Joan Didion (Over 4,100 results)

Language: English
Published by Random House USA Inc, 1994
- Softcover
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Paperback. Condition: Very Good. "Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. Didion "brings the country to life" (The New York Times), delivering an anatomy of a particular brand of political terror--its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, Didion interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear." Here, the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean gives us a book that is germane to any country in which bloodshed has become a standard tool of politics. …

Language: English
Published by Random House USA Inc, 1994
- Softcover
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Paperback. Condition: Good. "Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. Didion "brings the country to life" (The New York Times), delivering an anatomy of a particular brand of political terror--its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, Didion interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear." Here, the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.…

Language: English
Published by Vintage, 1994
- Softcover
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- Softcover
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- Softcover
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Paperback. Condition: Good. From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean--a gorgeously written, bitterly funny look at the relationship between politics and personal life. Moving deftly between romance, farce, and tragedy, from 1970s America to Vietnam to Jakarta, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase. Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband's handler would like the press to forget that Inez's father is a murderer. And, in 1975, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam. As conceived by Joan Didion, these personages and events constitute the terminal fallout of democracy, a fallout that also includes fact-finding junkets, senatorial groupies, the international arms market, and the Orwellian newspeak of the political class.…

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- Softcover
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Paperback. Condition: Very Good. NATIONAL BESTSELLER * "Didion at her finest" --USA Today * An intricate, fast-paced novel about trying to create a context for democracy and getting hands a little dirty in the process, complete with conspiracies, arms dealing, and assassinations. From the author of The Year of Magical Thinking and Let Me Tell You What I Mean The narrator introduces Elena McMahon, estranged from a life of celebrity fundraisers and from her powerful West Coast husband, Wynn Janklow, whom she has left, taking Catherine, her daughter, to become a reporter for The Washington Post. She finds herself boarding a plane for Florida to see her father. She becomes embroiled in her his business even though "she had trained herself since childhood not to have any interest in what he was doing." It is from this moment that she is caught up in something much larger than she could have imagined. Didion makes connections among Dallas, Iran-Contra, and Castro, and points out how "spectral companies with high-concept names tended to interlock." As this book builds to its terrifying finish, we see the underpinnings of a dark historical underbelly.…

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Paperback. Condition: Good. NATIONAL BESTSELLER * "Didion at her finest" --USA Today * An intricate, fast-paced novel about trying to create a context for democracy and getting hands a little dirty in the process, complete with conspiracies, arms dealing, and assassinations. From the author of The Year of Magical Thinking and Let Me Tell You What I Mean The narrator introduces Elena McMahon, estranged from a life of celebrity fundraisers and from her powerful West Coast husband, Wynn Janklow, whom she has left, taking Catherine, her daughter, to become a reporter for The Washington Post. She finds herself boarding a plane for Florida to see her father. She becomes embroiled in her his business even though "she had trained herself since childhood not to have any interest in what he was doing." It is from this moment that she is caught up in something much larger than she could have imagined. Didion makes connections among Dallas, Iran-Contra, and Castro, and points out how "spectral companies with high-concept names tended to interlock." As this book builds to its terrifying finish, we see the underpinnings of a dark historical underbelly.…

- Hardcover
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Hardback. Condition: Very Good. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR * NEW YORK TIMES BEST SELLER * From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.…

- Hardcover
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Hardback. Condition: Good. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR * NEW YORK TIMES BEST SELLER * From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.…

- Hardcover
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- Hardcover
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- Hardcover
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Language: English
Published by Vintage, 1994
- Softcover
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Hardback. Condition: Very Good. From the best-selling author of the National Book Award-winning The Year of Magical Thinking: two extended excerpts from her never-before-seen notebooks--writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles--and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From. One of TIME's most anticipated books of 2017 One of The New York Times Book Review's "What You'll Be Reading in 2017" Includued among the Best Books of March 2017 by both LitHub and Signature  .…

- Hardcover
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Hardback. Condition: Good. From the best-selling author of the National Book Award-winning The Year of Magical Thinking: two extended excerpts from her never-before-seen notebooks--writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles--and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From. One of TIME's most anticipated books of 2017 One of The New York Times Book Review's "What You'll Be Reading in 2017" Includued among the Best Books of March 2017 by both LitHub and Signature  .…

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- Hardcover
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Language: English
Published by Vintage, 1994
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- Hardcover
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Hardback. Condition: Fair. In 1988, Joan Didion began looking at the American political process for The New York Review of Books. What she found was not a mechanism that offered the nation's citizens a voice in its affairs but one designed by--and for--that handful of insiders who invent, year in and year out, the narrative of public life. The eight pieces collected here from The New York Review build, one on the other, to a stunning whole, a portrait of the American political landscape that tells us, devastatingly, how we got where we are today. In Political Fictions, tracing the dreamwork that was already clear at the time of the first Bush ascendance in 1988, Didion covers the ways in which the continuing and polarizing nostalgia for an imagined America led to the entrenchment of a small percentage of the electorate as the nation's deciding political force, the ways in which the two major political parties have worked to narrow the electorate to this manageable element, the readiness with which the media collaborated in this process, and, finally and at length, how this mindset led inexorably over the past dozen years to the crisis that was the 2000 election. In this book Didion cuts to the core of the deceptions and deflections to explain and illuminate what came to be called the disconnect--and to reveal a political class increasingly intolerant of the nation that sustains it. Joan Didion's profound understanding of America's political and cultural terrain, her sense of historical irony, and the play of her imagination make Political Fictions a disturbing and brilliant tour de force.…

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Language: English
Published by Simon & Schuster, 1983
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