Ittmann John (65 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Oversized Paperback. Condition: Near Fine. Book and dust wrapper in excellent, uncreased condition. Owner label affixed to corner of back cover.

Hardcover. Condition: New. New - unused and unread.

Trade Paperback. Condition: Fine. Book.

Condition: Very Good. Very Good condition. (Modern art, Exhibitions) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condition: Fine. 1st. 80 pages, illustrations (some colour); 28 cm. Published in conjunction with an exhibition held at the Philadelphia Museum of Art, January 24 to April 5, 1998. Firm binding, clean inside copy. *** CONTENTS: Painters' Prints in the 1890s; Japonisme; Mary Cassatt; Camille Pissarro; Edgar Degas; Vincent van Gogh; Paul Gauguin; Odilon Redon; Paul Signac; Pierre Bonnard; Edouard Vuillard; Felix Vallotton; Henri de Toulouse-Lautrec; Posters. Size: 4to. Collectible.

Soft cover. Condition: Very Good. No Jacket. Glossy pages rife with black-and-white and color art prints. Beautiful cover with minor signs of use. Slight wear to top and bottom of spine, minor sunbleaching.

Soft cover. Condition: Fine. Fine condition, like new. 80 pages, 54 illustrations (34 color), quarto, soft cover. Published in conjunction with an exhibition held at the Philadelphia Museum of Art between January 24 - April 5, 1998. Inventory #10279.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condition: Fine. American First. Catalog of an exhibition held at the Philadelphia Museum of Art April 2-July 31, 2011; French flaps format; a solid, clean copy with no marking or underlining; collectible condition; well illustrated with color reproductions of posters, prints and ephemera advertising medical products; 60 pages. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A spot of rubbing to the top corners. Shoemaker (senior curator of prints, drawings, and photographs, Philadelphia Museum of Art) assembles over 100 works, ranging from paintings by artists of the Stieglitz Circle, precisionists, and notable Philadelphia artists to sculpture by many of the 20th century's significant artists, e.g., Louise Nevelson and Elie Nadelman. ; 336 pages.

Soft cover. Condition: Good. Softcover, 8 1/2 by 5 1/4 inches, unpaginated, about 1/4 inch thick, illustrated, bibliography. Covers have only very slight wear. Apart from a penned number on the first blank page, the contents are clean.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very good. Paperback. 32pp. Lightly rubbed overall, else very good.

Paperback. Condition: New in shrinkwrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011.

paperback. Condition: Good. With previous ownership bookplates Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condition: Good. n. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condition: Good. 4to, ex-lib markings, light shelfwear, print plates.

paperback. Condition: Good. Satisfaction 100% guaranteed.

Softbound. Color pictorial wraps with white lettering. 371 pp. 1 color, numerous bw plates. Issued in conjunction with a 1985 exhibition series. With six thematic and illustrated essays. The annotated and illustrated catalogue presents 125 specific pieces by 103 artists. Includes artist biographies, bibliography, glossary and index. Good, inscription inside on ffep, corners bumped, smudged; covers and spine have moderate wear.

Soft cover. Condition: New. No Jacket. 1st Edition. Yale University Press, 2011. First printing. Very fine. A pristine copy, new and unread, still in original shrink-wrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011. Measures 8.25x11 inches. Presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Cheret and Leonetto Cappiello. YALE.

Hardcover. Condition: New. No Jacket. 1st Edition. First edition 1996, first printing. Published in conjunction with the exhibition by Philadelphia Museum of Art. Hardcover without DJ as issued. Condition new, square tight and clean book, corners not bumped, no edgewear, no names, no underlinings no highlights, no bent page corners, not a reminder. Oblong 4to, 91 pages, illustrated throughout with full page plates.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fine. 1st. Pictorial boards, xi, 411 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection." - Publisher. *** CONTENTS: Foreword, by Timothy Rub; Introduction, by John Ittmann; John S. Phillips as a collector of German prints, by John Ittmann; Central Europe between 1770 and 1850: the rise and fall of German Romantic art and culture, by Warren Breckman; Albrecht Du rer and his hallowed city of Nuermberg, by John Ittmann; Raphael's Sistine Madonna domesticated: a return to purity and piety in German prints, by Cordula Grewe; The Galeriewerk and the reproductive print of the eighteenth and nineteenth centuries, by John Ittmann; Glazed and framed: Kunstverein prints for the parlor, by John Ittmann; The wanderer: travel imagery in German romantic prints, by Mitchell B. Frank; Sacred woods and ancient ruins: the landscapes of Germany and Norway, Italy and Arcadia, by F. Carlo Schmid; Johann Christian Reinhart (1761-1847) and his circle in Italy, by F. Carlo Schmid; Landscape prints in Vienna, by F. Carlo Schmid; Portrait prints, 1770-1850: friends and family, by Mitchell B. Frank; The German Romantic reading public: Taschenbu cher and other illustrated books, by Catriona Macleod; The living past: folklore and fairy tales in literature and art, by Catriona Macleod; Outline and arabesque: simplicity and complexity in German prints, and the allure of the antique, by Cordula Grewe; Johann Heinrich Lips (1758-1817) and Philipp Otto Runge (1777-1810): Times of day, by Cordula Grewe; Ferdinand Olivier (1785-1841) and Adrian Ludwig Richter (1803-1884): the Salzburg albums, by Cordula Grewe; Johann Gotthard Mu ller (1747-1830), by Mitchell B. Frank; Johann Christian Klengel (1751-1824), by John Ittmann; Carl Wilhelm Kolbe the Elder (1759-1835), by John Ittmann; Joseph Anton Koch (1768-1839), by John Ittmann; Ludwig Emil Grimm (1790-1863), by John Ittmann; Adrian Ludwig Richter (1803-1884), by John Ittmann; Eugen Napoleon Neureuther (1806-1882), by John Ittmann. Size: 4to. Collectible.

Soft Cover. Condition: Very Good. This is a very good softcover copy with just light cover wear. Completely clean inside and out. The spine is not creased, binding firm. This catalog was prepared to accompany the traveling exhibition that opened at the Baltimore Museum of Art from November 10, 1984 to January 6, 1985. Exhibition and catalog curated by Victor Carlson and John Ittmann. Illustrated mostly in black & white, some color plates. 165 illustrations. Includes biographies of the artists. Bibliography. Glossary of French engraving terms. Essays by George Levitine, Richard Campbell, David Becker and Mary Myers. 11" high X 9" wide, 371 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 91 pages, halfcloth - This catalogue marks the second installment of works acquired by the Museum since 1988, when the Museum first exhibited printmaking, drawing, and photography from the collection. Featured in this volume are acquisitions that stretch the established boundaries of composition or imagery, either through the use of centuries-old techniques or new technologies of the camera and the computer. Discussions of each work, contributed by Museum curators, and color reproductions are supplemented by brief biographies of the thirty-five artists featured in this most recent look at a unique collection of contemporary art.

Condition: Sehr gut. 91 S.mit zahlr.Abbildungen; Original-halbleinenband; Quer-4°. Gutes bis sehr gutes Exemplar. (In Englisch).