Ireson Nancy (221 results)

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: first ] Publisher: Tate Publishing Pub Date: 8/6/2010 Binding: Paperback Pages: 80 first edition.

Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: As New. Unread book in perfect condition.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Fine. 1st. 159 pages, illustrations (chiefly colour); 26 cm. Catalogue of an exhibition held at the Courtauld Gallery, London, October 21, 2010 to January 16, 2011, and at the Metropolitan Museum of Art, New York, February 9 to May 8, 2011. Firm binding, clean inside copy. *** CONTENTS: Cezanne's Card Players: an introduction, by Nancy Ireson and Barnaby Wright; Cezanne's development of the Card Players, by Aviva Burnstock, Charlotte Hale, Caroline Campbell and Gabriella Macaro; Cezanne's Card Players: art without anecdote, by John House; He painted, by Richard Shiff. Size: 4to.

First edition and first printing. Hardcover. 168 pages. Published in conjunction with an exhibition that ran November 23, 2014 through January 25, 2015 at the The Art Institute of Chicago and then June 10 through September 7, 2014 at the The J. Paul Getty Museum. Foreword by Douglas Druick. Preface by Herwig Todts. Features text by Susan M. Canning, Patrick Florizoone, Nancy Ireson, and Kimberly J. Nichols. Includes 95 color and 5 black and white illustrations. A near fine copy with some very slight creasing to the last plate in fine half dust jacket as issued.

Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. Crisp clean covers, tight binding, clean pages and inside covers. Contains many colour plates (full page illustrations). No dust jacket, as published. Previous owner's name, architectural historian Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 1857093518. ISBN/EAN: 9781857093513. Pictures of this item not already displayed here available upon request. Inventory No: 19122081054. For International tracked shipping please select the Priority shipping service.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition; First Printing. The Art Institute of Chicago acquired Belgian artist James Ensor's (1860-1949) "The Temptation of St. Anthony" which is comprised of 51 sheets and is considered to be one of his great works. This book was published in conjunction with an exhibition that ran November 23, 2014 through January 25, 2015 at the The Art Institute of Chicago and also from June 10 through September 7, 2014 at the The J. Paul Getty Museum (which had previously acquired Ensor's "Christ's Entry Into Brussels in 1889"). Original publisher's orange paper covered boards with black spine and cover lettering. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The unusual dust jacket covers only the lower half of the book (as issued) and is also in nice condition with no creases, tears, chips or markings. This is a very pretty book that would make a fine addition to any library. ; Color & B&W Illustrations; 4to 11" - 13" tall; 168 pages.

10½"x9" (26.5x23cm). Soft cover. First edition. Published to accompany exhibition of some 40 paintings, drawings, watercolours and prints of the 80 or so artist's works in British collections. 96pp with essays, numerous colour plates and other illustrations, commentaries on exhibits, chronology, and bibliography. Colour-illustrated card wrappers. Near FINE copy.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Paperback, illustrations mostly in colour (and some in b/w), 4to.; Top spine slightly bumped.

Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.47.

Hardcover. Condition: Very Good. 1st Edition. No markings. Oversize.

Hardcover. Light blue boards with white lettering; color illustrated DJ with white lettering; ix, 333 pp.; richly illustrated. "Among the most celebrated figures of modern art, Amedeo Modigliani (1884-1920) has been the subject of many exhibitions and publications, but none until now has examined in depth how the artist created his paintings and sculptures. Drawing on research using the latest scientific techniques, the authors explore the artist's reuse of materials in his early years; his pivot from artistic trends such as Cubism to engage with a stylized form of figuration; the timeline of his evocative sculptures; and the evolution of his approach from heavily worked canvases to more ethereal paintings. The richly illustrated book also looks at the role of Albert C. Barnes, an early collector of Modigliani's work, in shaping the Italian artist's critical reception in the United States. The Barnes Foundation today owns one of the most important groups of Modigliani works in the world. These, together with some forty other paintings and sculptures from public and private collections worldwide, are interpreted through the lens of new studies carried out by leading international museums."-- DJ. Good+ (Boards are lightly bumped/scuffed; interior is clean; binding is solid.) Good+ (DJ is lightly edgeworn/scuffed/smudged.).

