James Cameron Peter Iliff (3 results)

Vintage program for the 1991 film. Bi-fold with a full color front panel and full credits in the interior spread. The breakthrough film for Kathryn Bigelow, and today a cult classic, certified neo-noir, and keystone surfing film. Bigelow went on to become the first female director to win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California, shot on location throughout California in Malibu, Redondo Beach, Dockweiler Beach, Ecola State Park, Los Angeles, Manhattan Beach, Pacific Palisades, Santa Monica, Culver City, and Venice Pier, as well as Hawaii, Oahu, Lake Powell, Utah, and Wheeler, Oregon. 9 x 11.5 inch, Bi-fold. Very Good plus, with light creasing at the extremities. Carlson, Destroy All Movies. Grant US. Silver and Ursini, American Neo-Noir. Spicer US Neo-Noir.

Script Format, reprint. Condition: As New. BASED ON THE STORY BY RICK KING AND W. PETER ILIFF / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Shooting script for the 1991 neo-noir film, here under the working title "Riders on the Storm," written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Laid in are two gatherings of revision pages, 31 pink pages dated 7/2/90, and 25 green revision pages, dated July 10, 1990, both also noted as written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Script and revision pages noted on the title pages as "Eyes Only - Not For Duplication." The breakthrough film for Kathryn Bigelow, and today a cult classic, certified neo-noir, and keystone surfing film. Bigelow went on to become the first female director win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California, shot on location throughout California in Malibu, Redondo Beach, Dockweiler Beach, Ecola State Park, Los Angeles, Manhattan Beach, Pacific Palisades, Santa Monica, Culver City, and Venice Pier, as well as Hawaii, Oahu, Lake Powell, Utah, and Wheeler, Oregon. Front wrapper integral with title page, dated 6/6/90 with 7/1/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. 122 leaves, with last page of text numbered 121. Xerograhic duplication on blue leaves, rectos only. Pages Very Good plus with the title page partially detached, bound with two gold brads. Pink Revision Pages: Front wrapper integral with title page, dated 6/6/90 with 7/1/90 and 7/2/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. Xerographic duplication on pink leaves, rectos only. Pages Near Fine, bound with a single gold brad. Green Revision Pages: Front wraper integral with memo, dated July 10, 1990. Title page present, dated 6/6/90 with 7/1/90, 7/2/90, and 7/10/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. Xerographic duplication on green leaves, rectos only. Pages Very Good plus with a rust stain from a previous paper clip to the top left, unbound. Carlson, Destroy All Movies. Grant US. Silver and Ursini, American Neo-Noir. Spicer US Neo-Noir.