Published by Greenhill Book, 2006
ISBN 10: 187078796X ISBN 13: 9781870787963
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Used book that is in clean, average condition without any missing pages.
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Published by The Courtauld Gallery & The Wordsworth Trust, 2009
ISBN 10: 1905256337 ISBN 13: 9781905256334
Seller: RIVERLEE BOOKS, Waltham Cross, HERTS, United Kingdom
First Edition
Soft cover. Condition: Good. 1st Edition. Paperback in good condition.
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Published by Paul Holberton Publishing, 2020
ISBN 10: 1907372202 ISBN 13: 9781907372209
Seller: medimops, Berlin, Germany
Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Published by Clarion, 1999
Seller: Purpora Books, Comox, BC, Canada
First Edition
Single Sheet. Condition: Fine. First Edition. Single sheet of heavy cream paper, 14" x 10", folded once vertically to make 4 pages, text printed in black with three sample engravings, two in black and one in green.
Published by the Courtauld Gallery, London, 2011
Seller: Syber's Books, Melbourne, VIC, Australia
First Edition
Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. various (illustrator). First Edition. bound in colour illustrated paperback binding. The only damage is a short crease at the bottom left-hand corner of the rear panel. This catalogue presents a rich selection of Victorian drawings and watercolours from the important collection of the Courtauld Gallery, London. It features many previously unpublished works and ranges from informal preparatory drawings for paintings and sculptures to exquisite highly finished exhibition watercolours. There are 7 essays included. Size: Trade Paperback. 136 pages. Please refer to accompanying picture (s). Illustrator: various. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; catalogue; Inventory No: 0237872.
Published by Wolseley Fine Arts, 1995
Seller: Sonnets And Symphonies, Bristol, United Kingdom
Soft cover. Condition: Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good. Soft Cover Wolseley fine Arts 1995 Bibliography.
Published by (London) The Courtauld Gallery & The Wordsworth Trust (), 2008
Seller: Antiquariat Christian Strobel (VDA/ILAB), Irsee, Germany
XII, 166 S. Mit zahlreichen meist farbigen Abbildungen. Kl.-4° (22 x 24,5 cm). Original-Karton. Begleitband zur Ausstellung. - Schönes Exemplar. Gewicht (Gramm): 750.
Published by The Courtauld Gallery & The Wordsworth Trust, 2009
Seller: Armadillo Books, Chapel Hill, NC, U.S.A.
Soft cover. Condition: As New. Mint condition! An "as new" softcover copy -- crisp, bright, and tight -- with no markings or defects of any kind. Includes essays by Andrew Wilton & Cecilia Powell. (166 pages.) All paperbacks are sealed in plastic, packed securely with protective cardboard backing, and shipped promptly.
Published by Wolseley Fine Arts, London, 2000
ISBN 10: 1900883201 ISBN 13: 9781900883207
Seller: The Bookshop at Beech Cottage, Newbury, United Kingdom
First Edition
Soft cover. Condition: Very Good. No Jacket. 1st Edition. 36pp + 4pp white card covers. Total of 97 exhibits (with prices) for display and available for sale. Printed black on white. Staple bound. Front cover woodcut illustration by E M O'R Dickey (Farmers in a Train, c1914). Introduction by Joanna Selborne (pp4-8). Numerous artists' wood engravings are illusated n this catalaogue - including work by John Buckland Wright; John Farleigh; Robert Gibbings; Eric Gill; David Jones; Clare Leighton; John Nash; Paul Nash; Eric Ravioious; Lettice Sandford and Clifford Webb. Slightly dusty spine area. Previous owner's inscription on title page. Otherwise in VG+ condition.
Published by Courtauld Gallery, London, 2017
ISBN 10: 1911300237 ISBN 13: 9781911300236
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. 1st Edition. Square 4to in colour printed stiff card covers, 72pp on stiff art paper, colour plates, etc CONDITION: VERY GOOD, a clean and tight copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Published by British Library Board, 2001
ISBN 10: 0712347356 ISBN 13: 9780712347358
Seller: Oblivion Books, Seattle, WA, U.S.A.
paperback. Condition: Very Good. Very Good Softcover. Clean text -- NO writing, NO highlighting to text. Very Good condition. Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders.
Published by Wolseley Fine Arts, London, 1995, 1995
Seller: ROBIN SUMMERS BOOKS LTD, Aldeburgh, United Kingdom
First Edition
Condition: Very Good. First edition. Paperback. Very good indeed. Limited to 500 copies.
