Ittmann John (85 results)

Paperback. Condition: Very Good. First Edition. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Condition: As New. Like New condition. Like New dust cover. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Condition: Near Fine. Very minor shelf wear to bottom edge of front board. Else Fine. No dust jacket as issued. there may be an additional charge for shipping outside the uSA. Please request a quote.

Soft cover. Condition: Very Good. Very good softcover with only light wear. Pages are clean and unmarked. book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A spot of rubbing to the top corners. Shoemaker (senior curator of prints, drawings, and photographs, Philadelphia Museum of Art) assembles over 100 works, ranging from paintings by artists of the Stieglitz Circle, precisionists, and notable Philadelphia artists to sculpture by many of the 20th century's significant artists, e.g., Louise Nevelson and Elie Nadelman. ; 336 pages.

Soft cover. Condition: Good. Softcover, 8 1/2 by 5 1/4 inches, unpaginated, about 1/4 inch thick, illustrated, bibliography. Covers have only very slight wear. Apart from a penned number on the first blank page, the contents are clean.

Paperback. Condition: Very good. Paperback. 32pp. Lightly rubbed overall, else very good.

80pp. 52 illus. (partly color). 4to. Wraps. Published in conjunction with the exhibition "Paris in the 1890s: Painters' Prints in the Age of Bonnard, Vuillard, and Toulouse-Lautrec" at the Philadelphia Museum of Art, Jan.-April 1998.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softcover. Condition: Good. 4to, ex-lib markings, light shelfwear, print plates.

Condition: Good. Good Condition. Five star seller - Buy with confidence!

Soft cover. Condition: New. No Jacket. 1st Edition. Yale University Press, 2011. First printing. Very fine. A pristine copy, new and unread, still in original shrink-wrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011. Measures 8.25x11 inches. Presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Cheret and Leonetto Cappiello. YALE.

Condition: good.

Softcover. Condition: VG+. Black softcover with illustration and lettering in red and brown. softcover. xi, 285 pp. BW and some color illustrations. Issued in connection with an exhibition held Oct. 21, 2006-Jan. 14, 2007, Philadelphia Museum of Art, and at three other institutions in the United States at later dates. Contents as follows: Evolution of a revolution : a brief history of printmaking in Mexico /; Lyle W. Williams --; Crossing borders : the Weyhe Gallery and the vogue for Mexican art in the United States, 1926-40 /; Innis Howe Shoemaker --; Propaganda grafíca : printmaking and the radical left in Mexico, 1920-50 /; James M. Wechsler --; Dr. Atl /; John Ittmann --; Open air schools and early print workshops /; John Ittmann --; Rufino Tamayo /; John Ittmann --; Foreign artists in Mexico in the 1920s and 1930s /; John Ittmann --; José Clemente Orozco /; John Ittmann --; Diego Rivera /; John Ittmann --; David Alfaro Siqueiros /; John Ittmann --; Surrealism in Mexico /; James M. Wechsler --; Leopoldo Méndez /; James M. Wechsler --; Mexicanidad /; James M. Wechsler --; Alfredo Zalce /; Lyle W. Williams --; Francisco Dosamantes /; Lyle W. Williams --; Isidoro Ocampo /; James M. Wechsler --; Jesús Escobedo /; Lyle W. Williams --; Taller de grafíca popular : the life and drama of Mexico /; James M. Wechsler --; Foreign members and guest artists at TGP /; John Ittmann --; Framing the revolution /; James M. Wechsler.

Hardcover. A bright red fabric hardcover with the title debossed in black lettering down the spine. There is an illustrated dust jacket, with the title printed in red and in orange across the front cover, as well as in red and in orange down the black spine. The headband is black. The front and back free and pasted end pages are a nice pumpkin color. 8, ix-xi, (2), 2-289, (1). Profusely illustrated with full-color and true-tone images. "Along with 300 illustrated prints, this text includes essays that investigate the dynamic cultural exchange between Mexico and other countries. It analyses the work of Mexican artists such as Emilio Amero and Jesus Escobedo and international artists such as Elizabeth Catlett and Jean Charlot." Contents are as follows: Preface --; Acknowledgments --; Evolution of a revolution : a brief history of printmaking in Mexico /; Lyle W. Williams --; Crossing borders : the Weyhe Gallery and the vogue for Mexican art in the United States, 1926-40 /; Innis Howe Shoemaker --; Propaganda gráfica : printmaking and the radical left in Mexico, 1920-50 /; James M. Wechsler --; Catalogue --; Dr. Atl (Geraldo Murillo) /; John Ittmann --; Open air schools and early print workshops /; John Ittmann --; Rufino Tamayo /; John Ittmann --; Gringos : foreign artists in Mexico in the 1920s and 1930s /; John Ittmann --; José Clemente Orozco /; John Ittmann --; Diego Rivera /; John Ittmann --; David Alfaro Siqueiros /; John Ittmann --; Surrealism in Mexico /; James M. Wechsler --; Leopoldo Méndez /; James M. Wechsler --; Mexicanidad /; James M. Wechsler --; Alfredo Zalce /; Lyle W. Williams --; Francisco Dosamantes /; Lyle W. Williams --; Isidoro Ocampo /; James M. Wechsler --; Jesús Escobedo /; Lyle W. Williams --; Taller de gráfica popular : the life and drama of Mexico /; James M. Wechsler --; Framing the revolution /; James M. Wechsler --; Checklist of prints --; Notes --; Index of names. VG+/VG+: The book has clean pages and tight binding. The dust jacket has no visable tears or marks. Looks like the book was rarely, if ever, taken from the shelf.

