Jean Jungmann (18 results)

Condition: Neuf.

Soft cover. Condition: Near Fine. 1st Edition. Folio, 144 pages, illustrated throughout in black and white and color. Illustrated black wrappers. Lightly used but still very good. - First edition of this fancy architectural magazine, designed by Renate Foxe (maquette) and printed in photogravure.

Condition: Neuf.

Condition: Good. Collection of designs, drawings, and projecdts for Rome by contemporary architects and planners, including Coop Himmelblau, Jean Nouvel, Zaha Hadid, Tschumi, others. Text in French with brief English translation. First edition. 34 cm; 143 pp.; illustrated. Wear to bottom of spine; good copy only in wrappers. …

Condition: Neuf.

Couverture souple. Condition: Comme neuf. Edition originale. 190 pp.

Couverture souple. Condition: Comme neuf. COLLECTION SAVOIR-FAIRE DE L'ARCHITECTURE-190 PAGES-24 CM X 32 CM-(200A).

Condition: Bueno. EN BUEN ESTADO.

Broché, 34X23 cm, 1988, 107 pages, nombreuses illustrations en noir et en couleurs, vaisseau de pierres 3, éditions Champ vallon. Très bon état.

paperback. Condition: Very Good. Terzo numero originale della rivista semestrale di architettura fondata nel 1977 e diretta dall'architetto e teorico francese Jean-Paul Jungmann - Brossura editoriale di grande formato (30x40 cm circa), 110 pagine in gran parte illustrate in bianco e nero. Lievi tracce d'uso e del tempo alla copertina; nel complesso ottimo esemplare di un'affascinante pubblicazione -- CONTENUTI di questo numero: Editoriaux: Déraisons de l'architecture (Tonka); Fond de grisaille sur fondu enchaîné (Jean Aubert); Ecrire un projet (Jean- Paul Jungmann) - La malédiction des Halles : un coeur prétendu. (Tonka) - Les Halles, Paris (Jean Aubert, Tonka, 1979-1980) - Invention et dessin pour le quartier des Halles (Ennemond Alexandre Petitot, 1727-1801) - Architecte à la Cour royale de Parme, correspondant de l'Académie de Paris, (Aurelio Cortesi et son élève Paolo Zermani, traduction et diplomatie Serena della Vedova, 1979-1980) - Opéra des Halles, projet scénographique pour l'aménagement des Halles (Tamas Zanko, 1979-1980) - Phénomène de parthénogénèse architecturale au Forum des Halles (Jean Criton, 1979- 1980) - poème: L'invasion de la viande (Elie Delamare-Debouteville) - Projet d'aménagement des jardins du musée du Louvre face aux trois pavillons Sully, Richelieu et Denon. Série de caprices en hommage à J.-B. Piranèse (Gérard Diaz, 1980) - La gare vers l'est (Jean-Paul Jungmann, 1978-1980).…

Softcover. Condition: Gut. 151 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. A2534 2903539316 Sprache: Französisch Gewicht in Gramm: 1050.

Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film, here under the original French title. All rubber-stamped on the verso, crediting photographer Jungmann, and all but one show director Lamorisse on-stage behind a microphone with an official from the gala, with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope, addressed to Maryse Martres in manuscript ink, with a memo on Cinedis parchment from "F. Willkomm," signed by him in manuscript ink, and dated December 30, 1960, noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse, citing the inclusion of travel tickets to Strasbourg and Marseilles, and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. Little is known of Willkomm, but the memo does bear his rubber-stamp, crediting him as the Cinedis director of the Strasbourg location. Martres (Martin) was a prolific French actress since 1948, notably "Girl on the Third Floor" (1955) and "The Happy Road" (1957), and she was later involved in press relations at Cinedis, a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund (UNFPA). Photographer Jungmann is equally obscure, but seems to have been prolific in the 1960s, mostly for press relations. Director Lamorisse starred his own son, Pascal, as a boy who stows away on his grandfather's (Gille) hot-air balloon that is less controllable than suspected. They narrowly escape church spires, and snag clotheslines and party guests, Pascal enjoying every minute. Lemmon narrated the English version, and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. Photos 5 x 7 inches, small white borders, Near Fine. Envelope and memo slightly larger, Very Good plus overall. Carbon typescript 8.25 x 10.5 inches, pink stock, Very Good plus.…

Aérolande, L'Ivre de Pierres, 1977, 102 p., broché, environ 40x30cm. Dos insolé, bords de la couverture et mors frottés. Bon état pour le reste et intérieur propre. Contient : L'ivre d'encres par Tonka - L'utopie est insaisissable par Bleskine - Récit autour d'une ruine future sur la colline de Chaillot ou le bel aujourd'hui (première partie) par Jungmann - Un forum au coeur du Paris révolutionnaire. Le projet de Théâtre des Arts de Charles de Wailly par Rabreau - Les jardins de l'Ourcq et le Palais des Thermes de la Villette (première partie) par Aubert - Projet pour le temple de Saint-Hubert au Châtelet par Theimer - Projet pour un nouveau quartier (une ville dans la ville) dans la ville de Paris en l'an 1976 sur les lieux des anciens abattoirs de la Villette par Léon Krier - De l'espace tropologique : un premier crayon de mausolées. pour la place de la Concorde, par Lequeu, le 15 janvier 1815, restauré par Philippe Duboy.…

