Intro Iain Bain (9 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hard cover, with unclipped dust jacket, both in very good condition. From the collection of Ian Angus, former librarian at King's College, London, and deputy librarian at University College, London, ownership pencilled to FEP. Light shelf and handling wear, including tanning, slight creasing and wear to DJ. Boards are in fine condition, and within, pages are tightly bound. A single, small spot of foxing noted on page 165, otherwise, the beautifully illustrated content is unmarked. A lovely volume. CN.

Hardcover. Condition: Very Good. No Jacket.

Hardcover. Condition: Fine. Dust Jacket Condition: VG-. Thomas Bewick (illustrator). First Thus. Brown cloth binding. xliv+258, 15 plate ills on 5 leaves ex-pagination, numerous un-numbered text ills throughout, mostly head and tail-pieces of Bewick's engravings.No obvious faults bar faint race of dustiness to top edge. Unclipped jacket clean but rubbing to joints and fore-edges and slight fading to spine region and top back edge. First edition was 1862, over 3 decades after Bewick's death,16 cm x 24 cm.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Thomas Bewick (illustrator). First Thus. Brown cloth binding. xliv+258, 15 plate ills on 5 leaves ex-pagination, numerous un-numbered text ills throughout, mostly head and tail-pieces of Bewick's engravings.No obvious faults bar faint race of dustiness to top edge. Clipped jacket clean but slight rubbing to bottom spine, will add protective sleeve when ordered. First edition was 1862, over 3 decades after Bewick's death,16 cm x 24 cm.

Soft cover. Condition: Fine. Richard Shirley Smith (illustrator). 27x20cm, 72pp. With numerous reproductions of engravings, bookplates, title pages etc by Richard Shirley Smith. Glued into a pictorial card cover, title to front in a mauve panel, title in black to backstrip. Comprehensive survey with very good reproductions. Typeset at the Libanus Press. Fine, with the small discreet blind-stamp of Trevor Weston to the corner of the rear endpaper,

Soft cover. Condition: Good. Rigby Graham (illustrator). 1st Edition. Exhibition catalogue of the opening exhibition of the Goldmark Gallery in Uppingham, Rutland. Contains a Press release on the Gallery, and a letter from the Gallery's founder, Mike Goldmark. The spine is faded, and there is creasing to the front and back covers, but the book inside is in excellent condition.

Hardcover. Condition: Near Fine. AUTHOR (illustrator). First Edition Thus. Brown Cloth Quarter binding with gilt titles to spine, paper covered boards with roundel wood block illustration, 240 x 160 mm approx. top edge stained purple, applied two colour head and tail bands, 192 pp 16 pp of mainly colour illustrations taken from Bewicks drawings for the "British Birds" + chapter head and tail pieces and other wood block illustrations in text. First printing 1981 of the Folio Edition which is based largely on Bewicks original manuscript. Please see our images of the actual book offered for sale for further details and condition. Near Fine (Book no previous owner name or insc. No defects , with original chipped but largely complete glascine wrapper).

SOFTCOVER. Condition: As New. 1st Edition. Extra Large Quarto size (4to). in stiff glossy card covers. Unpaginated, approx. 36pp, colour plates, type samples, facsimiles etc . [CONDITION: AS NEW ] . __To see more of our books on Graphic Art and Design type DbbGRAPHIC in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Very Good. First Edition Thus. Hardback. D/W. 4to. pp 19 (33) Original publisher's quarter vellum lettered gilt at the spine with red paper-covered boards, DW, 4to., 19, (33) pages, inserted plate with tissue guard. One of 125 numbered copies printed by the Stellar Press and reprinted from the original steel plates. A clean, near fine copy in a very sy used vg d/w (sl fading, sl nick at head of spine)Limited ed. of 150 copies, this designated 'Director;s Copy.' The last plate in the book has a tissue guard and is described as 'an impression direct from the plate.'.