Hardcover. Condition: VG. Quarto. Hardcover. Matte illustrated boards. No jacket, as issued. xi, 411 pages : illustrations (some color) ; 30 cm. From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection.--.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condition: Very Good. No Jacket. A revolution in the Graphic Arts, 1920 to 1950. Contributions by Innis Howe Shoemaker, James M. Wechsler, and Lyle W. Williams. C: 2006, Philadelphia Museum of Art, McNay Museum San Antonio. Illustrated. 9" x 11-3/4". 289 pgs VG- softcover with slight edgewear on cover. Heavy and oversize book, extra postage for priority mail in U.S. and all mail out of the U.S.

VG/VG.near fine. hardcovers. dj. is clean and bright, unclipped and without cuts or rubbings to any edges. collectable condition. no inscriptions or marginalia. delightful clean copy. From the personal collection of a dealer/collector. 1st/1st. weighs well over 2.5 kilos - and will need to be be boxed for best arrival condition - so would ask for overseas buyers to obtain a quote before ordering.

Hardcover. Condition: Fine. Dust Jacket Condition: Very good. Some sticker residue on front of dust jacket.

wraps. Text clean / tight / color frontis / illustrations all fine / 108 paintings, drawings and sketches by 48 artists. Good+ / wraps cover light stain with slight corner crease /.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Fine ovesized hardcover in a Fine dj. NEW - still in original shrinkwrap. Illustrated with 302 illustrations, including 91 color illustrations. Please note that the actual shipping rate will apply for this large and heavy book. No international shipping due to size and weight of book.

Softcover. Black/red wraps with bw illustration on front and back covers, black spine with white lettering. xi [3]; 176 pp. 125 figures in BW and color plus many BW illustrations. Catalogue of an exhibition held in Philadelphia October 27, 2001-February 24, 2002 and and one other location. "Dox Thrash came of age as an artist in the 1920s and 1930s, a time when art in the United States began to offer accurate reflections of everyday life. Known as "Regionalism," "Social Realism," or simply the "American Scene," this widespread movement encouraged artists to focus their attention on the work around them. Throughout his career Thrash drew on personal experience for the striking imagery in his work, with scenes ranging from childhood memories of the rural South to hard times in the urban centers of the North, patriotic defense work during wartime, and poetic portraits of his community and its residents." "The four essays in this volume open windows on different aspects of the artist's life, offering a historical overview on his training and career as a printmaker; an examination of the inner workings of the Fine Print Workshop in Philadelphia, the only WPA workshop devoted entirely to the production of limited-edition prints; a re-creation of the Pyramid Club, Philadelphia's premier African American cultural and social institution in the 1940s and 1950s; and an investigation of Thrash's use of African American themes in his work."--hardcover book jacket. VG (slight wear to block edges).

Hardcover. Wine red cloth with gilt lettering on spine. Color dust jacket, black spine with white lettering. xi [3]; 176 pp. 125 figures in BW and color plus many BW illustrations. Catalogue of an exhibition held in Philadelphia October 27, 2001-February 24, 2002 and and one other location. "Dox Thrash came of age as an artist in the 1920s and 1930s, a time when art in the United States began to offer accurate reflections of everyday life. Known as "Regionalism," "Social Realism," or simply the "American Scene," this widespread movement encouraged artists to focus their attention on the world around them." -- dj flap. VG/VG: Exlibrary book. Sticker on the dust jacket at the base of the spine. Stamp on the title page. Stamp on the last page. Due date card on the back free end page. Two stickers on back pasted end page. Stamps on top, side, and bottom text blocks.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good-. 231 pp, 4to (11 1/4" H). Profusely illustrated in b&w and colour. "In an age of laser surgery and artificial organs, it is easy to forget that many medical treatments have been successfully administered for millennia and that previous eras also had their startling medical developments and discoveries: circulation of the blood, vaccination, anesthesia, and public sanitation, to name but a few. The more than 140 works in this volume convey a vital picture of the history of anatomy and medicine since the fifteenth century as well as the artists' reactions to the human condition in its myriad states of health and illness, from birth to death. Arranged into four thematic sections - Anatomy; Healers; Disease, Disability, and Madness; and The Cycle of Life - these images are from the Ars Medica Collection at the Philadelphia Museum of Art, which includes over 1,100 prints, drawings, photographs, and rare books. Among the works represented are prints by Rembrandt, Lucas van Leyden, Durer, Hogarth, Goya, Sloan, and Rauschenberg; drawings by Batoni, Tiepolo, and West; and photography by Muybridge, Eakins, and Smith." Large Christmas gift inscription and faint erased pencil marks on front free endpaper, two small light soiling marks on half-title page, light edgewear to boards, light soiling to bottom edge of boards. Dust jacket has light to moderate edgewear/wrinkling - mainly at top/bottom of spine and flap-folds, a few tiny tears at top of spine.

Paperback. Condition: As New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW, THE TEXT BLOCK IS PRISTINE, CLEAN, UNMARKED, AND IN EXCELLENT CONDITION - Among the artists represented: Dore, Cazin, Th. Rousseau, Jules Dupre, Diaz, Valenciennes, Michel, Bertin, Jacque, and others. -- with a bonus offer--.