Ivan Bela (19 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. 0th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Good. 0th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. Good condition. No Dust Jacket A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Very Good. cover shows minor shelf wear. pages are clean and unmarked. Vol. VI 2.

Hardcover. Condition: Fine. 22cm. Former owner's name embossed on endpaper. No jacket. War and Society in East Central Europe. Vol. VI (series).

Hardcover (Original Cloth). Condition: Good. No Dust Jacket. 1st edition. two chapters underlined. Some underlining/marginalia. Quantity Available: 1. Category: World War I; ISBN: 0930888189. ISBN/EAN: 9780930888183. Pictures of this item not already displayed here available upon request. Inventory No: 10326.…

Soft cover. Condition: Fine. 1st Edition. B00K: Fine/, $79.87 1882127099 Dracula: The Original 1931 Shooting Script; CLASSIC HORROR FILMS; VOLUME 13. Riley, Philip J; Lugosi, Bela; Butler, Ivan; Laemmle, Carla; Turner, George. MagicImage Filmbooks Absecon, NJ 1990 1st Edition, 1st Printing Glossy Black Spine With Title In White Letters, Large Soft Cover B00K: Fine/, Pages That Appear To Be Lightly Read Or Not Read, And Are Clean And Tight To The Spine, Slightest of Edge And Shelf Wear, Corner Spreading Due To Lack Of Proper Storage, On Small Indentation From Where Something Was Pressed Into The BooK. This Expensive BooK Is Hard To Find, Will Make An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = World Wide Shipping = AVAILABLE =. 13. B00K: Fine/, 1990 (illustrator).…

Condition: gut. XIV, 678 S., 23 cm, ohne Schutzumschlag, Einband leicht berieben, Einband am unteren Rand leicht gestoßen. Sprache: Englisch.

Paperback. Condition: Brand New. 304 pages. Spanish language. 7.00x4.50x1.00 inches. In Stock.

Broché. Condition: Bon état. in-8 Description :224 pp. Couverture défraîchie. Langue : français Nb de volumes : 1.

Condition: Very Good. Dust Jacket Condition: Very Good. 3 disc set. Minor wear to cardboard case. Jewel case, discs and booklet in excellent condition. Record # 490282.

Condition: NEW.

Brossura. Condition: new. Edited by Barral i Altet X., Lucherini V. and Lövei P. English Text. Roma, 2018; paperback, pp. 732, b/w and col. ill., cm 17x24. (Accademia Ungheria. 7). Libro.

Condition: Gut. 2LP 33 UpM 10". (= HLP 138 + 139). Vinyl Zustand: VG) Hülle: VG).

Condition: NEW. Roma: Viella, 2018 9788867286614 Bibliotheca Academiae Hungariae 7 1409 732 p., clxxvi p. of plates : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. Lõvei,Pál - Lucherini,Vinni - Takács,Imre.…

Softcover. Condition: Near Fine. Stiff wraps with flaps. Glossy paper, color illustrations. Text in English. Due to size, ships within US only and only by media rate mail. ; 4to 11" - 13" tall; 220 pp; 1796-1925.

Budapest, Corvina, 1972. 36 pp. 97 b./w. ills. on 60 plts. & 6 col. plts. Hardcover (black boards), d./j.Text in French & Hungarian. Béla Vörös was a Hungarian-born sculptor who made France his home; he was born in Esztergom in 1899 and died in Sèvres in 1983. Influenced by Cubism, Art Deco, and African primitive art, Vörös created a new artistic language while remaining faithful to figurative forms. [Wikipedia].…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…