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Publication Date: 1925
Seller: Xerxes Fine and Rare Books and Documents, Glen Head, NY, U.S.A.
Condition: near Fine. NY Burt Franklin reprint of original 1925 edition. Hardcover octavo. 335p. iv. Exlibrary with all usual library marksings o/w near Fine. Clean, bright, no wear. no dj.
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Language: English
Published by Creative Media Partners, LLC Feb 2026, 2026
ISBN 10: 1025578643 ISBN 13: 9781025578644
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - 'The Contemporary Jew in the Elizabethan Drama' is an insightful scholarly exploration into the depiction of Jewish characters within the landscape of English Renaissance theatre. Author Jacob Lopes Cardozo meticulously examines the historical and literary forces that influenced the creation of figures such as Shylock in 'The Merchant of Venice' and Barabas in 'The Jew of Malta.' The work addresses a central question of literary history: whether these portrayals were informed by real-world encounters with Jewish individuals in Elizabethan England or were predominantly shaped by inherited medieval myths and religious stereotypes.Through a comprehensive analysis of plays and contemporary documents, Cardozo explores the intersection of social reality and dramatic artifice. He highlights how the playwrights of the era navigated the cultural and religious tensions of their time to create some of the most enduring and controversial figures in the Western canon. This study serves as a vital resource for understanding the complexities of identity and representation on the early modern stage, offering deep historical context for students of Shakespeare, drama, and Jewish history. Cardozo's work remains a cornerstone for those researching the evolution of the Jew as a literary archetype during one of the most transformative periods in English literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.