Published by British Library, London, 2003
ISBN 10: 0712347925 ISBN 13: 9780712347921
Hardcover. Black cloth boards with gilt stamped spine lettering. Aqua dust jacket with BW illustration adn white lettering. 152 pp. Illustrations. "From the late nineteenth century, wood engraving ceased to be a reproductive process and became a medium for creative expression. In this revival one of the most prolific and significant engravers was Gwen Raverat (1885-1957), the only women to become a founder-member of the Society of Wood Engravers. Gwen was the granddaughter of Charles Darwin and is still today widely admired for her delightful autobiography Period Piece with its amusing drawings. She grew up in Cambridge, whose river, fens, and trees were the source of her enduring love for landscape and provided themes of universal and lasting appeal. Gwen had been trained as a painter, and therefore visualised subjects in tone rather than line. She had an impressionistic approach to form, expressing it in terms of light - her skill at conveying atmosphere and different qualities of light was unrivalled. Gwen also had a strong sense of character as is shown by her numerous illustrations to children's books." "This book was first published in a limited edition of 300 copies, handprinted by Simon Lawrence at his Fleece Press. It contains the first in-depth assessment of Gwen Raverat as a wood engraver, exploring her technique and her experiments with colour prints. In addition it contains the first catalogue of all her engravings, whether on hard- or soft-wood or lino, and the first descriptive bibliography of the books and ephemera which she illustrated. It is illustrated throughout with examples of her work."--Jacket. VG/VG- light wear to dust jacket extremities.
Published by British Library Board, 2001
Seller: Structure, Verses, Agency Books, Spray, OR, U.S.A.
Condition: Fine. Revised Edition. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the printed, illustrated covers. A big, tall, fat, heavy quarto format copy, pristine of interior. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. Multiple chapters devoted to the history of British woodcut art and artists, including Thomas Bewick, William Blake, Edward Calvert, Joseph Crawhall, William Nicholson, Edward Gordon CraigEric Gill, David Jones, St. Dominic's Press, Gwen RaveratEdward Wadsworth, Robert Gibbings, Paul Nash, John Nash, and others. xxiii + 443 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Published by Clarendon Press, Oxford, 1998
ISBN 10: 019817408X ISBN 13: 9780198174080
Seller: Old Hall Bookshop, ABA ILAB PBFA BA, Brackley, United Kingdom
First Edition
Blue Black Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Clarendon Studies in the History of Art (General editor Dennis Farr), xxiii, 433pp, black & white illustrations, pages clean and crisp, blue/black cloth, gilt spine lettering, dust jacket has only light wear, spine slightly sunned. PLEASE NOTE THIS IS A LARGE HEAVY BOOK AND WE WILL ASK FOR ADDITIONAL POSTAGE TO SEND IT OVERSEAS. Size: Quarto. Illustrated.
Published by Clarendon Press, 1998
First Edition Signed
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Hardback with dust-wrapper. 28.5 x 22.5cm. 433pp. With 212 b&w plates within the text. Presentation inscription from Joanna Selborne to David Knott on title page. 1st edition 1998. Includes a private invitation tucked into front. D/w spine is a little discoloured with minor edge wear. Contents clean. Signed by Author(s).
Cloth. Condition: Very Good Plus. Dust Jacket Condition: Very Good Plus. Book measures 28.5x23.cm. xxiii, 433pp, illustrated. Bound in original publishers blue cloth, with gilt crest and title lettering. Binding in very good clean condition. Dust jacket in very good clean condition. Internally, pages clean throughout. A very nice clean copy. F Size: Quarto.
Published by The British Library and Oak Knoll Press, 2001
ISBN 10: 0712347356 ISBN 13: 9780712347358
2001, xxiii,433pp. Illustrated. Paperback. 27,5x22cm. 1,9kg. In very good condition. Pakketzending.
Published by British Library; Oak Knoll Press,, London & New Castle,, 2001
ISBN 10: 0712347356 ISBN 13: 9780712347358
First Edition
Paperback. Condition: Fine. First Paperback Edition. 4to. 28cm by 22cm. pp xxiii, 433. Large format paperback. Copiously illustrated in black and white throughout. This book is heavy, and delivery costs may be a consideration especially outside Britain. ISBN: 0712347356 About fine.
Published by Clarendon Press, 1998
ISBN 10: 019817408X ISBN 13: 9780198174080
Seller: Windsor Rare Books, Windsor, BERKS, United Kingdom
First Edition
Hardcover. Condition: Near Fine. 1st Edition. A lovely tight copy in excellent condition. Original black cloth with gilt title in a very good dust jacket with just minor bumping to extremities. Contents are bright and clean. 28.5x22.5cm, 433pp, 29x23cm. With numerous fantastic illustrations. A heavy item. Free postage to the UK. Please email to confirm the extra postage charges for dispatch to outside the UK. Thank you.
