Jan Holmberg (72 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New.

Hardcover. Condition: new. Hardcover. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the countrys most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ARTs post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kunderas Jacques and His Master, or Jonathan Miller on Sheridans School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderons Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsens Hedda Gabbler, or Anatole Smeliansky on Bulgakovs Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figuresDario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many othersand lively articles from the ARTs founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. Here is a treasury of criticism, reflection, observation, and insight from the A.R.T.'s past twenty years, gleaned from its newsletters, conferences, post-production symposia, and pre-show talks, abundantly illustrated with photographs from A.R.T. archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of them Nobel and Pulitzer Prize winners. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ART's post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kundera's Jacques and His Master, or Jonathan Miller on Sheridan's School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderon's Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsen's Hedda Gabbler, or Anatole Smeliansky on Bulgakov's Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figures-Dario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many others-and lively articles from the ART's founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ART's post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kundera's Jacques and His Master, or Jonathan Miller on Sheridan's School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderon's Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsen's Hedda Gabbler, or Anatole Smeliansky on Bulgakov's Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figures-Dario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many others-and lively articles from the ART's founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle.

Condition: new.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9781566632447.

Condition: New. Editor(s): Geidt, Jan; Holmberg, Arthur; Kasper, Lynn. Num Pages: 320 pages, Illustrations, ports. BIC Classification: 1KBB; AN; DNF. Category: (G) General (US: Trade). Dimension: 240 x 166 x 31. Weight in Grams: 658. . 1999. Hardback. . . . .

Hardcover. Condition: Brand New. 320 pages. 9.75x6.50x1.00 inches. In Stock.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Very Good. No Jacket. Jan Pyk (illustrator). 1st Edition. Flygresan illustrated by Jan Pyk. Swedish text. Very Good glossy covers, no unwanted marks & nice corners. Holmberg author from Sweden known for Travel books and detective series. Richly illustrated with cartoon pictures in color by Jan Pyk. Big text. The children Hillevi and Henrik will be allowed to fly from Stockholm to the cousins in Gotland. This is their first flight and they will fly themselves.

Hardcover. Condition: Fine. Norstedts, 2018. Förlagets helklotband med monterad pärmbild. Nära nyskick. 288 s. Svensk text / Swedish text.

Condition: New. Editor(s): Geidt, Jan; Holmberg, Arthur; Kasper, Lynn. Num Pages: 320 pages, Illustrations, ports. BIC Classification: 1KBB; AN; DNF. Category: (G) General (US: Trade). Dimension: 240 x 166 x 31. Weight in Grams: 658. . 1999. Hardback. . . . . Books ship from the US and Ireland.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. A very clean and tight copy with no marks or inscriptions.

Hardback. Condition: New. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ART's post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kundera's Jacques and His Master, or Jonathan Miller on Sheridan's School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderon's Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsen's Hedda Gabbler, or Anatole Smeliansky on Bulgakov's Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figures-Dario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many others-and lively articles from the ART's founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New. KlappentextrnrnA treasury of criticism, commentary, observation, and insight from twenty years of the American Repertory Theatre, abundantly illustrated with photographs from A.R.T. archives. The notable contributors include a great many brillia.

155 s. Illustrerad. Häftad. Antikvariskt exemplar.

Hardcover. Condition: new. Hardcover. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the countrys most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ARTs post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kunderas Jacques and His Master, or Jonathan Miller on Sheridans School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderons Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsens Hedda Gabbler, or Anatole Smeliansky on Bulgakovs Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figuresDario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many othersand lively articles from the ARTs founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. Here is a treasury of criticism, reflection, observation, and insight from the A.R.T.'s past twenty years, gleaned from its newsletters, conferences, post-production symposia, and pre-show talks, abundantly illustrated with photographs from A.R.T. archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of them Nobel and Pulitzer Prize winners. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

190 s. Illustrerad. Förlagsband.

Buch. Condition: Neu. Neuware - The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ART's post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kundera's Jacques and His Master, or Jonathan Miller on Sheridan's School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderon's Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsen's Hedda Gabbler, or Anatole Smeliansky on Bulgakov's Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figures-Dario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many others-and lively articles from the ART's founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle.

289 s. Förlagets dekorerade klotband.

Hardback. Condition: New. The resident repertory company in Cambridge, Massachusetts, affiliated with Harvard and known as the American Repertory Theatre, has long been considered one of the country's most innovative cultural resources. The quality of its productions and the issues it has raised about the nature of the creative life have distinguished it among American theatre groups. Here is a treasury of criticism, reflection, observation, and insight from the ART's post-production symposia, and pre-show talks, illustrated with photographs and drawings from ART archives. The notable contributors include a great many brilliant poets, novelists, dramatists, critics, scholars, lawyers, theatre directors, designers, and clowns, many of the Nobel and Pulitzer Prize winners. Whether Susan Sontag reflects on Milan Kundera's Jacques and His Master, or Jonathan Miller on Sheridan's School for Scandal, or Jan Kott on Hamlet, or Carlos Fuentes on Calderon's Life is a Dream, or Derek Walcott on his musical Steel, or Harold Bloom on Ibsen's Hedda Gabbler, or Anatole Smeliansky on Bulgakov's Black Snow, the discourse is heightened and passionate. The book also includes revealing interviews with major theatrical figures-Dario Fo, Philip Glass, Robert Wilson, Andrei Serban, David Mamet, and many others-and lively articles from the ART's founding artistic director Robert Brustein, its managing director Robert J. Orchard, and a variety of literary directors and dramaturges. In all, The Lively A.R.T. is a bountiful theatre experience, better than two on the aisle.