Hardcover. Condition: Very good. Dust Jacket Condition: very good. first american edition. 11 x 10 in. Paper boards. Lavish color plates. Condition is VERY GOOD ; covers clean, corners bumped, mild edge wear. Remainder mark on lower text edge of text block. Binding tight, text unmarked. DJ is VERY GOOD ; very clean, a bit rubbed, minor edge wear. Art. RGR.

Paperback. Condition: very good. Purchase pre-owned books for prompt service and customer satisfaction.

Trade Paperback. Condition: Used - Very Good. Pierre-Auguste Renoir's La Loge (The Theatre Box), 1874, is one of the masterpieces of impressionism and a major highlight of The Courtauld Gallery's collection. Its depiction of an elegant couple on display in a loge epitomizes the Impressionists' interest in the spectacle of modern life. At the heart of the painting is the complex play of gazes enacted by these two figures. In turning away from the performance, Renoir focused instead upon theater as a social stage where status and relationships were on public display.

Softcover. 26 x 21,5 cm. Original brochure. 144 pages with numerous illustrations in color and b/w. Good condition. Catalogue of the exhibition in the Courtauld Gallery, London 16 June - 18 September 2011, with three contributions by Nancy Ireson: Toulouse-Lautrec and Jane Avril - Capturing the Moment / Dancing in the Asile - Jane Avril and Chorea / Anna Gruetzner Robins - "J'arrive de London" - Jane Avril and Britain. The Catalogue by Nancy Ireson and Marie-Amélie Tharaud and an Appendix with four texts. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie die Adventszeit und bestellen Sie was zum Lesen für einen gemütlichen Kaminabend! KuPs.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near fine book and jacket.

Hardcover. Condition: near fine/near fine. First edition. Quarto. (11 1/2" x 10") 224pp. Over 175 illustrations.

Hardcover. Condition: new. Hardcover. Monumental volume devoted to one of the world's largest and most spectacular collections of Cezannes.The Barnes Foundation's holdings of works by the renowned Post-Impressionist Paul Cezanne (1839-1906)--61 oils on canvas and 8 works on paper--are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others.Beginning in 1912, Barnes acquired works by Cezanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist's most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cezanne had been posthumously hailed as a father of modern art at the turn of the 20th century. The Foundation's impressive holdings of Cezannes--never before published in a single study in their entirety--span every period of the artist's career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This landmark volume is both a work on Cezanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding. A monumental volume devoted to one of the world s largest and most spectacular collections of Cezannes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Near Fine in publishers decorated wrappers. 1st edition. Illustrated.Nancy Ireson is a freelance writer and doctoral research student at the Courtauld Institute of Art in London. She has also published work on Rousseau. Dr. Anna Gruetzner Robins teaches undergraduate courses on nineteenth and twentieth century art, landscape art, the female body and the art market at the University of Reading. She has published several books and has curated several major exhibitions in London. ISBN 1907372245.

Hardcover. Condition: Gut bis sehr gut. 1. Auflage. 120 pp., 87 ills. hardcover 28.30 x 31.60 cm - This book commemorates the one-hundredth anniversary of the artist's death. With over eighty color illustrations of forty major works, the publication presents the essence of Rousseau's art of depiction. At its core is his fascination with the contradictory qualities of the tamed Western world and untamed, increasingly imaginary nature. Encounters with his works that have never before been presented make it possible to see Rousseau in an entirely new light. Going beyond the cliché of the "great naïve painter," we discover a unique artist who opened up entirely new possibilities for modernity.

Glazed Boards. Condition: Fine. 1st. Heavily illustrated monograph to accompany the Tate exhibition of 2018. 267pp. Fine copy in glazed boards.

Tate Publishing.London.2005.Soft covers. 80 pages. Illustrated. Nice copy in fine condition.

Hardcover. Condition: Fine. No Jacket. 1st Edition. A brand new unused, unblemished book.

Soft cover. Condition: Very Good. 1st Edition. 2005 first edition paperback published to accompany the exhibition Andre Derain : The London Paintings, at the Courtauld Gallery.Inside the cover are two newspaper cuttings of exhibition reviews, and one cutting of a painting by Derain has been loosely affixed to first blank page. Small pencil date to title page. Interior and covers otherwise clean, a robust copy.

Paperback. Condition: New. New. Clean, unmarked pages. Fine binding and cover. Softcover. ix, 97 p. "Exhibition at The Morgan Library & Museum, New York, 15 February-12 May 2013.".