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Published by Oak Knoll Press, 2001
ISBN 10: 1584560592 ISBN 13: 9781584560593
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
Published by The British Library and Oak Knoll Press, London. New Castle., 1998
Seller: Madoc Books (ABA-ILAB), Llandudno, CONWY, United Kingdom
First Edition
Soft cover. Condition: Near Fine. 1st Edition. In printed soft covers, spine title. Internally, half title, frontis, [7], (viii-xxiii), [1], [1], 2-433 pp, 213 illustrations, includes Gill, Nash, Jones Ravilious and much more. (277*217 mm).
Published by Clarenden Press: Oxford, 1998
Seller: John K King Used & Rare Books, Detroit, MI, U.S.A.
First Edition
11 x 9, cloth, 433 pp, 212 plates, bib, index, 019817408x, a couple small wear spots to jacket, fine in vg jacket. FIRST ED.
Published by Oxford Clarendon Press 1998, 1998
Seller: Harrison-Hiett Rare Books, Richelieu, France
First Edition
First Edition. Clean and tidy dust wrapper. Dark blue boards with gilt title to spine. In a very good condition. 433 pages. Over 200 b/w plates. 285 x 225 mm (11¼ x 8¾ inches).
Published by Oxford University Press,, Oxford:, 1998
ISBN 10: 019817408X ISBN 13: 9780198174080
Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Number 19 in the Clarendon Studies in the History of Art series. Black and white illustrations throughout. First printing. Light foxing on top edge, else near fine in a near fine dust jacket.; 433 pages.
Published by Clarendon 1998, 1998
Seller: Peter J. Hadley Bookseller ABA ILAB, Ludlow, United Kingdom
First Edition
VG bright copy in publishers cloth in like slghtly rubbed and creased dustjacket. 1st edition, 1st issue of elusive and important study. British wood-engraved book illustration from the beginning of the century until the beginning of the Second World War were among the most versatile and inventive of the graphic arts. In a climate of typographical renaissance, various wood-engravers made a significant impact on the appearance of the printed page, transforming good books into works of art and influencing modern standards of book production. This book reveals the methods by which these pioneering artists broke with 19th-century illustrative practices. The author surveys the subject in relation to the cultural and historical background, and within the context of mainstream developments in the visual arts, placing emphasis on the working relationship of illustrators with both private presses and commercial publishers. Detailed study of unpublished material, including art school records, publishers' and print societies' archives, and artists' correspondence, throws new light on the work and practices of the more innovative wood engravers. This book is intended for art historians, book-illustrators, specialists in printmaking and graphic art, curators of museum print departments ISBN 019817408X.
limited edition, one of 260 copies from a total edition of 300 copies. Yellow cloth spine, marbled paper boards made by Ann Muir. Paper label to spine. Contained in a matching slipcase. 13ins x 9.25ins, 149pp plus colophon. Many illustrations within the text, some tipped-in, a few in colour including a tissue guarded self portrait. Fine in VG nr F slipcase.
Published by Denby Dale, Huddersfield: Simon Lawrence at his Fleece Press, 1996., 1996
Seller: OJ-BOOKS ABA / PBFA, SOLIHULL, United Kingdom
One of an edition limited to 300 copies, 260 of which (as the one offered here) were bound in quarter cloth and marbled paper made by Ann Muir, thirty of which were bound in quarter vellum and contained a loose print by Gwen Raverat, and ten of which were bound by Angela James to her own design. The text is set in Scotch Roman and printed on Zerkall paper. Printed label to the spine. Folio, 13" x 9½", pp. [1-6] 7-148 [10, including the colophon]. A book in Fine condition housed in a Fine board and cloth bound slipcase.
Published by The Fleece Press, Denby Dale, 2022
ISBN 10: 1916335535 ISBN 13: 9781916335530
First Edition
Hardcover. Condition: Fine. 1st Edition. A truly splendid set of the two volumes. Brings together text amounting to a quarter of a million words with a huge quantity of work produced by the members during the first 20 or so years of the Society. Biographies of almost every one of the 342 exhibiting engravers will be published for the first time, alongside the transcribed minute books of the Society, surviving correspondence, press cuttings, private view invitations, posters, and the entire list of exhibited prints. A useful overview of these early S.W.E. days is provided in an Introduction by Joanna Selborne.This is without any doubt the most complex and challenging book that the Press has published. 638pp.
Published by The Fleece Press, Upper Denby,, 2022
Seller: Bertram Rota Ltd, Kintbury, United Kingdom
First Edition
First Edition. Colour frontispieces, colour and black-and-white plates and illustrations throughout, some tipped-in One of 475 copies, being one of 335 standard copies. Set in William on Olin Regular Natural White Two volumes Large 4to Fine copy, as new, in slipcases Not in Rogerson This huge and extraordinarily compendious work is described by Simon Lawrence, the author and publisher, as "without any doubt the most complex and challenging book that the Press has published . also the most satisfying." Blue quarter cloth, patterned boards, spines with printed labels.