x1.25 inches. In Stock.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Condition: As New. Unread book in perfect condition.
US$ 197.30
Quantity: 4 available
Add to basketCondition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Brepols N.V., Turnhout, 2016
ISBN 10: 2503570240 ISBN 13: 9782503570242
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. The relationship between music and the figurative arts during the twentieth century is encoded in the links that exist between various composers and artists (e.g. Arnold Schonberg and Wassily Kandinsky, Igor Stravinsky and Pablo Picasso, Pierre Bolulez and Paul Klee, etc.). The present volume, which brings together 23 essays by musicologists aims to explore this multifaceted world and will focus on artistic movements and political-sociological phenomena, including musical iconography, associated with totalitarian regimes of the twentieth century. Some articles examine Public Art & Pop Art movements in the 1950/60, the relationships between avant-garde artists, composers and repertoires. Finally, several studies are dedicated to the concurrence of musical and artistic aesthetics, and to the personal experiences of contemporary composers like Aldo Clementi, Gyorgy Ligeti, Pawel Lukaszewski's or Karleinz Stockhausen. The relationship between music and the figurative arts during the twentieth century is encoded in the links that exist between various composers and artists (e.g. Arnold Schonberg and Wassily Kandinsky, Igor Stravinsky and Pablo Picasso, Pierre Bolulez and Paul Klee, etc.). The present volume, which brings together 23 essays by music Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New. 2025. Hardcover. . . . . .