Jason Steuber (40 results)

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

hardcover. Condition: Good. Satisfaction 100% guaranteed.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Hardback with dust jacket. Dust jacket is in good condition. Cover edges and corners in good shape. Spine is tight. Pages are clean, no markings, notes or stains. If not for a green sticker on spine the book would be listed as like new. Ships from Friends bookstore to benefit Beaverton (Oregon) library.…

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

hardcover. Condition: Good. Dust Jacket Condition: Good.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st. Dust jacket in clear protector. Contains seven essays: 1. A Flash in the Pan: The "Bushell Bowl" Controversy Revisited by Nick Pearce; 2. Canon Formation and the Development of Western Chinese Art History by Roger Covey; 3. Pigment Style and Workshop Practice in the Yuan Dynasty Wall Paintings from the Lower Guangsheng Monastery by Ling-En Lu; 4. Qing Dynasty Emperors Kangxi and Qianlong: Rule through Replication in Architecture and the Arts by Jason Steuber; 5. Replicating the Past: Ink Rubbing and Its Related Ideas in Contemporary Chinese Art by Wei-Ching Lin; 6. Copying and Transmitting, Knowledge and Nonsense: From the Great Encyclopedia to "A Book from the Sky" by Shane McCausland; 7. Some Considerations of the Bronze Inscription Techniques Used during the Shang and Zhon Dynasties by Changping Zhang. Profusely illustrated in color. 302pp 4.82lb 12.2x10.5x1.1in.…

Condition: New.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover with dustjacket, 268 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condition: Very Good. Harn Museum of Art, University of Florida [Published Date: 2017]. Soft cover, 82 pp. Catalog for an exhibition held at the Samuel P. Harn Museum of Art, David A. Cofrin Asian Art Wing, North Gallery, March 21, 2017 - November 25, 2018. In very good condition. Black illustrated paper covers have light bumping to edges and light overall scuffing. Binding tight. Pages clean and unmarked. NOT Ex-Library. NO remainder marks. Full color illustrations [From publisher] The art of miniatures takes many forms and exists across time and cultures. Issues of size, scale, modeling, ownership, production, and historical and contemporary functions of miniatures will be examined. Questions that will be addressed include: How do views and inquiries of the artist, scientist, and designer benefit from comparisons and contrasts of a miniaturization of a work? What are perspective and scale in the arts? How do we define how we see things? This exhibition, which is drawn from the Harn's permanent collection of Asian art, highlights an overlooked theme in Asian art and presents a unique opportunity to remind viewers that art comes in all shapes and sizes. It also illuminates the investigation by our collective via constant inquiries into size, scale, modeling, technique, means/opportunities, and intellectual and theoretic growth. Why Mini? Why Now? Miniature artworks on display in museums often are overshadowed by monumental works. Show Me the Mini is organized to remind us that we are surrounded by that which is small and tiny, and that our languages reflect this reality. We encounter "mini" automobiles, microwave "mini" snacks, and endure micro-derm abrasion therapies to alter the way we look. Cutting edge research and technologies, such as those being developed by our University of Florida exhibition partner, Nanoscience Institute for Medical and Engineering Technology (NIMET), allow tiny technological devices to improve healthcare and better our understanding of the seen and unseen worlds around us. Show Me the Mini therefore demonstrates that creating and investigating miniatures have always been the case for artists and scientists no matter where or when they lived.…

Hardcover. Condition: new. Hardcover. "I congratulate the Samuel P. Harn Museum of Art on its twentieth birthday. This catalogue, which highlights those twenty years of collecting, is an impressive tribute to the museum's donors and supporters as well as to the staff."--Brian A. Dursum, director, University of Miami Lowe Art Museum The Samuel P. Harn Museum of Art at the University of Florida opened in 1990, dedicated to promoting the power of the arts to inspire, educate, and enrich people's lives. Today, more than 7,400 works are represented in the Harn's various collections. This brilliantly illustrated volume is the museum's first overall collection catalogue. It offers 50 highlights from the museum's five major collecting areas--African art, Asian art, contemporary art, modern art, and photography--as well as selections from its ancient American and Oceanic collections. Featuring fine, full-page photography and expert commentary from the curators, it is the most complete guide to the museum's collection ever produced. In addition, this innovative volume also provides a history of the facility and offers exclusive, behind-the-scenes information about registration, education, development, marketing, public relations, and community engagement. The result is a truly comprehensive and fascinating look at the Harn's collection, history, and operations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Clean cover boards, unmarked pages. Binding is tigh. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Very Good. Secure packaging for safe delivery.

Condition: New.

Hardcover. Condition: new. Hardcover. For both museums and collectors, questions of ""authenticity"" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Hard Cover. Condition: Near Fine. Near Fine. Essays on Production, Reproduction and interpretation in the Arts of China.

Condition: Very Good. Dust jacket has light scratches and outer edges have minor scuffs, book content is in like new condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book measures 36x27cm, 234pp. Illustrated throughout. Bound in original publishers cloth, with red title lettering on spine and top board. Binding in fine condition. Dust jacket lightly rubbed. Jacket in good clean condition. Internally, pages clean, near fine. A very good clean copy. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 4to. 240pp. Publishers cloth in original dustwrapper. Colour illustrations throughout. Fading to spine and slight wear to edges of dustwrapper. No inscriptions. PBFA Member. We welcome direct contact with our customers. Contact Neil Ewart Rare Books if you require any further information or images. Heavy item - Will require additional shipping costs on overseas orders.…

Condition: New.

Hardcover. Condition: Brand New. 1st edition. 268 pages. 12.25x10.25x1.25 inches. In Stock.

Soft cover. Condition: Very Good. 676pp. Illustrated in colour. heavy item, may attract additional postage.

Condition: New. Editor(s): Pearce, Nicholas; Steuber, Jason. Num Pages: 320 pages, Illustrations (chiefly col.), col. map. BIC Classification: ACBP. Category: (G) General (US: Trade). Dimension: 305 x 254 x 33. Weight in Grams: 1200. . 2012. Hardcover. . . . .

Condition: New. &Uumlber den AutorJason Steuber is Cofrin Curator of Asian Art, Laura K. Nemmers is registrar, and Tracy E. Pfaff is development coordinator at the Samuel P. Harn Museum of Art, one of the largest university-affiliated art museums in.

Hardcover. Condition: Brand New. 414 pages. 12.25x10.25x1.75 inches. In Stock.

Condition: New. Editor(s): Pearce, Nicholas; Steuber, Jason. Num Pages: 320 pages, Illustrations (chiefly col.), col. map. BIC Classification: ACBP. Category: (G) General (US: Trade). Dimension: 305 x 254 x 33. Weight in Grams: 1200. . 2012. Hardcover. . . . . Books ship from the US and Ireland.