Aérolande, L'Ivre de Pierres, 1978, 94 p., couverture par Tonka, broché, environ 40x30 cm. Couverture insolée, un mors en partie fendu, petit manque de papier sur le bas du dos, une petite fente en bordure du second plat. Intérieur propre. Contient : Une seule voix, monologue sur papier d'architecture, par Tonka - Le quare des égoutiers au bassin de l'Arsenal par Aubert - Acronisia mutikos, monument de treillage pour le lieu-dit du bout du monde de l'île Saint-Louis à Paris par Albert et Richir - L'apparaître de la ville. Cahiers 1 : le théâtre des événements ou la Révolution mise en scène, Quatre projets de décors pour la fête de la liberté par l'architecte Brongniard par Mosser. Cahiers 2 : de la place Louis XV, projets et réalisations d'après les gravures publiées par Pierre Patte, assortis de quelques jugements du temps ou peu éloignés, séquence de Rabreau - Récits autour d'une ruine future sur la colline de Chaillot, ou le bel aujourd'hui (2e partie) par Jungmann - Le désert de Retz ou extraits d'un projet de programme pour la reconstruction du temple d'une ville dans une autre ville par Martinuzzi - Le jardin à la ville ou le voyage immobile, panorama par Auricoste et Vernes.…

[19697].

Archive of 38 vintage black-and-white press photographs of actress Francoise Arnoul at a release party for the 1956 French-Italian film at the Cinema des Arcades. All photos with annotations on the verso in manuscript pencil. Photographed by Jean Jungmann and developed in his Strasbourg photography store, Portrait d'Art, with his imprint in the lower right of the photos, and all inside an original envelope from the story. Arnoul is seen signing autographs, gracefully smoking a cigarette, and accepting flowers on stage, as well as cavorting with costars of the film, including French-Armenian director Verneuil. Fracoise (Arnoul) is a hotel employee, smitten with a valet named Gerard (Risso), and may or may not be related to wealthy businessman, Henri (Boyer), Gerard's boss. Arnoul's last collaboration with director Verneuil, the others being "Forbidden Fruit" (1952), "The Sheep Has Five Legs" (1954), "The Lovers of Lisbon" (1955), and "People of No importance" (1956). 5 x 7 inches. Very Good plus overall, with moderate curling. Envelope Good.…

Collection of 18 original single weight press photographs from a gala surrounding the 1961 French-Italian-West German-Japanese film. Most of the photos represent actress Kishi, here as "Kiski," in kimono, and director Ciampi, on-stage behind a microphone and signing autographs, presumably at the French premiere. Several photographs are rubber-stamped on the versos, crediting photographer Jungmann or Andre, also for Bar-le-Duc. Also included are a few leaves documenting travel expenses and locations associated with the film, and a memo mentioning Kishi's travels, signed by "F. Willkomm" at Cinedis, the film's distribution company, addressed to Maryse Martres, dated May 29, 1961. All photos and memo housed in original mailing envelopes with annotations in manuscript ink on the recto of the larger. Little is known of Willkomm, but Martres (Martin) was a prolific French actress since 1948, notably "Girl on the Third Floor" (1955) and "The Happy Road" (1957), and she was later involved in press relations at Cinedis, a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund (UNFPA). Based on the true story of Richard Sorge, who was a spy for the USSR, working at the German Embassy in Japan between 1935 and 1943. Holtzman plays Sorge, and Kishi plays Yuki, presumably involved with Sorge romantically and within the workings of his spy ring. Sorge's story was adapted once more, "Spy Sorge (2003), a Japanese film directed by Masahiro Shinoda. Photos range from 3.5 x 6 inches to 7 x 9 inches, several with white borders. Very Good plus overall, slight curling and light creasing. Envelopes, memo, and travel ephemera Very Good overall.…

Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film, here under the original French title, "Terrain vague." All photographs housed in a large brown folder with the French title in manuscript ink on the flap. Based on Hal Ellson's groundbreaking 1950 cult novel "Tomboy." Dan (Gaubert) is a tough gang leader who dresses and fights like a man. She and two others, including Babar (Bras) are ostracized due to their behavior, and she falls in love with Lucky (Cafarelli) while Babar commits suicide. A late entry for film noir regular and poetic realist Carné, whose notable credits include "Port of Shadows" (1938), "The Devil's Envoys" (1942), and "Children of Paradise" (1945). Set in Paris. Photos range in size from 4.75 x 6.75 inches to 9 x 11.25 inches. Very Good plus overall, foxing to versos, light curling and rubbing.…